One afternoon during the chaya, the ghetto was visited by another copy of that labia-lipped youth whom I'd seen at my Uncle Mustapha's. Standing on the steps of the mosque, he unfurled a banner which was then held up by two assistants. It read: abolish poverty, and bore the cow-suckling-calf symbol of the Indira Congress. His face looked remarkably like a plump calf's face, and he unleashed a typhoon of halitosis when he spoke. 'Brothers-O! Sisters-O! What does Congress say to you? This: that all men are created equal!' He got no further; the crowd recoiled from his breath of bullock dung under a hot sun, and Picture Singh began to guffaw. 'O ha ha, captain, too good, sir!' And labia-lips, foolishly: 'Okay, you, brother, won't you share the joke?' Picture Singh shook his head, clutched his sides: 'O speech, captain! Absolute master speech!' His laughter rolled out from beneath his umbrella to infect the crowd until all of us were rolling on the ground, laughing, crushing ants, getting covered in dust, and the Congress mooncalf's voice rose in panic: 'What is this? This fellow doesn't think we are equals? What a low impression he must have-' but now Picture Singh, umbrella-over-head, was striding away towards his hut. Labia-lips, in relief, continued his speech… but not for long, because Picture returned, carrying under his left arm a small circular lidded basket and under his right armpit a wooden flute. He placed the basket on the step beside the Congress-wallah's feet; removed the lid; raised flute to lips. Amid renewed laughter, the young politico leaped nineteen inches into the air as a king cobra swayed sleepily up from its home… Labia-lips is crying: 'What are you doing? Trying to kill me to death?' And Picture Singh, ignoring him, his umbrella furled now, plays on, more and more furiously, and the snake uncoils, faster faster Picture Singh plays until the flute's music fills every cranny of the slum and threatens to scale the walls of the mosque, and at last the great snake, hanging in the air, supported only by the enchantment of the tune, stands nine feet long out of the basket and dances on its tail… Picture Singh relents. Nagaraj subsides into coils. The Most Charming Man In The World offers the flute to the Congress youth: 'Okay, captain,' Picture Singh says agreeably, 'you give it a try.' But labia-lips: 'Man, you know I couldn't do it!' Whereupon Picture Singh seizes the cobra just below the head, opens his own mouth wide wide wide, displaying an heroic wreckage of teeth and gums; winking left-eyed at the Congress youth, he inserts the snake's tongue-flicking head into his hideously yawning orifice! A full minute passes before Picture Singh returns the cobra to its basket. Very kindly, he tells the youth: 'You see, captain, here is the truth of the business: some persons are better, others are less. But it may be nice for you to think otherwise.'

Watching this scene, Saleem Sinai learned that Picture Singh and the magicians were people whose hold on reality was absolute; they gripped it so powerfully that they could bend it every which way in the service of their arts, but they never forgot what it was.

The problems of the magicians' ghetto were the problems of the Communist movement in India; within the confines of the colony could be found, in miniature, the many divisions and dissensions which racked the Party in the country. Picture Singh, I hasten to add, was above it all; the patriarch of the ghetto, he was the possessor of an umbrella whose shade could restore harmony to the squabbling factions; but the disputes which were brought into the shelter of the snake-charmer's umbrella were becoming more and more bitter, as the prestidigitators, the pullers of rabbits from hats, aligned themselves firmly behind Mr Dange's Moscow-line official C.P.I., which supported Mrs Gandhi throughout the Emergency; the contortionists, however, began to lean more towards the left and the slanting intricacies of the Chinese-oriented wing. Fire-eaters and sword-swallowers applauded the guerrilla tactics of the Naxalite movement; while mesmerists and walkers-on-hot-coals espoused Namboodiripad's manifesto (neither Muscovite nor Pekinese) and deplored the Naxa-lites' violence. There were Trotskyist tendencies amongst card-sharpers, and even a Communism-through-the-ballot-box movement amongst the moderate members of the ventriloquist section. I had entered a milieu in which, while religious and regionalist bigotry were wholly absent, our ancient national gift for fissiparousness had found new outlets. Picture Singh told me, sorrowfully, that during the 1971 general election a bizarre murder had resulted from the quarrel between a Naxalite fire-eater and a Moscow-line conjurer who, incensed by the former's views, had attempted to draw a pistol from his magic hat; but no sooner had the weapon been produced than the supporter of Ho Chi Minh had scorched his opponent to death in a burst of terrifying flame.

Under his umbrella, Picture Singh spoke of a socialism which owed nothing to foreign influences. 'Listen, captains,' he told warring ventriloquists and puppeteers, 'will you go to your villages and talk about Stalins and Maos? Will Bihari or Tamil peasants care about the killing of Trotsky?' The chaya of his magical umbrella cooled the most intemperate of the wizards; and had the effect, on me, of convincing me that one day soon the snake-charmer Picture Singh would follow in the footsteps of Mian Abdullah so many years ago; that, like the legendary Hummingbird, he would leave the ghetto to shape the future by the sheer force of his will; and that, unlike my grandfather's hero, he would not be stopped until he, and his cause, had won the day… but, but. Always a but but. What happened, happened. We all know that.

Before I return to telling the story of my private life, I should like it to be known that it was Picture Singh who revealed to me that the country's corrupt, 'black' economy had grown as large as the official, 'white' variety, which he did by showing me a newspaper photograph of Mrs Gandhi. Her hair, parted in the centre, was snow-white on one side and blackasnight on the other, so that, depending on which profile she presented, she resembled either a stoat or an ermine. Recurrence of the centre-parting in history; and also, economy as an analogue of a Prime Ministerial hair-style… I owe these important perceptions to the Most Charming Man In The World. Picture Singh it was who told me that Mishra, the railway minister, was also the officially-appointed minister for bribery, through whom the biggest deals in the black economy were cleared, and who arranged for pay-offs to appropriate ministers and officials; without Picture Singh, I might never have known about the poll-fixing in the state elections in Kashmir. He was no lover of democracy, however: 'God damn this election business, captain,' he told me, 'Whenever they come, something bad happens; and our countrymen behave like clowns.' I, in the grip of my fever-for-revolution, failed to take issue with my mentor.

There were, of course, a few exceptions to the ghetto's rules: one or two conjurers retained their Hindu faith and, in politics, espoused the Hindusectarian Jana Sangh party or the notorious Ananda Marg extremists; there were even Swatantra voters amongst the jugglers. Non-politically speaking, the old lady Resham Bibi was one of the few members of the community who remained an incurable fantasist, believing (for instance) in the superstition which forbade women to climb mango trees, because a mango tree which had once borne the weight of a woman would bear sour fruit for ever more… and there was the strange fakir named Chishti Khan, whose face was so smooth and lustrous that nobody knew whether he was nineteen or ninety, and who had surrounded his shack with a fabulous creation of bamboo-sticks and scraps of brightly-coloured paper, so that his home looked like a miniature, multi-coloured replica of the nearby Red Fort. Only when you passed through its castellated gateway did you realize that behind the meticulously hyperbolic fa9ade of bamboo-and-paper crenellations and ravelins hid a tin-and-card board hovel like all the rest. Chishti Khan had committed the ultimate solecism of permitting his illusionist expertise to infect his real life; he was not popular in the ghetto. The magicians kept their distance, lest they become diseased by his dreams.