Bella-Mae was called Nanny, because that was what the Major insisted she be called. But Bella-Mae, who was Blairlogie to the core of her being, thought it a silly thing to call her by a name that was not hers. She thought Major and Mrs. Cornish stuck-up and she took no pride in being a child’s nurse. It was a Job, and she did it as well as she could, but she had her own ideas, and sometimes smacked Francis when he had not been very bad, as a personal protest against the whole Cornish manner of life, so out of tune with Blairlogie ideas.

Within the time between his meeting and recognition of the peony and his fourth year, Francis came to know that Bella-Mae was Awful. She was plain, if not downright ugly, and grown women ought to be beautiful, like his mother, and smell of expensive scent, not starch. Bella-Mae frequently made him clean his teeth with brown soap, as she did herself, and declared it to be wholesome; she took no stock in the tooth-powder with which the nursery was supplied. This was Awful. More Awful still was her lack of respect for the holy ikons which hung on the nursery wall. These were two vividly coloured pictures of King Edward VII and Queen Alexandra, and once a month she scrubbed their glass with Bon Ami, saying under her breath: “Come on, you two, and get your faces washed.” If the Major had known that, he would have given Bella-Mae what-for. But of course he did not know, because Francis was not a squealer, a kind of person Bella-Mae held in abhorrence. But if he was not a squealer, Francis was a noticer, and he kept a mental dossier on Bella-Mae which would certainly have led to her dismissal if his parents had known what it contained.

There was, for instance, her contumelious attitude, expressed physically but not verbally, toward the other picture in the nursery, which was of A Certain Person. Bella-Mae did not hold with images or idols; she belonged to the small assembly of the Salvation Army in Blairlogie, and she knew what was right, and a picture of A Certain Person, in a room like the nursery, was not right.

To remove the picture, or alter its position, was out of the question. It had been hung beside Francis’s bed by Aunt, Miss Mary-Benedetta McRory, who ought by rights to be called Great-Aunt. Bella-Mae was not the only one to have reservations about pictures of A Certain Person; the Major was not happy about it, but rather than have a row with Aunt he tolerated it, on the ground that women and children had soft hearts about religion, and when the boy grew older he would put an end to all that nonsense. So there it hung, a brightly coloured picture of Jesus, smiling sadly as though a little pained by what his large brown eyes beheld, and with his lovely long white hands extended from his blue robe in the familiar Come-unto-me gesture. Behind him were a good many stars, and he seemed to be floating.

From time to time Aunt Mary-Ben had a secret little whisper with Francis. “When you say your prayers, dear, look first at the picture of Jesus, then close your eyes but keep the picture in your mind. Because that’s Who you’re praying to, isn’t it? And He knows all about little boys and loves them dearly.”

Bella-Mae was sure that Jesus didn’t like to see little boys naked, and she hustled Francis out of his clothes and into them with great speed and certain modest precautions. “You don’t think he wants to look at your bare bottom with his big eyes, do you?” she said, managing to include both Francis and the picture in her displeasure. For her displeasure was immense. The faith of the Salvation Army expressed itself in her through a repertoire of disapprovals; she lived strongly in the faith of the Army, and from time to time she murmured the Army war-cry, “Blood and Fire”, with the vigour usually reserved for an oath.

She saw that the Army figured in Francis’s life as much as possible, though she would not have dared to take him to the Temple; the Major would not have stood for that. But at least twice a week he beheld her in the splendour of her uniform, and he was the first to see her in the glory of the Chapeau. The Army uniform cost a good deal of money, and Bella-Mae bought hers garment by garment, as she could afford it. The sensible shoes, the black stockings, the skirt, and the tunic with its wonderful buttons, were achieved one by one, and then the great decision had to be made. Should she buy the bonnet, which was the familiar headgear of the Salvation Lassies, or should she opt for the Chapeau, a flat-crowned, broad-brimmed hat of blue fur felt, glorious with its red-and-gold ribbon, and strongly resembling (though Bella-Mae did not know this) the hats worn by Catholic priests in nearby Quebec. After deep inward searching, and prayer for guidance, she chose the Chapeau.

In full Salvation rig at last, she marched around the nursery, for Francis, singing in a style of her own, which included noises indicative of the band’s contribution:

It was irresistible. Francis hopped off his bed and paraded behind Bella-Mae, and under her guidance was able to shout, “Thine the glory!” and “Blest Redeemer!” ecstatically at the right intervals. He was elevated. He was free of the repressive influence of A Certain Person, whose sad eyes he ignored. He did not know what he was singing about, but he sang from a happy heart.

The nursery door opened. It was Aunt Mary-Ben, tiny and smiling, her little soft cap nodding pleasantly, for she was not a bit disapproving. Oh, not she! She motioned Francis back to his bed, and drew Bella-Mae toward the window, where she spoke very softly for a few minutes, after which Bella-Mae ran out of the room, crying.

Then Aunt said, “Shall we say our prayers, Frankie? Or I’ll tell you what—you shall hear me say mine.” And Aunt knelt by the bed with the little boy, and brought out of her pocket a sort of necklace he had never seen before, made of black beads of different sizes, strung together with silver chain, and as Aunt passed the beads through her fingers she murmured what sounded like poetry. When she had finished she reverently kissed the cross that hung on the necklace and, with a sweet smile, held it out to Francis, who kissed it, too. Liked kissing it, liked the reverential quietness, liked the effect of poetry. This was every bit as good as Bella-May’s march, in an entirely different way. He held the cross in his hand, reluctant to let it go.

“Would you like it for your very own, Frankie?” said Aunt. “I’m afraid you can’t have it right now, dear, but perhaps after a little while I shall be able to give you one of these. It’s called a rosary, dear, because it’s a rose-garden of prayer. It’s the garden of Jesus’ dear Mother, and when we say our prayers with it, we are very near Her, and we may even see Her sweet face. But this is our secret, dear. Don’t say anything to Daddy.”

No fear of that. Conversation between Francis and the Major was in a very different mode. “Come here and I’ll show you my gun, Frank. Look down the barrel. See? Clean as a whistle. Always keep your gun clean and oiled. It deserves it. A fine gun deserves decent care. When you’re older I’ll get you one, and show you how to use it. Must learn to shoot like a sportsman, not like a killer.” Or it might be, “Come with me, Frank, and I’ll show you how to tie a trout-fly.” Or, “Look at my boots, Frank. Bright, what? I never let the girls do my boots. You’d never think these were eleven years old, would you? That’s what proper care does. You can always judge a man by his boots. Always get ‘em from the best maker. Only cads wear dirty boots.” Or, in passing, “Stand straight, Frank. Never slump, however tired you are. Arch your back a bit, too—looks smart on parade. Come tomorrow after breakfast and I’ll show you my sword.”