When Webberly’s voice crackled over the line, it sounded as if he had come to the phone on a run. “We’ve a dicey situation,” the superintendent announced with no prefatory remarks. “Some Drury Laners, a corpse, and the local police acting as if it’s an outbreak of the bubonic plague. They put in a call to their local CID, Strathclyde. Strathclyde won’t touch it. It’s ours.”

“Strathclyde?” Lynley repeated blankly. “But that’s in Scotland.”

He was stating the obvious to his commanding officer. Scotland had its own police force. Rarely did they call for assistance from the Yard. Even when they did so, the complexities of Scottish law made it difficult for the London police to work there effectively and impossible for them to take part in any subsequent court prosecutions. Something wasn’t right. Lynley felt suspicion nag, but he temporised with:

“Isn’t there someone else on call this weekend?” He knew that Webberly would supply the rest of the details attendant to that remark: it was the fourth time in five months that he had called Lynley back to duty in the middle of his time off.

“I know, I know,” Webberly responded brusquely. “But this can’t be helped. We’ll sort it all out when it’s over.”

“When what’s over?”

“It’s one hell of a mess.” Webberly’s voice faded as someone else in his London offi ce began to speak, tersely and at considerable length.

Lynley recognised that rumbling baritone. It belonged to Sir David Hillier, chief superintendent. Something was in the wind, indeed. As he listened, straining to catch Hillier’s words, the two men apparently reached some sort of decision, for Webberly went on in a more confi dential tone, as if he were speaking on an unsafe line and were wary of listeners.

“As I said, it’s dicey. Stuart Rintoul, Lord Stinhurst, is involved. Do you know him?”

“Stinhurst. The producer?”

“The same. Midas of the Stage.”

Lynley smiled at the epithet. It was very apt. Lord Stinhurst had made his reputation in London theatre by financing one successful show after another. A man with a keen sense of what the public would love and a willingness to take enormous risks with his money, he had a singular ability to recognise new talent, to cull prize-winning scripts from the chaff of mundanity that passed across his desk every day. His latest challenge, as anyone who read The Times could report, had been the acquisition and renovation of London ’s derelict Agincourt Theatre, a project into which Lord Stinhurst had invested well over a million pounds. The new Agincourt was scheduled to open in purported triumph in just two months. With that hovering so near in the future, it seemed inconceivable to Lynley that Stinhurst would leave London for even a short holiday. He was a single-minded perfectionist, a man in his seventies who had not taken any time off in years. It was part of his legend. So what was he doing in Scotland?

Webberly went on, as if answering Lynley’s unasked question. “Apparently Stinhurst took a group up there to do some work on a script that was supposed to take the city by storm when the Agincourt opens. And they’ve a newspaperman with them-some chap from The Times. Drama critic, I think. Apparently he’s been reporting on the Agincourt story from day one. But from what I was told this morning, right now he’s frothing at the mouth to get to a telephone before we can get up there and muzzle him.”

“Why?” Lynley asked and in a moment knew that Webberly had been saving the juiciest item for last.

“Because Joanna Ellacourt and Robert Gabriel are to be the stars of Lord Stinhurst’s new production. And they’re in Scotland as well.”

Lynley could not suppress a low whistle of surprise. Joanna Ellacourt and Robert Gabriel. These were nobility of the theatre indeed, the two most sought-after actors in the country at the moment. In their years of partnership, Ellacourt and Gabriel had electrifi ed the stage in everything from Shakespeare to Stop-pard to O’Neill. Although they worked apart as often as they appeared together, it was when they took the stage as a couple that the magic occurred. And then the newspaper notices were always the same. Chemistry, wit, hot-wired sexual tension that an audience can feel. Most recently, Lynley recalled, in Othello, a Hay-market production that had run to sell-out crowds for months before fi nally closing just three weeks ago.

“Who’s been killed?” Lynley asked.

“The author of the new play. Some up-andcomer, evidently. A woman. Name of…” There was a rustle of paper. “Joy Sinclair.” Webberly harrumphed, always prelude to an unpleasant piece of news. It came with his next statement. “They’ve moved the body, I’m afraid.”

“Damn and blast!” Lynley muttered. It would contaminate the murder scene, making his job more diffi cult.

“I know. I know. But it can’t be helped now, can it? At any rate, Sergeant Havers will meet you at Heathrow. I’ve put you both on the one o’clock to Edinburgh.”

“Havers won’t work for this, sir. I’ll need St. James if they’ve moved the body.”

“St. James isn’t Yard any longer, Inspector. I can’t push that through on such short notice. If you want to take a forensic specialist, use one of our own men, not St. James.”

Lynley was quite ready to parry the fi nality of that decision, intuitively comprehending why he had been called in on the case rather than any other DI who would be on duty this weekend. Stuart Rintoul, the Earl of Stinhurst, was obviously under suspicion for this murder, but they wanted the kind of kid-glove handling that would be guaranteed by the presence of the eighth Earl of Asherton, Lynley himself. Peer speaking to peer in just-oneof-us-boys fashion, probing delicately for the truth. That was all well and good, but as far as Lynley was concerned, if Webberly was going to play fast and loose with the duty roster in order to orchestrate a meeting between Lords Stinhurst and Asherton, he was not about to make his own job more difficult by having Detective Sergeant Barbara Havers along, chomping at the bit to be the first from her grammar school to slap handcuffs on an earl.

To Sergeant Havers, life’s central problems-from the crisis in the economy to the rise in sexual diseases-all sprang from the class system, fully blown and developed, a bit like Athena from the head of Zeus. The entire subject of class, in fact, was the sorest of tender spots between them and it had proved to be the foundation, the structure, and the fi nial of every verbal battle Lynley had engaged in with her during the fifteen months that Havers had been assigned as his partner.

“This case doesn’t speak to Havers’ particular strengths,” Lynley said reasonably. “Any objectivity she has will be shot to hell the minute she learns that Lord Stinhurst might be involved.”

“She’s grown past that. And if she hasn’t, it’s time she did if she wants to get anywhere with you.”

Lynley shuddered at the thought that the superintendent might be implying that he and Sergeant Havers were about to become a permanent team, joined in a wedlock of careers he would never be able to escape. He looked for a way to use his superior’s decision about Havers as part of a compromise that would meet his own needs. He found it by playing to a previous comment.

“If that’s your decision, sir,” he said equably. “But as to the complications attached to the removal of the body, St. James has more crime-scene experience than anyone currently on staff. You know better than I that he was our best crime-scene man then and…”

“Our best crime-scene man now. I know the standard line, Inspector. But we’ve a time problem here. St. James can’t possibly be given-” A short bark of conversation from Chief Superintendent Hillier interrupted in the background. It was immediately muffl ed, no doubt by Webberly’s hand over the mouthpiece. After a moment, the superintendent said, “All right. St. James has approval. Just get going, get up there and see to the mess.” He coughed, cleared his throat, and fi nished with, “I’m not any happier than you are about this, Tommy.”