When he was alive, they lived at the gates of Graceland. It didn’t matter whether he was there or not. They’d go, anyway, to be with each other, to talk about him, to be close to the place he loved. If he was there, they’d synchronize their lives with his: sleeping by day, when he slept, so they could be at the gates at night, in case he came out.

Sometimes he’d just drive by, on a motorcycle or in one of his spectacular cars, waving, and they’d try to follow him, and it might turn into an elaborate motorized game of hide-and-seek on the roads around Memphis. Sometimes he and his entourage, his guys, would be having one of their fireworks fights, and they’d roar down and attack the gate regulars, scaring them, thrilling them. And sometimes he’d come down to the gate and talk, sign autographs, get his picture taken, just be with them. Those were the best times, although they didn’t happen much near the end.

Some of the gate people had jobs, but only so they could afford food and a place to sleep. Their real job, their purpose, was to be at the gates. They helped the guards—who knew them well—keep an eye on the wild fans, the nonregulars, who sometimes tried to get up to the front door.

“We were really his best security,” says Linda Cullum, “because we would have killed anybody who we thought would have done anything to him.”

Cullum arrived in 1964. She was in the Navy, and she had asked to be stationed in Memphis. “I didn’t even know if they had a base here,” she says. “I just knew he was here.” She’s 44 now, and she still lives nearby, as do others who were drawn to the gates in the good times. But they rarely go there anymore. These days the gates are for tourists: standing out front, getting their pictures taken, smiling the same way they’d smile in front of any other tourist attraction. You don’t see it in their eyes, the thing that haunts the eyes of the gate people, the shining sweet sadness, the burning need that still consumes 10 years after they lost him.

“I still feel like I need to protect him,” says Cullum. “Because, you know, there’s so much you hear, so much that people say.”

Elvis fans. A species unto themselves. A large species. The ones like Linda Cullum, the gate people, are among the most dedicated, but there are a lot more, counting the ones—and, believe me, they are all around you—who don’t talk about it. Because you might laugh. Because you don’t understand.

These are not people who merely liked Elvis. A lot of us liked Elvis, especially when he was lean and sexy and strange and really bothered people. But then we moved on to the Beatles and the Stones and a lot of other (to us) hipper people, and Elvis, getting less scary and less lean all the time, faded into a ‘50s memory, and eventually he became, to many, a sad joke. But don’t laugh too soon, hip people. Think about this: Over a billion Elvis records have been sold. Nobody is in second place. And think about this: Today—10

years after he died, more than 20 years after he dominated rock—there are tens of thousands of people, from all over the world, gathered in Memphis to pay tribute to him, to visit Graceland, to walk the halls of his old high school, to take bus trips down to his Mississippi birthplace, to relive and explore and discuss and celebrate every tiny detail of his life. It isn’t a one-time thing: The fans were there last year, and they’ll be there next year. This doesn’t happen for the Beatles; it doesn’t happen for Frank Sinatra; it doesn’t happen for Franklin D. Roosevelt. It doesn’t happen for anybody, that I can think of, who is not the focal point of a major religion. Just Elvis. Bruce Springsteen comes and Michael Jackson goes, but Elvis endures. His fans, his vast, quiet flock, make damn sure of that. They have heard all the stories about him, all the exposes and the Shocking Revelations about his appetites, his kinkiness, his temper, his pills. They know all about his problems. They know more about them than you do. And it makes no difference, except maybe to make them love him more, the way you draw closer, in time of trouble, to a brother or a lover. Which is what Elvis was to them. Which he still is.

And the hell with what people say.

The fans know what their public image is, too: fat, weeping, heavily hair-sprayed, middle-aged housewives wearing polyester pantsuits festooned with “I Love Elvis” buttons. That’s all that gets on TV, the fans say. That’s all the press sees.

“Ah, the press,” sighs Karen Loper, 42, president of the Houston-based fan club. She was watching the Iran-contra hearings when I called her a couple of weeks ago. Like the other fan club presidents I talked to, she was very articulate. She does not wear polyester pantsuits.

“The media—especially the TV people—always do the obligatory story,” she says. “They pick the most unflattering person, the one with a black bouffant hairdo, and they show her at the graveside crying. It’s so superficial, and nobody ever looks beyond it. But hey, I’m used to it. I’ve been putting up with this crap since I was 12 years old. First my father, always telling me Elvis wasn’t gonna last, Elvis can’t sing. Now the media. It used to bother me. I used to try to defend him. But now I realize: He doesn’t need defending.”

This is a recurring theme with Elvis fans: They’re tired of explaining themselves. If you don’t hear what they hear, feel what they feel, that’s your misfortune. If you want, they’ll talk to you about it, but they don’t expect you to understand.

Shirley Connell, 39, was one of the early gate people, back in the ‘60s. She had two big advantages:

1. Her family’s backyard adjoins Graceland’s.

2. Her mama loved Elvis, too.

Which meant young Shirley was allowed to spend virtually all her waking time, except for school, at the gates. And, like other regulars, she

sometimes got invited along on the outings Elvis organized. Which is how it happened that one year she and her mama went to the movies all night, almost every night, from November through March.

Elvis regularly rented a downtown Memphis movie theater so he and his entourage could watch first-run movies (never his own, most of which embarrassed him). For years, his fans, the regulars, were allowed to join him. They weren’t exactly with him, but they were in the same room with him, and that was enough.

“The schedule was,” Connell recalls, “he’d come in, and we’d watch anywhere from three to five movies, and he’d leave. Then I’d go home, and if given enough time, I’d catch a nap, and if not, I’d go straight to school. Then I’d come home from school at 2:30 in the afternoon, do my homework, and go straight to bed. Then I’d get up at 10 o’clock and find out what time the movie was.

“We saw The Nutty Professor 14 times. The Great Escape was 10. Doctor Strangelove was 12. Mama would go to sleep. ... I went out and ate one time, during The Nutty Professor, I couldn’t stand it anymore. But I was just gone long enough to eat. I didn’t dare leave.”

if you ask her why, it shows you could never understand.

Connell still lives in the same modest ranch house. She has pictures of Elvis on the walls, and a lot of souvenirs, including one of Elvis’s custom-made silk shirts and an RCA portable radio Elvis gave her for Christmas in 1963. She has the box, the wrapping paper, the original long-dead battery.

She took me out to her backyard one evening and dragged out a rickety old ladder so I could climb up and look over the wooden fence into the manicured grounds of Graceland. Two of Elvis’s horses were grazing there. She hasn’t looked over that fence in years.

Graceland today is a business, a tourist attraction operated by the Presley estate. The mansion, built in 1939, sits on a small hill overlooking Route 51, which in Memphis is Elvis Presley Boulevard. When Elvis, then 22, bought Graceland in 1957 for $100,000 the area was mostly country; now the boulevard is a semi-sleazy strip, lined with car dealerships and fast-food places. (Not that this is inappropriate, cars and fast food being two things Elvis consumed in vast quantities.)