There was something else that he must take the initiative about.

"Where is Simon?" he said, and turned to face her.

"He is like Jane," she said. "Late for lunch. But he'll be in at any moment."

It was smoothly done, but he had seen her shy at his unheralded question, as if he had flicked a whip. Simon had not come to meet him; Simon had not been at Latchetts to greet him; Simon, it was to be deduced, was being difficult.

Before he could pursue the subject she took the initiative from him.

"You can have the nursery bathroom all to yourself, but do go slow on the hot water, will you? Fuel is a dreadful problem. Now wash and come down at once. The Pecks sent over some of the Rectory sherry."

"Aren't they coming to lunch?"

"No, they're coming to dinner to-night. Lunch is for family only."

She watched him turn to the fourth door, which he knew to be the bathroom of the nursery wing, and went away looking comforted. He knew why she was comforted: because he had known his way about the house. And he felt guilty and ill at ease. Fooling Mr. Sandal-with a K.C. sitting opposite you and gimletting holes in you with cynical Irish eyes-had been one thing; fooling Mr. Sandal had been fun. But fooling Bee Ashby was another thing altogether.

He washed absentmindedly, turning the soap in his hands with his eyes on the line of the down. There was the turf he had wanted to ride on; the turf he had sold his soul for. Presently he would get a horse and go up there and ride in the quiet, away from human relationships and this fantastic game of human poker, and up there it would once more seem right and worth while.

He went back to his room and found a brassy blonde in tight flowered rayon tweaking the wallflower in the bowl on the window-sill.

"Hullo," said the blonde. "Welcome home, and all that."

"Thanks," Brat said. Was this someone that he should know? Surely not!

"You're very like your brother, aren't you?"

"I suppose so." He took his brushes from his «grip» and put them on the dressing-table; it was a symbolical taking-possession.

"You won't know me, of course. I'm Lana Adams from the village. Adams the joiner was my father. I oblige because my boy-friend works in the stables."

So that is what she was: the help. He looked at her and was sorry for the boy-friend.

"You look a lot older than your brother, don't you? I suppose it's knocking about the world that does it. Having to look out for yourself, and all that. Not being spoilt like your brother. You'll excuse me saying it but spoilt he is. That's why he's made all this to-do about you coming back. Silly, I call it. You've only to look at you to know that you're an Ashby. Not much point in saying you're not, I should think. But you take my tip and stand up to him. He can't stand being stood up to. Been humoured all his life, I should say. Don't let it get you down."

As Brat went silently on with his unpacking, she paused; and before she could resume Eleanor's cool voice said from the doorway:

"Have you everything you want?"

The blonde said hastily: "I was just welcoming Mr. Patrick back," and, having flung Brat a radiant smile, made a hip-swing exit from the room.

Brat wondered how much Eleanor had heard.

"It's a nice room this," Eleanor said, "except that it doesn't get the morning sun. That bed is from Clare Park. Aunt Bee sold the little ones and bought that one at the Clare sale. It's nice, isn't it? It was the one in Alec Ledingham's room. Except for that the room is just the same."

"Yes; the old wallpaper, I notice."

"Robinson Crusoe and company. Yes. I had a great weakness for Hereward the Wake. He had such an enchanting profile." She pointed to Hereward's place in the pattern of fictional heroes that Nora had chosen for her children's nightly entertainment.

"Is the nursery-rhyme paper still next door?"

"Yes, of course. Come and see."

He went with her, but while she rehearsed the pictured tales his mind was busy with the village girl's revelation about Simon and with the ironic fact that he was to sleep in Alec Loding's bed.

So Simon had refused to believe that he was Patrick. "Not much point in saying you're not, I should think." That could only mean that Simon, in the face of all the evidence, refused to accept him.

Why?

He followed Eleanor downstairs, still wondering.

Eleanor led him into a big sunny sitting-room where Bee was pouring sherry, and Ruth was picking out a tune on a piano.

"Would you like to hear me play?" Ruth asked, inevitably.

"No," Eleanor said, "he wouldn't. We've been looking at the old wallpapers," she said to Bee. "I'd forgotten how in love with Hereward I used to be. It's just as well that I was removed from him in time or he might have become a fixation or something."

"I never liked that baby stuff on the walls," Ruth said.

"You never read, so you couldn't know anything about them," Eleanor said.

"We gave up using the nursery wing when the twins ceased to have a Nanny," Bee said. "It was too far away from the rest of the house."

"It was a day's march to call the twins in the morning," Eleanor said, "and as Ruth always needed calling several times we had to move them into the normal family orbit."

"Delicate people need more sleep," Ruth said.

"Since when have you been delicate?" asked Eleanor.

"It's not that I'm delicate but that Jane's more robust, aren't you, Jane?" she said, appealing to Jane, who sidled into the room, the hair at her temples still damp from her hasty ablutions.

But Jane's eyes were on Bee.

"Simon is here," she said in a small voice; and crossed the room to stand near Bee as if for reassurance.

There was an instant of complete silence. In the moment of suspended animation only Ruth moved. Ruth sat up and sparkled with anticipation.

Then Bee's hand moved again and went on filling the glasses. "That is very nice," she said. "We needn't keep luncheon back after all."

It was so beautifully done that Brat, knowing what he knew now, felt like applauding.

"Where is Simon?" Eleanor asked casually.

"He was coming downstairs," Jane said; and her eyes went back to Bee.

The door opened and Simon Ashby came in.

He paused a moment, looking across at Brat, before closing the door behind him. "So you've come," he said.

There was no emphasis on the words; no apparent emotion in the tone.

He walked slowly across the room until he was standing face to face with Brat by the window. He had abnormally clear grey eyes with a darker rim to the iris, but they had no expression in them. Nor had his pale features any expression. He was so tightly strung, Brat thought, that if you plucked him with a finger he would twang.

And then quite suddenly the tightness went.

He stood for a moment searching Brat's face; and his own was suddenly slack with relief.

"They won't have told you?" he said, drawling a little, "but I was prepared to deny with my last breath that you were Patrick. Now that I've seen you I take all that back. Of course you are Patrick." He put out his hand. "Welcome home."

The stillness behind them broke in a flurry of movement and competing voices. There was a babble of mutual congratulation, of chinking glasses and laughter. Even Ruth, it seemed, stifled her disappointment at being done out of melodrama, and devoted her talents to wheedling a little more sherry into her glass than the «sip» that was the twins' allowance for health-drinking.

But Brat, drinking the golden liquid and thanking heaven that the moment was over, was puzzled. Why relief? he was thinking.

What had Ashby expected? What had he been afraid of?

He had denied the possibility of Brat's being Patrick. Had that been just a defence against hope; an insurance against ultimate disappointment? Had he said to himself: I won't believe that Patrick is alive, and so when it is proved that he isn't I won't have hoped for nothing? And was that overwhelming relief a moment ago due merely to the realisation that he was after all Patrick?