Osborne went into the back yard to see Kluge's forest of antennas. He looked impressed.

"Mrs. Madison down the street thinks he was trying to contact Martians," Hal said, with a laugh. "Me, I just thought he was stealing HBO." There were three parabolic dishes. There were six tall masts, and some of those things you see on telephone company buildings for transmitting microwaves.

Osborne took me to the living room again. He asked me to describe what I had seen. I didn't know what good that would do, but I tried.

"He was sitting in that chair, which was here in front of this table. I saw the gun on the floor. His hand was hanging down toward it.''

"You think it was suicide?"

"Yes, I guess I did think that." I waited for him to comment but he didn't. "Is that what you think?"

He sighed. "There wasn't any note."

"They don't always leave notes," Hal pointed out.

"No, but they do often enough that my nose starts to twitch when they don't." He shrugged. "It's probably nothing."

"That phone call," I said. "That might be a kind of suicide note."

Osborne nodded. "Was there anything else you noticed?"

I went to the table and looked at the keyboard. It was made by Texas Instruments, model TI-99/4A. There was a large bloodstain on the right side of it, where his head had been resting.

"Just that he was sitting in front of this machine." I touched a key, and the monitor screen behind the keyboard immediately filled with words. I quickly drew my hand back, then stared at the message there.

PROGRAM NAME: GOODBYE REAL WORLD

DATE: 8/20

CONTENTS: LAST WILL AND TESTAMENT; MISC.

FEATURES

PROGRAMMER: "CHARLES KLUGE"

TO RUN PRESS ENTERB

The black square at the end flashed on and off. Later I learned it was called a cursor.

Everyone gathered around. Hal, the computer expert, ex­plained how many computers went blank after ten minutes of no activity, so the words wouldn't be burned into the televi­sion screen. This one had been green until I touched it, then displayed black letters on a blue background.

"Has this console been checked for prints?" Osborne asked.

Nobody seemed to know, so Osborne took a pencil and used the eraser to press the ENTER key.

The screen cleared, stayed blue for a moment, then filled with little ovoid shapes that started at the top of the screen and descended like rain. There were hundreds of them in many colors.

"Those are pills," one of the cops said, in amazement. "Look, that's gotta be a Quaalude. There's a Nembutal." Other cops pointed out other pills. I recognized the distinctive red stripe around the center of a white capsule that had to be a Dilantin. I had been taking them every day for years.

Finally the pills stopped falling, and the damn thing started to play music at us. "Nearer My God To Thee," in three-part harmony.

A few people laughed. I don't think any of us thought it was funny-it was creepy as hell listening to that eerie dirge- but it sounded like it had been scored for penny whistle, calliope, and kazoo. What could you do but laugh?

As the music played, a little figure composed entirely of squares entered from the left of the screen and jerked spasti-cally toward the center. It was like one of those human figures from a video game, but not as detailed. You had to use your imagination to believe it was a man.

A shape appeared in the middle of the screen. The "man" stopped in front of it. He bent in the middle, and something that might have been a chair appeared under him.

"What's that supposed to be?"

"A computer. Isn't it?"

It must have been, because the little man extended his arms, which jerked up and down like Liberace at the piano. He was typing. The words appeared above him.

SOMEWHERE ALONG THE LINE I MISSED SOME­THING. I SIT HERE, NIGHT AND DAY, A SPIDER IN THE CENTER OF A COAXIAL WEB, MASTER OF ALL I SURVEY… AND IT IS NOT ENOUGH. THERE MUST BE MORE.

ENTER YOUR NAME HEREB

"Jesus Christ," Hal said. "I don't believe it. An interac­tive suicide note."

"Come on, we've got to see the rest of this."

I was nearest the keyboard, so I leaned over and typed my name. But when I looked up, what I had typed was VICT9R.

"How do you back this up?" I asked.

"Just enter it," Osborne said. He reached around me and pressed enter.

DO YOU EVER GET THAT FEELING, VICT9R? YOU HAVE WORKED ALL YOUR LIFE TO BE THE BEST THERE IS AT WHAT YOU DO, AND ONE DAY YOU WAKE UP TO WONDER WHY YOU ARE DOING IT? THAT IS WHAT HAPPENED TO ME.

DO YOU WANT TO HEAR MORE, VICT9R? Y/NB

The message rambled from that point. Kluge seemed to be aware of it, apologetic about it, because at the end of each forty-or fifty-word paragraph the reader was given the Y/N option.

I kept glancing from the screen to the keyboard, remember­ing Kluge slumped across it. I thought about him sitting here alone, writing this.

He said he was despondent. He didn't feel like he could go on. He was taking too many pills (more of them rained down the screen at this point), and he had no further goal. He had done everything he set out to do. We didn't understand what he meant by that. He said he no longer existed. We thought that was a figure of speech.

ARE YOU A COP, VICT9R? IF YOU ARE NOT, A COP WILL BE HERE SOON. SO TO YOU OR THE COP: I WAS NOT SELLING NARCOTICS. THE DRUGS IN MY BEDROOM WERE FOR MY OWN PERSONAL USE. I USED A LOT OF THEM. AND NOW I WILL NOT NEED THEM ANYMORE.

PRESS ENTERB

Osborne did, and a printer across the room began to chat­ter, scaring the hell out of all of us. I could see the carriage zipping back and forth, printing in both directions, when Hal pointed at the screen and shouted.

"Look! Look at that!"

The compugraphic man was standing again. He faced us. He had something that had to be a gun in his hand, which he now pointed at his head.

"Don't do it!" Hal yelled.

The little man didn't listen. There was a denatured gunshot sound, and the little man fell on his back. A line of red dripped down the screen. Then the green background turned to blue, the printer shut off, and there was nothing left but the little black corpse lying on its back and the word **DONE** at the bottom of the screen.

I took a deep breath, and glanced at Osborne. It would be an understatement to say he did not look happy.

"What's this about drugs in the bedroom?" he said.

We watched Osborne pulling out drawers in dressers and bedside tables. He didn't find anything. He looked under the bed, and in the closet. Like all the other rooms in the house, this one was full of computers. Holes had been knocked in walls for the thick sheaves of cables.

I had been standing near a big cardboard drum, one of several in the room. It was about thirty gallon capacity, the kind you ship things in. The lid was loose, so I lifted it. I sort of wished I hadn't.

"Osborne," I said. "You'd better look at this."

The drum was lined with a heavy-duty garbage bag. And it was two-thirds full of Quaaludes.

They pried the lids off the rest of the drums. We found drums of amphetamines, of Nembutals, of Valium. All sorts of things.

With the discovery of the drugs a lot more police returned to the scene. With them came the television camera crews.

In all the activity no one seemed concerned about me, so I slipped back to my own house and locked the door. From time to time I peeked out the curtains. I saw reporters inter­viewing the neighbors. Hal was there, and seemed to be having a good time. Twice crews knocked on my door, but I didn't answer. Eventually they went away.

I ran a hot bath and soaked in it for about an hour. Then I turned the heat up as high as it would go and got in bed, under the blankets.

I shivered all night.

Osborne came over about nine the next morning. I let him in, Hai followed, looking very unhappy. I realized they had been up all night. I poured coffee for them.