Never been here before. It's like something on the top floor of a luxury high-rise casino in Atlantic City, where they put semi-retarded adults from South Philly after they've blundered into the mega-jackpot. It's got everything that a dimwitted pathological gambler would identify with luxury: gold-plated fixtures, lots of injection-molded pseudomarble, velvet drapes, and a butler.
None of the U-Stor-It residents ever use The Lavatory Grande Royale. The only reason it's here is that this place happens to be across the street from LAX. Singaporean CEOs who want to have a shower and take a nice, leisurely crap, with all the sound effects, without having to hear and smell other travelers doing the same, can come here and put it all on their corporate travel card.
The butler is a thirty-year-old Centroamerican whose eyes look a little funny, like they've been closed for the last several hours. He is just throwing some improbably thick towels over his arm as Hiro bursts in.
"Gotta get in and out in five minutes," Hiro says.
"You want shave?" the butler says. He paws at his own checks suggestively, unable to peg Hiro's ethnic group.
"Love to. No time."
He peels off his jockey shorts, tosses his swords onto the crushed-velvet sofa, and steps into the marbleized amphitheatre of the shower stall. Hot water hits him from all directions at once. There's a knob on the wall so you can choose your favorite temperature.
Afterward, he'd like to take a dump, read some of those glossy phone book-sized magazines next to the high-tech shitter, but he's got to get going. He dries himself off with a fresh towel the size of a circus tent, yanks on some loose drawstring slacks and a T-shirt, throws some Kongbucks at the butler, and runs out, girding himself with the swords.
It's a short flight, mostly because the military pilot is happy to eschew comfort in favor of speed. The chopper takes off at a shallow angle, keeping low so it won't get sucked into any jumbo jets, and as soon as the pilot gets room to maneuver, he whips the tail around, drops the nose, and lets the rotor yank them onward and upward across the basin, toward the sparsely lit mass of the Hollywood Hills.
But they stop short of the Hills, and end up on the roof of a hospital. Part of the Mercy chain, which technically makes this Vatican airspace. So far, this has Juanita written all over it.
"Neurology ward," Major Clem says, delivering this string of nouns like an order. "Fifth floor, east wing, room 564."
The man in the hospital bed is Da5id.
Extremely thick, wide leather straps have been stretched across the head and foot of the bed. Leather cuffs, lined with fluffy sheepskin, are attached to the straps. These cuffs have been fastened around Da5id's wrists and ankles. He's wearing a hospital gown that has mostly fallen off.
The worst thing is that his eyes don't always point in the same direction. He's hooked up to an EKG that's charting his heartbeat, and even though Hiro's not a doctor, he can see it's not a regular pattern. It beats too fast, then it doesn't beat at all, then an alarm sounds, then it starts beating again.
He has gone completely blank. His eyes are not seeing anything. At first, Hiro thinks that his body is limp and relaxed. Getting closer, he sees that Da5id is taut and shivering, slick with perspiration.
"We put in a temporary pacemaker," a woman says.
Hiro turns. It's a nun who also appears to be a surgeon.
"How long has he been in convulsions?"
"His ex-wife called us in, said she was worried."
"Juanita."
"Yes. When the paramedics arrived, he had fallen out of his chair at home and was convulsing on the floor. You can see a bruise, here, where we think his computer fell off the table and hit him in the ribs. So to protect him from further damage, we put him in four-points. But for the last half hour he's been like this - like his whole body is in fibrillation. If he stays this way, we'll take the restraints off."
"Was he wearing goggles?"
"I don't know. I can check for you."
"But you think this happened while he was goggled into his computer?"
"I really don't know, sir. All I know is, he's got such bad cardiac arrhythmia that we had to implant a temporary pacemaker right there on his office floor. We gave him some seizure medication, which didn't work. Put him on some downers to calm him, which worked slightly. Put his head into various pieces of imaging machinery to find out what the problem was. The jury is still out on that."
"Well, I'm going to go look at his house," Hiro says. The doctor shrugs.
"Let me know when he comes out of it," Hiro says.
The doctor doesn't say anything to this. For the first time, Hiro realizes that Da5id's condition may not be temporary.
As Hiro is stepping out into the hallway, Da5id speaks, "e ne em ma ni a gi a gi ni mu ma ma dam e ne em am an ki ga a gi a gi…"
Hiro turns around and looks. Da5id has gone limp in the restraints, seems relaxed, half asleep. He is looking at Hiro through half-closed eyes. "e ne em dam gal nun na a gi agi e ne em u mu un abzu ka a gi a agi…"
Da5id's voice is deep and placid, with no trace of stress. The syllables roll off his tongue like drool. As Hiro walks down the hallway he can hear Da5id talking all the way.
"i ge en i ge en nu ge en nu ge en us sa tur ra lu ra ze em men…"
Hiro gets back into the chopper. They cruise up the middle of Beachwood Canyon, headed straight for the Hollywood sign.
Da5id's house has been transfigured by light. It's at the end of its own little road, at the summit of a hill. The road has been blocked off by a squat froglike jeep-thing from General Jim's, saturated red and blue light sweeping and pulsing out of it. Another helicopter is above the house, supported on a swirling column of radiance. Soldiers creep up and down the property, carrying hand-held searchlights.
"We took the precaution of securing the area," Major Clem says.
At the fringes of all this light, Hiro can see the dead organic colors of the hillside. The soldiers are trying to push it back with their searchlights, trying to burn it away. He is about to bury himself in it, become a single muddy pixel in some airline passenger's window. Plunging into the biomass.
Da5id's laptop is on the floor next to the table where he liked to work. It is surrounded by medical debris. In the middle of this, Hiro finds Da5id's goggles, which either fell off when he hit the floor, or were stripped off by the paramedics.
Hiro picks up the goggles. As he brings them up toward his eyes, he sees the image: a wall of black-and-white static. Da5id's computer has snow-crashed.
He closes his eyes and drops the goggles. You can't get hurt by looking at a bitmap. Or can you?
The house is sort of a modernist castle with a high turret on one end. Da5id and Hiro and the rest of the hackers used to go up there with a case of beer and a hibachi and just spend a whole night, eating jumbo shrimp and crab legs and oysters and washing them down with beer. Now it's deserted, of course, just the hibachi, which is rusted and almost buried in gray ash, like an archaeological relic. Hiro has pinched one of Da5id's beers from the fridge, and he sits up here for a while, in what used to be his favorite place, drinking his beer slowly, like he used to, reading stories in the lights.
The old central neighborhoods are packed in tight below an eternal, organic haze. In other cities, you breathe industrial contaminants, but in L.A., you breathe amino acids. The hazy sprawl is ringed and netted with glowing lines, like hot wires in a toaster. At the outlet of the canyon, it comes close enough that the light sharpens and breaks up into stars, arches, glowing letters. Streams of red and white corpuscles throb down highways to the fuzzy logic of intelligent traffic lights. Farther away, spreading across the basin, a million sprightly logos smear into solid arcs, like geometric points merging into curves. To either side of the franchise ghettos, the loglo dwindles across a few shallow layers of development and into a surrounding dimness that is burst here and there by the blaze of a security spotlight in someone's backyard.