It saw another sight, the lie in him, the absence of power where she’d thought there had been something wonderful. He had no talent to commune with ghosts, nor had ever had, she saw this plainly. He was a little liar, a boy-liar, a sweet, white boy-liar without the compassion or the wisdom to understand what he had dared to do.
Now it was done. The lies were told, the tricks were played, and the people on the highway, sick beyond death of being misrepresented and mocked, were buzzing at the crack in the wall, and demanding satisfaction.
That crack she had opened: she had unknowingly fin-gered and fumbled at, unlocking it by slow degrees. Her desire for the boy had done that: her endless thoughts of him, her frustration, her heat and her disgust at her heat had pulled the crack wider. Of all the powers that made the system manifest, love, and its companion, passion, and their companion, loss, were the most potent. Here she was, an embodiment of all three. Loving, and wanting, and sensing acutely the impossibility of the former two. Wrapped up in an agony of feeling which she had denied herself, believing she loved the boy simply as her Go-Between.
It wasn’t true! It wasn’t true! She wanted him, wanted him now, deep inside her. Except that now it was too late. The traffic could be denied no longer: it demanded, yes, it demanded access to the little trickster.
She was helpless to prevent it. All she could do was utter a tiny gasp of horror as she saw the highway open out before her, and understood that this was no common intersection they stood at.
Fuller heard the sound.
‘Doctor?’ He looked up from his tinkering and his face — washed with a blue light she could see from the corner of her eye — bore an expression of enquiry.
‘Did you say something?’ he asked.
She thought, with a fillip of her stomach, of how this was bound to end.
The ether-faces of the dead were quite clear in front of her. She could see the profundity of their suffering and she could sympathize with their ache to be heard.
She saw plainly that the highways that crossed at Tollington Place were not common thoroughfares. She was not staring at the happy, idling traffic of the ordinary dead. No, that house opened onto a route walked only by the victims and the perpetrators of violence. The men, the women, the children who had died enduring all the pains nerves had wit to muster, with their minds branded by the circumstances of their deaths. Eloquent beyond words, their eyes spoke their agonies, their ghost bodies still bearing the wounds that had killed them. She could also see, mingling freely with the innocents, their slaughterers and tormentors. These monsters, frenzied, mush-minded blood-letters, peeked through into the world: nonesuch creatures, unspoken, forbidden miracles of our species, chattering and howling their Jabberwocky.
Now the boy above her sensed them. She saw him turn a little in the silent room, knowing that the voices he heard were not fly-voices, the complaints were not insect-complaints. He was aware, suddenly, that he had lived in a tiny corner of the world, and that the rest of it, the Third, Fourth and Fifth Worlds, were pressing at his lying back, hungry and irrevocable. The sight of his panic was also a smell and a taste to her. Yes, she tasted him as she had always longed to, but it was not a kiss that married their senses, it was his growing panic. It filled her up: her empathy was total. The fearful glance was hers as much as his — their dry throats rasped the same small word:
‘Please —‘
That the child learns. ‘Please —, That wins care and gifts.
‘Please —‘
That even the dead, surely, even the dead must know and obey.
‘Please —,
Today there would be no such mercy given, she knew for certain. These ghosts had despaired on the highway a grieving age, bearing the wounds they had died with, and the insanities they had slaughtered with. They had endured his levity and insolence, his idiocies, the fabrications that had made a game of their ordeals. They wanted to speak the truth.
Fuller was peering at her more closely, his face now swimming in a sea of pulsing orange light. She felt his hands on her skin. They tasted of vinegar.
‘Are you all right?’ he said, his breath like iron.
She shook her head.
No, she was not all right, nothing was right.
The crack was gaping wider every second: through it she could see another sky, the slate heavens that loured over the highway. It overwhelmed the mere reality of the house. ‘Please,’ she said, her eyes rolling up to the fading substance of the ceiling. Wider. Wider —The brittle world she inhabited was stretched to breaking point.
Suddenly, it broke, like a dam, and the black waters poured through, inundating the room.
Fuller knew something was amiss (it was in the colour of his aura, the sudden fear), but he didn’t understand what was happening. She felt his spine ripple: she could see his brain whirl.
‘What’s going on?’ he said. The pathos of the enquiry made her want to laugh.
Upstairs, the water-jug in the writing room shattered.
Fuller let her go and ran towards the door. It began to rattle and shake even as he approached it, as though all the inhabitants of hell were beating on the other side. The handle turned and turned and turned. The paint blistered. The key glowed red-hot. Fuller looked back at the Doctor, who was still fixed in that grotesque position, head back, eyes wide.
He reached for the handle, but the door opened before he could touch it. The hallway beyond had disappeared altogether. Where the familiar interior had stood the vista of the highway stretched to the horizon. The sight killed Fuller in a moment. His mind had no strength to take the panorama in — it could not control the overload that ran through his every nerve. His heart stopped; a revolution overturned the order of his system; his bladder failed, his bowels failed, his limbs shook and collapsed. As he sank to the floor his face began to blister like the door, and his corpse rattle like the handle. He was inert stuff already: as fit for this indignity as wood or steel.
Somewhere to the East his soul joined the wounded highway, on its route to the intersection where a moment previously he had died. Mary Florescu knew she was alone. Above her the marvellous boy, her beautiful, cheating child, was writhing and screeching as the dead set their vengeful hands on his fresh skin. She knew their intention: she could see it in their eyes — there was nothing new about it. Every history had this particular torment in its tradition. He was to be used to record their testaments. He was to be their page, their book, the vessel for their autobiographies. A book of blood. A book made of blood. A book written in blood. She thought of the grimoires that had been made of dead human skin: she’d seen them, touched them. She thought of the tattooes she’d seen: freak show exhibits some of them, others just shirtless labourers in the Street with a message to their mothers pricked across their backs. It was not unknown, to write a book of blood.
But on such skin, on such gleaming skin — oh God, that was the crime. He screamed as the torturing needles of broken jug-glass skipped against his flesh, ploughing it up. She felt his agonies as if they had been hers, and they were not so terrible.
Yet he screamed. And fought, and poured obscenities out at his attackers. They took no notice. They swarmed around him, deaf to any plea or prayer, and worked on him with all the enthusiasm of creatures forced into silence for too long. Mary listened as his voice wearied with its complaints, and she fought against the weight of fear in her limbs. Somehow, she felt, she must get up to the room. It didn’t matter what was beyond the door or on the stairs —he needed her, and that was enough.