His voice choked.

“Mitch … a few years ago … he died of can­cer. I feel so sad. I never got to see him. I never got to forgive. It pains me now so much …”

He was crying again, a soft and quiet cry, and because his head was back, the tears rolled off the side of his face before they reached his lips.

Sorry, I said.

“Don’t be,” he whispered. “Tears are okay.”

I continued rubbing lotion into his lifeless toes. He wept for a few minutes, alone with his memories.

“It’s not just other people we need to forgive, Mitch,” he finally whispered. We also need to forgive

ourselves.”

Ourselves?

“Yes. For all the things we didn’t do. All the things we should have done. You can’t get stuck on the regrets of what should have happened. That doesn’t help you when you get to where I am.

“I always wished I had done more with my work; I wished I had written more books. I used to beat myself up over it. Now I see that never did any good. Make peace. You need to make peace with yourself and everyone around you.”

I leaned over and dabbed at the tears with a tissue. Morrie flicked his eyes open and closed. His breathing was audible, like a light snore.

“Forgive yourself. Forgive others. Don’t wait, Mitch. Not everyone gets the time I’m getting. Not everyone is as lucky.”

I tossed the tissue into the wastebasket and returned to his feet. Lucky? I pressed my thumb into his hardened flesh and he didn’t even feel it.

“The tension of opposites, Mitch. Remember that? Things pulling in different directions?”

I remember.

“I mourn my dwindling time, but I cherish the chance it gives me to make things right.”

We sat there for a while, quietly, as the rain splattered against the windows. The hibiscus plant behind his head was still holding on, small but firm.

“Mitch,” Morrie whispered.

Uh-huh?

I rolled his toes between my fingers, lost in the task.

“Look at me.”

I glanced up and saw the most intense look in his eyes.

“I don’t know why you came back to me. But I want to say this …

He paused, and his voice choked.

“If I could have had another son, I would have liked it to be you.”

I dropped my eyes, kneading the dying flesh of his feet between my fingers. For a moment, I felt afraid, as if accepting his words would somehow betray my own fa­ther. But when I looked up, I saw Morrie smiling through tears and I knew there was no betrayal in a mo­ment like this.

All I was afraid of was saying good-bye.

“I’ve picked a place to be buried.”

Where is that?

“Not far from here. On a hill, beneath a tree, overlooking a pond. Very serene. A good place to think.”

Are you planning on thinking there?

“I’m planning on being dead there.”

He chuckles. I chuckle.

“Will you visit?” Visit?

‘Just come and talk. Make it a Tuesday. You always come on Tuesdays.”

We’re Tuesday people.

“Right. Tuesday people. Come to talk, then?”

He has grown so weak so fast.

“Look at me,” he says.

I’m looking.

“You’ll come to my grave? To tell me your problems?”

My problems?

“Yes.”

And you’ll give me answers?

“I’ll give you what I can. Don’t I always?”

I picture his grave, on the hill, overlooking the pond, some little nine foot piece of earth where they will place him, cover him with dirt, put a stone on top. Maybe in a few weeks? Maybe in a few days? I see mysef sitting there alone, arms across my knees, staring into space.

It won’t be the same, I say, not being able to hear you talk.

“Ah, talk …”

He closes his eyes and smiles.

“Tell you what. After I’m dead, you talk. And I’ll listen.”

The Thirteenth Tuesday We Talk About the Perfect Day

Morrie wanted to be cremated. He had discussed it with Charlotte, and they decided it was the best way. The rabbi from Brandeis, Al Axelrad—a longtime friend whom they chose to conduct the funeral service—had come to visit Morrie, and Morrie told him of his crema­tion plans.

“And Al?”

“Yes?”

“Make sure they don’t overcook me.”

The rabbi was stunned. But Morrie was able to joke about his body now. The closer he got to the end, the more he saw it as a mere shell, a container of the soul. It was withering to useless skin and bones anyhow, which made it easier to let go.

“We are so afraid of the sight of death,” Morrie told me when I sat down. I adjusted the microphone on his collar, but it kept flopping over. Morrie coughed. He was coughing all the time now.

“I read a book the other day. It said as soon as some­one dies in a hospital, they pull the sheets up over their head, and they wheel the body to some chute and push it down. They can’t wait to get it out of their sight. People act as if death is contagious.”

I fumbled with the microphone. Morrie glanced at my hands.

“It’s not contagious, you know. Death is as natural as life. It’s part of the deal we made.”

He coughed again, and I moved back and waited, always braced for something serious. Morrie had been having bad nights lately. Frightening nights. He could sleep only a few hours at a time before violent hacking spells woke him. The nurses would come into the bed­room, pound him on the back, try to bring up the poison. Even if they got him breathing normally again—“nor­mally” meaning with the help of the oxygen machine—the fight left him fatigued the whole next day.

The oxygen tube was up his nose now. I hated the sight of it. To me, it symbolized helplessness. I wanted to pull it out.

“Last night …” Morrie said softly. Yes? Last night?

“… I had a terrible spell. It went on for hours. And I really wasn’t sure I was going to make it. No breath. No end to the choking. At one point, I started to get dizzy

… and then I felt a certain peace, I felt that I was ready to go.”

His eyes widened. “Mitch, it was a most incredible feeling. The sensation of accepting what was happening, being at peace. I was thinking about a dream I had last week, where I was crossing a bridge into something un­known. Being ready to move on to whatever is next.”

But you didn’t.

Morrie waited a moment. He shook his head slightly. “No, I didn’t. But I felt that I could. Do you understand?

“That’s what we’re all looking for. A certain peace with the idea of dying. If we know, in the end, that we can ultimately have that peace with dying, then we can finally do the really hard thing.”

Which is?

“Make peace with living.”

He asked to see the hibiscus plant on the ledge behind him. I cupped it in my hand and held it up near his eyes. He smiled.

“It’s natural to die,” he said again. “The fact that we make such a big hullabaloo over it is all because we don’t see ourselves as part of nature. We think because we’re human we’re something above nature.”

He smiled at the plant.

“We’re not. Everything that gets born, dies.” He looked at me.

“Do you accept that?” Yes.

“All right,” he whispered, “now here’s the payoff. Here is how we are different from these wonderful plants and animals.

“As long as we can love each other, and remember the feeling of love we had, we can die without ever really going away. All the love you created is still there. All the memories are still there. You live on—in the hearts of everyone you have touched and nurtured while you were here.”

His voice was raspy, which usually meant he needed to stop for a while. I placed the plant back on the ledge and went to shut off the tape recorder. This is the last sentence Morrie got out before I did:

“Death ends a life, not a relationship.”

There had been a development in the treatment of ALS: an experimental drug that was just gaining pas­sage. It was not a cure, but a delay, a slowing of the decay for perhaps a few months. Morrie had heard about it, but he was too far gone. Besides, the medicine wouldn’t be available for several months.


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