Men in overalls, with grease-stained faces glistening in the searchlights, sunk a grappling hook into position. From somewhere on the wharf a donkey engine coughed into rhythmic explosions. A derrick arm swung outward. More flashlight photographs were taken. A voice yelled, "Go ahead!" Slowly, the coupe was raised, until it was entirely clear of the water. The right-hand door was jammed wide open. Water seeped out through the cracks in the floorboards, to strike the surface of the bay in splashing rivulets. The man who was in charge yelled, "We're going to raise it with this derrick and swing it inboard. Everyone look out!"
Mason was conscious of a long derrick arm which appeared in the darkness over his head. He saw rope slings being thrown under the body of the car, then winches rattled, a new cable snapped taut as it took up the strain, and the coupe was raised above his head and swung in over the wharf. Just as the car was about to be lowered, a uniformed policeman roped off a space, and the winchmen lowered the coupe within this roped enclosure.
Mason pushed against the rope, peered over the shoulder of an officer whose wet rubber rain coat rubbed against his chin. He saw policemen inspecting the interior of the car, heard one of them yell, "Here's the gun, a.32 automatic. There's still blood left on the seats." There was, Mason saw, no trace of a body.
Someone said, "Get the people off the wharf. Don't let anyone through unless he has proper credentials."
New cars had been arriving. Mason saw a uniformed man bearing down upon him. An officer's rain-spattered face grinned cheerfully as he said with firm insistence, "Go on, buddy, get back off the wharf. You can read about it in the papers." Mason permitted himself to be shoved toward the far end of the wharf. As he passed Paul Drake, he said, "Flash your badge, Paul, and try to get an earful. I'll wait in the car."
The lawyer walked through the driving rain until he found Drake's car, shook what moisture he could from his coat, and climbed into the interior, still steamy with the odors of human occupancy.
Five minutes later, Drake showed up and said, "Not a chance. They're searching for the body. It must have spilled out of the car. There's a bottle of whiskey in that side pocket, Perry."
"My God," Mason said, "never mind the body-why didn't you tell me about the whiskey sooner?" He pulled out the flask, uncorked it and passed it to Drake. "Age before beauty," he said.
Drake took three big gulps, passed the bottle back to Mason, who raised it to his lips and lowered it as Drake's operative came toward the car, the water in his shoes making an audible squish, squish with every step.
"Have a drink," Mason said, "and tell us what's new. Could you get anywhere with your badge, Paul?"
"They laughed at me," the detective said. "Then some hard-boiled dick wanted to know what my interest in the case was and whom I was representing, how long I'd been there, and what I knew about it and how I happened to be there. I figured it was a good time to beat it. How about you, Harry? What did you find out?"
The rubber-coated detective swiped the back of his hand across his lips and said, "I didn't try to force things any, but just stuck around and picked up a word here and there. I found out that it was Brownley's car, all right. The gearshift showed the car was in low gear when it went over the edge of the wharf, and the hand throttle was pulled wide open."
"The hand throttle?" Mason asked.
"That's right. They got the gun, and recovered a couple of bullets which had stuck in the cushions of the front seat. They figured one of the car doors was open when it took the plunge and the body spilled out. They're sending for divers and are going to search the bottom of the bay."
"Any better description of that woman than that she wore a white rain coat?"
"No description that's worth a damn," Harry said. "But they got the number on the gun, and they think they can tell more when they find the body. That taxicab driver evidently took some message to Brownley. Whatever was in the message made him excited as the very devil. It was urgent enough to bring him down here on the run, alone-and it would take something to do that to Renwold C. Brownley at two o'clock in the morning on a night like this."
Drake said, "I'll say so… Let's finish up that bottle of whiskey."
Mason said, "Naughty, naughty, Paul. You're driving. Harry and I will finish it."
Chapter 8
The first faint rays of dawn were turning the street into a drab rain-lashed canyon as Perry Mason parked his car across the street from a three-story frame stucco building which bore the name "Sunset Arms Apartments-214 West Beechwood." Mason turned up the collar of his rain coat and stepped out into the downpour. No lights were showing in the front of the building, but Mason reconnoitered to find an oblong of illumination half screened by lace curtains on the third floor at the back of the building. He walked to the entrance of the apartment house, tried the outer door and found that it was locked; but the well-worn slot for the key readily admitted the blade of Mason's penknife and, under a gentle pressure, the bolt clicked back and the door opened. Mason shook his rain coat and climbed the stairs. His feet squished water from his shoes at every step.
On the third floor he could hear a sound of snoring from one of the apartments, the beat of rain on the roof, the sound of wind moaning around the corners of the building. He walked the length of the corridor and tapped gently on the door from beneath which appeared a faint ribbon of golden light. A woman's voice, sounding thin and frightened, said, "What is it?"
"A message from Miss Branner," Mason said.
There were several seconds of silence while the woman on the other side of the door seemed to be debating whether to accept this statement at its face value. Then Mason heard the sound of shuffling motion, and a bolt clicked back. A thin woman, clad in dressing gown and slippers, her hair done up in curlers, her somewhat sallow face devoid of make-up, contemplated Mason with anxious eyes.
"May I come in?" Mason asked.
She stood in the doorway saying nothing, watching him with a strained anxiety which showed only too well the state of her mind.
Mason laughed reassuringly and said, "After all, you know, I can't give this message to the whole apartment house, and I'm afraid the walls of this corridor are rather thin."
The woman said tonelessly, "Come in."
"I am wondering," Mason said, as he entered the room, "if you're the woman to whom I was to give the message. Would you mind telling me just who you are?"
"If Julia Branner gave you a message," the woman said, "it's for me. I'm Stella Kenwood."
"Oh, yes," Mason said, "you've known Miss Branner for some time, haven't you?"
"Yes."
"Know anything about her past?"
"I know all about it."
"For how far back?"
"Ever since she came to the States."
"Know anything about her life in Australia?"
"Some. Why do you ask?"
"Because," Mason said, "I'm trying to help Miss Branner, and I'll want you to help me, and for that I'll have to know just exactly how well you know her."
"If she gave you a message for me," Stella Kenwood said, making an attempt to assert herself, "you can give it to me. There's no need for any questions."
"Unfortunately," Mason said, "the situation isn't quite that simple. You see, I'm afraid Julia's in trouble."
She gave a quick gasping intake of her breath, then sat down in a chair and said weakly, "Oh."
Mason made a quick survey of the apartment. It was a single-room affair with what was evidently a wall bed on the side to the left of the door. It was a bed which pivoted on a mirrored doorway, and now the full-length mirror was in place, indicating either that the bed had not been slept in or that the woman had arisen, made the bed and raised it into place before Mason had knocked. The apartment was heated by a gas heater molded in the form of a steam radiator covered with aluminum paint, but containing no vent. The atmosphere of the room was warm, steamy and devitalized Coming in from the open air, Mason was keenly conscious of the close, stale atmosphere. Moisture filmed the windows and the mirror. "Had the radiator going all night?" he asked. The woman said nothing, but stared at him with faded blue eyes in which her anxiety showed all too plainly. She was, Mason decided, somewhere in the late forties. Life had not been particularly kind to her, and under the impact of adversity she had learned to turn the other cheek until her manner showed an utter non-resistance. "What time did Miss Branner leave here?" Mason asked.