What then, art director? Graphics consultant? What is the layout? It is this: to shoot him from behind, somewhere on the top of the gorge. He almost certainly would get himself into the prone position in order to shoot down onto the river. There are these various kinds of concentration. While he was deep in his kind, I would try to get within twenty or thirty feet of him and put my one good arrow through his lower rib cage—for what would save the shot would be exactness—and then fall back and run for it into the woods, and sit down and wait until he had time enough to die.
That was as far ahead as I could think. In a way, it seemed already settled. It was settled as things in daydreams always are, but it could be settled only because the reality was remote. It was the same state of mind I had had when I had hunted the deer in the fog. These were worthy motions I was going through, but only motions, and it was shocking to remind myself that if I came on him with the rifle I would have to carry them through or he would kill me.
I slid farther into the crack to draw from the stone a last encouragement, but I was already tired of being there. It would be best to stand up and get on with it.
I got on one knee and went cautiously outward, rising slowly with both hands palm-up on the underside of the fissure top. I was up, slanting backward, and I felt along and around the bulge over my head. To the right there was nothing I could do, but I was glad to be back. To the left the crevice went on beyond where I could reach, and the only thing to do was to edge along it, sidestepping inch by inch until only my toes, very tired again, were in the crack. But I was able to straighten from my back-leaning position to an upright one—really upright—and then to lean surprisingly forward at the waist, as I edged to the left. This was unexpected and exhilarating. The stone came back at me strong. I got on the rock with my knees instead of my toes and fingertips, and had a new body position. With it, I wormed. I went to the left and then to the right, and the river-pit blazed. It was slow going, for the handholds were not good, and the broadheads gored me under the arms a good deal, but there was a trembling and near-perfect balance between gravity—or my version of it—and the slant of the stone: I was at the place where staying on the wall and falling canceled each other out in my body, yet were slightly in favor of my staying where I was, and edging up. Time after time I lay there sweating, having no handhold or foothold, the rubber of my toes bending back against the soft rock, my hands open. Then I would begin to try to inch upward again, moving with the most intimate motions of my body, motions I had never dared use with Martha, or with any other human woman. Fear and a kind of enormous moonblazing sexuality lifted me, millimeter by millimeter. And yet I held madly to the human. I looked for a slice of gold like the model’s in the river: some kind of freckle, something lovable, in the huge serpent-shape of light.
Above me the darks changed, and in one of them was a star. On both sides of that small light the rocks went on up, black and solid as ever, but their power was broken. The high, deadly part of the cliff I was on bent and rocked steadily over toward life, and toward the hole with the star in it, where, as I went, more stars were added until a constellation like a crown began to form. I was now able to travel on knees—my knees after all—the bow scraping the ground beside me.
I was crying. What reason? There was not any, for I was really not ashamed or terrified; I was just there. But I lay down against the cliff to get my eyesight cleared. I turned and propped on my elbow like a tourist, and looked at it again. Lord, Lord. The river hazed and danced into the sparkle of my eyelashes, the more wonderful for being unbearable. This was something; it was something.
But eventually you have to turn back to your knees, and on cliffs they carry you better than any other part of the body, on cliffs of a certain slant; I got on my knees.
It was painful, but I was going. I was crawling, but it was no longer necessary to make love to the cliff, to fuck it for an extra inch or two in the moonlight, for I had some space between me and it. If I was discreet, I could offer it a kick or two, even, and get away with it.
My feet slanted painfully in one direction or another. Guided by what kind of guesswork I could not say, I kept scrambling and stumbling upward like a creature born on the cliff and coming home. Often a hand or foot would slide and, then catch on something I knew, without knowing, would be there, and I would go on up. There was nothing it could do against me, in the end; there was nothing it could do that I could not match, and, in the twinkling of some kind of eye-beat. I was going.
By some such way as this, I got into a little canyon. Yes, and I stood up. I could not see much, but it felt like the little draw where I had hunted the deer in the fog. The bottom underfoot—under foot—was full of loose rocks and boulders, but I was walking it. At each shoulder, the walls were wanting to come down, but they did not. Instead, they started to fill with bushes and small, ghostly, dense trees.
These were solid, and I came up to them, little by little. Then their limbs were above me. I was out.
I picked up the bow, out of the crook of my arm. Everything was with me; the knife at my side said what it was. And there was rope, for nothing, or for something. And I looked out, on the mindlessness and the beauty.
Upriver, I could see only the ragged, blinding V of the rapids that had thrown us, and there was nothing to look at there, except only the continual, almost-silent pouring of the water, through and through. I faced around and for what I judged an equal amount of time looked into the woods. I went back into the pines growing on solid ground, leaned my forehead on a tree and then put my forearm between the tree and it.
Where? I went back to look down on the river. Trees, fewer and fewer, were growing to the edge of the cliff. The moon shone down through their needles on the Cahulawassee. I thought for the first time seriously of the coming destruction on the river, of the water rising to the place I was standing now, lifting out of its natural bed up over the stones that had given us such a hard time in the white water, and slowly also up the cliff, the water patiently and inevitably searching out every handhold I had had, then coming to rest where I was standing in the moonlight. I sat on a cold rock at the edge, looking down. I believed, in the great light, that if I fell I could instinctively reach to the cliff and catch on to something that would hold: that, among all the places in the world that could kill me, there was one that could not.
I came back by degrees to the purpose.
First, I assumed that the man who had shot Drew knew that he had shot him. That was a beginning. I also assumed that he knew we hadn’t all been killed in the rapids. What then? He might be waiting above the calm where Bobby and Lewis were—where I was, more or less—planning to draw down on them when they started out. If that were the case he would kill them both, though if Bobby gauged the change in the light well enough and set out when there was enough visibility to use the canoe but not enough to shoot by, they might have a chance to get past him, through the next stretch of rapids—the ones now a little downstream from me—and on down. Our whole hope rested on our being able to second-guess the man, and, now that I was on top of the gorge, it seemed to me that we had guessed right, or as right as it was possible for us to do. If Bobby moved out in the very early half-light, the chances of making a good shot down onto the water would be greatly reduced, and big gaps in the upper part of the wall, small deep ravines such as the one I had come up, would keep him from getting downstream at anything like the speed the canoe could make. I counted on his knowing this, and on the idea that he would try to solve the problem by setting up his shots downstream at calm water, where the target would be moving at a more constant speed and not leaping and bobbing. Below me, except for one rush of whiteness cramped between two big hedges of stone, the rapids seemed comparatively gentle, in places—so far as I could tell—scarcely more than a heavy-twilled rippling. But even this would be disconcerting for a marksman because of the bobbing it would cause. If I were going to kill somebody from this distance and this angle I would want to draw a long bead. Under those conditions, and if he was a good shot, there was no reason he couldn’t get Bobby and Lewis both, and within a few seconds of each other, if he took his time and dropped the first one cleanly. That would take calm water, as slow as possible, and it would have to be downstream, out of sight around the next turn.