The butler conducted him up the steps to the back gallery and saw him seated in a cane chair before
redescending to cross the crushed-shell path through the garden in the direction of the kitchen. From his vantage point some ten feet above ground level, January could see through the green-misted branches of the intervening willows the mottled greens and rusts of home-dyed muslins as the kitchen slaves moved around the long brick building, starting the preparations for dinner or tending to the laundry room. It seemed that only those who went by the euphemism "servants"-in effect, the house slaves -warranted full mourning for a master they might have loved or feared or simply accepted, as they would have accepted a day's toil in summer heat. The rest simply wore what they had, home-dyed brown or weathered blue and red cotton calicoes, and the murmur of their voices drifted very faintly to him as they went about their duties.
Les Saules was a medium-size plantation of about four hundred arpents, not quite close enough to town to walk but an easy half-hour's ride. The house was built of soft local brick, stuccoed and painted white: three big rooms in a line with two smaller "cabinets" on the back, closing in two sides of what would be the sleeping porch in summer. Panes were missing from the tall doors that let onto the gallery, the openings patched with cardboard, and through the bare trees January could see that the stucco of the kitchen buildings was broken in places, showing the soft brick underneath. In the other direction, past the dilapidated gar?onni?re and the dovecotes, the work gang weeding the nearby field of second-crop cane looked too few for the job.
He recalled the heavy strands of antique pearls and emeralds on Angelique Crozat's bosom and in her hair. Old Rene Dubonnet, he remembered, had owned fifteen arpents along Lake Pontchartrain, living each year off the advances on next year's crop. Like most planters and a lot of biblical kings, he had been wealthy in land and slaves but possessed little in the way of cash and was mortgaged to his back teeth. There was no reason to think Arnaud Trepagier was any different.
But there was always money, in those old families, to keep a town house and a quadroon mistress, just as there was always money to send the sons to Paris to be educated and the daughters to piano lessons and convent schools. There was always money for good wines, expensive weddings, the best horseflesh. There was always money to maintain the old ways, the old traditions, in the face of squalid Yankee upstarts.
Many years ago, before he'd departed for Paris, January had played at a coming-out party at a big town house on Rue Royale. It had not been too many months after the final defeat of the British at Chalmette, and one of the guests, the junior partner in a brokerage house, had brought a friend, an American, very wealthy, polite, and clearly well-bred, and, as far as January could judge such things, handsome.
Only one French girl had even gone near him, the daughter of an impoverished planter who'd been trying for years to marry her off. Her brothers had threatened to horsewhip the man if he spoke to her again. "Monsieur Janvier?" He turned, startled from his reverie. Madeleine Trepagier stood in the half-open doors of the central parlor, a dark shape in her mourning dress. Her dark hair was smoothed into a neat coil on the back of her head, eschewing the bunches of curls fashionable in society, and covered with a black lace cap. Without the buckskin mask of a Mohican maid and the silly streaks of red and blue paint, January could see that the promise of her childhood beauty had been fulfilled.
He rose and bowed. "Madame Trepagier." She took a seat in the other cane chair, looking out over the turned earth and winter peas of the kitchen garden. Her mourning gown, fitting a figure as opulent as a Roman Venus's, had originally been some kind of figured calico, and the figures showed through the home-dyed blackness like the ghostly tabby of a black cat's fur, lending curious richness to the prosaic cloth. Her fingers were ink-stained, and there were lines of strain printed around her mouth and eyes.
And yet what struck January about her was her serenity. In spite of her harried weariness, in spite of that secret echo of grimness to her lips, she had the deep calm diat arose from some unshakable knowledge
rooted in her soul. No matter how many things went wrong, the one essential thing was taken care of.
But she looked pale, and he wondered at what time she had returned to Les Saules last night.
"Thank you for your concern last night," she said in her low voice. "And thank you for sending me away from there as you did."
"I take it you reached home safely, Madame?"
She nodded, with a rueful smile. "More safely than I deserved. I walked for a few streets and found a hack and was home before eight-thirty. I... I realize it was foolish of me to think... to think I could speak to her there. I'd sent her messages before, you see. She never answered."
"So she said."
Her mouth tightened, remembered anger transforming the smooth full shape of the lips into something bitterly ugly and unforgiving.
January remembered what Angelique had said about "little Creole tricks" and his mother's stories about wives who'd used the city's Black Code to harass their husbands' mistresses. For a moment Mme. Trepagier looked perfectly capable of having another woman arrested and whipped on a trumped-up charge of being "uppity" to her-though God knew Angelique was uppity, to everyone she met, black or colored or white-or jailed for owning a carriage or not covering her hair.
But if Angelique had told him to take her a warning about it last night, it was clear she hadn't exercised this spiteful power.
The woman before him shook her head a little and let the anger pass. "It wasn't necessary for you to come all the way out here, you know."
Something about the way that she sat, about that strained calm, made him say, "You heard she's dead."
The big hands flinched in her lap, but her eyes were wary rather than surprised. She had, he thought, the look of a woman debating how much she can say and be believed; then she crossed herself. "Yes, I heard that."
From the woman who brought in her washing water that morning, thought January. Or the cook, when she went out to distribute stores for the day. Whites didn't understand how news traveled so quickly, being too well-bred to be seen prying. Having set themselves up as gods and loudly established their own importance, they never ceased to be surprised that those whose lives might be affected by their doings kept up on them with the interest they themselves accorded only to characters in Balzac's novels.
"You heard what happened?"
Her hands, resting in her lap again, shivered. "Only that she was... was strangled. At the ballroom." She glanced quickly across at him. "The police... Did they make any arrest? Or say if they knew who it might be? Or what time it happened?"
Her voice had the flat, tinny note of assumed casual-ness, a serious quest for information masquerading as gossip. Time? thought January. But as he studied her face she got quickly to her feet and walked to the gallery railing, watching an old man planting something in the garden among the willows as if the sight of him dipping into his sack of seed, then carefully dibbling with a little water from his gourd, were a matter of deepest importance.
"Did they say what will happen to her things?" she asked, without turning her head.
January stood too. "I expect her mother will keep them."
She looked around at that, startled, and he saw the brown eyes widen with surprise. Then she shook her head, half laughing at herself, though without much mirth. When she spoke, her voice was a little more normal. "I'm sorry," she said. "It's just that... All these years I've thought of her as some kind of... of a witch, or harpy. I never even thought she might have a mother, though of course she must. It's just..." She pushed at her hair, as if putting aside tendrils of it that fell onto her forehead, a gesture of habit. He saw there were tears in her eyes.