Elizabeth's appetite amazes me. By mid-December, she takes to consuming her human prey each evening, as well as two twenty-four-ounce steaks upon awakening and another two each afternoon. She catches and eats so many of our younger dogs that I have to ask her to stop, lest our pack declines so much it no longer represents a threat to outsiders.

"The child must be fed," she says. "I have to maintain our strength."

I nod and take my swollen bride in my arms, smile when she accepts and returns my embrace, holding me longer than she used to. Pregnancy has softened her, made her more needful of my affection. I find I like her wanting more from me than sex and food. We often spend hours sitting side by side in the great room, watching the waters outside, silently enjoying the warmth of each other's company. Other days we walk on the island's beaches, holding hands, discussing our future.

Elizabeth provides no argument about the child's first name. "Henri," she says, "is a fine name, a strong name. Could we give him my father's name too?"

"Of course." I smile at the weight of such a name-Henri Charles DelaSangre-for such a small, yet-unborn presence. I wish he could be born sooner. I possess no doubt that Elizabeth will be a good mother. Already she has begun to prepare a birthing chamber in one of the other bedrooms, helping me scrub down the walls and floors, reminding me again and again that we'll need fresh hay when her time nears.

I no longer wonder about our relationship. "If you demand perfection from your mate," Father taught me, "then you must learn to expect loneliness in your life."

As much as I would like Elizabeth to share more of my likes and dislikes, I find myself cherishing the time we spend together. She may not care for books, but she seems to enjoy sitting at my side while I read them. She may not love music, but she tolerates my listening to the stereo. We both smile at each other's presence, both reach out to touch each other whenever we're near and, I think, if it never gets any better, it still can be more than enough for me.

Even Santos no longer seems to bother her. When his boat conies into view, she no longer leaves my side. We discuss the water conditions and his sailing technique. "After the baby's born, I'd like to learn to sail a boat like that," she says. "Will you buy me one?"

"Sure," I tell her.

The first true winds of winter arrive a few days before Christmas. For the first time since summer, the sun fails to warm the midday air. Outside, the wind beats against our closed windows, moans when it can't force its admittance. I take one look at the gray skies, the frenzied, frigid waves leaping on the bay and call the office, tell Emily to cancel my weekly meeting with Gomez and Tindall. Then I build a fire in the great room for Elizabeth and me. "This is Florida," I say. "It's not supposed to get this cold."

Elizabeth grins, shakes her head at my discomfort. "The weatherman says it's only sixty degrees. At home it grows colder than this every night," she says. "You're acting as if a blizzard has attacked us when we both know it will be warm again in a few days."

I leave her laughing in the great room while I go below to light a fire in our bedroom. Elizabeth mindspeaks to me a few minutes later. "He's here again."

"Santos?" I say. "In this weather?"

Elizabeth joins me at the window, watches with me as the sailboat fights its way through the water, one hull rising and lowering with each wind gust, the boat almost going airborne as it races from wave to wave. "He's crazy," I say.

"They're both crazy," Elizabeth says and I nod when she points out Casey Morton standing, busy working the jib lines, helping keep the boat from flipping by leaning out away from the Hobie, supported only by her feet against the trampoline and a wire suspended from the top of the mast, connected to a canvas sling beneath her rear.

"It's called being out on a trapeze," I say to Elizabeth, pointing to the other wire that supports Santos in the same way.

In their full black wetsuits, they look to me like two shadows sailing. "No life jackets," I say, shaking my head. But I have to admire his control, the Hobie leaping and bucking, slicing the tops off waves as it overtakes them.

Santos amazes me by turning and zigzagging north, battling the vicious north wind until he finally reaches the channel between my island and Wayward Key. The boat turns toward the channel, slows for a moment, wallows in the rough sea, then shoots forward. Santos and Morton lean back, away from the boat as the windward hull rises, Morton shifting position, her left foot slipping.

She shouts, reaches for Santos, her body pivoting away from the Hobie, only her right foot remaining in contact with the trampoline. He grabs for her with his right hand, his fingertips touching hers.

A gust of wind hits the sails and the boat speeds ahead, burying both bows into the wave to its front. The Hobie stops as if it's hit a wall, the stern rising, Morton flailing her arms as the momentum launches her in an arc controlled by the trapeze line attached to the mast. Santos follows, their forward momentum and the wind beneath the trampoline combining to somersault the boat, the man and the woman colliding as they wrap around the mast, their heads crashing together-mast wires tearing their skin, the boat settling over them, floating, bottom up.

I breathe in deep, watch the disabled boat drift forward, and shake my head.

"Aren't you going to save them?" Elizabeth asks.

"No," I say. "They're under the boat. They'll drown before I can reach them." I turn, look at her. "Anyway, I thought you'd be relieved to see them out of the way."

She shrugs, and continues to watch.

A head emerges from the water. I stifle a celebratory shout. Instead, I calmly say to Elizabeth, "I think it's Santos."

The man holds on to the capsized catamaran, fumbles with the lines attached to him and, once they're free, dives under the boat. A few moments later he surfaces, pulling Morton with him. He has to almost throw half her body onto the overturned boat before she tries to hold on, slipping a little as he undoes her lines, staying in place only with his help. When he lets go of her for a second, to get a better grip on the boat himself, she slips away, and sinks into the water.

I almost moan when she does, hoping that Santos has enough sense to stay with the boat, thinking it better that one of them, at least, survives.

Santos shouts at her, but the current whips Morton away. He pauses a moment before leaving the safety of the boat, pushes off when she surfaces, treading water, twenty feet from him.

Neither has a life jacket and I know the current will carry them into the ocean within minutes. Do I have enough time to rescue them? I look at Elizabeth, try to calculate how angry a rescue attempt would make her.

"I think you should save them," she says. I stare at her, my mouth open until I regain my voice. "Why?" I ask, not about to admit my own desires in this. "Go now! Bring them back here. I'll explain later."

The Yamahas thunder to life the moment I turn the ignition key on the Grady White. I throw off the dock lines and speed out the harbor, smashing into waves as soon as I leave the island's protection. The cold wind lashes me, salt spray soaks my clothes as I negotiate the channel, twisting and turning, the boat battering its way through the swells.

"Elizabeth!" I mindspeak when I reach the open bay and turn north. "Can you still see them?"

"He reached her. …" she says. "He's been trying to swim holding her. Their boat floated past him a minute or two ago… He's trying to catch up to it, but I think it's moving too fast."

I push the throttles forward, fight the wheel as the boat takes a glancing blow from one roller, then goes airborne over another. "How far are they from the ocean?" The Grady White leans on one side as I turn into the Wayward channel, salt spray coating the windshield, turning it opaque, nothing in view around me but churning water.