I realized that those days in the attic had been badly spent: I had reread pages I had first encountered at the age of six or twelve or fifteen, falling under the spells of different books at different times. That is no way to reconstruct a memory. Memory amalgamates, revises, and reshapes, no doubt, but it rarely confuses chronological distances. A person should know perfectly well whether something happened to him at seven years of age or at ten. Even I could now distinguish the day I woke up in the hospital from the day I departed for Solara, and I knew perfectly well that between one and the other some maturation had taken place, a change in my thinking, a weighing of experiences. And yet in the past three weeks I had taken everything in as if as a boy I had swallowed it down all at once, in one gulp-no surprise that I felt dazed as if by some intoxicating brew.
So I had to give up that grande bouffe of old papers, put things back in their places, and savor them over the course of time. Who could tell me what I had read or seen when I was eight as opposed to thirteen? I thought awhile and understood: my old school-books and notebooks simply had to be somewhere among all those containers. Those were the documents to track down: I had only to listen to their lesson, letting them lead me by the hand.
At dinner, I asked Amalia about the Nativity scene. Indeed it had been my grandfather’s, and had meant a lot to him. He was not a churchgoer, but the Nativity scene was like royal soup: it was not Christmas without it, and even if he had had no grandchildren he might have set it up just for himself. He began working on it in early December, and if I looked around the attic I would find all the framework, which had supported the sky backdrop and contained lots of little bulbs in the front part that made the stars twinkle. "A thing of beauty it was, your dear grandfather’s Nativity scene, made me cry every year. And water truly flowed in the river, why in fact one year it overflowed and got the moss wet that had come in fresh that very year, and then the moss all bloomed with itty-bitty blue flowers, which it was truly a miracle of the Christ child, and even the parish priest came who couldn’t believe his eyes."
"But how did he make the water flow?"
Amalia blushed and mumbled something, then made up her mind: "In that Nativity scene crate, which every year I helped to put it all away after Epiphany, there ought to be something, like a big bottle with no neck. You saw it? Well, I don’t know if folks still use them things or not, but it was a contraption, pardon my French, for giving enemas. Do you know what enemas are? Good, then I don’t have to explain, which that would embarrass me. And so your dear grandfather got the bright idea that if he put that enema contraption underneath the Nativity scene, and hooked up the tubes in the right places, the water would come up and then go back down again. That was something, I can tell you, forget the picture shows."
8. When the Radio
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After my eight days in the attic, I decided to go into town to get my blood pressure checked by the pharmacist. Too high: 170. Gratarolo had released me from the hospital with orders to keep it in the 130s, and 130 it was when I left for Solara. The pharmacist said that if I measured it after walking all the way down the hill to town, of course it would be high. If I checked it in the morning when I woke up, it would be lower. Nonsense. I knew what it had been, and for days I had lived like a man possessed.
I called Gratarolo, and he asked if I had done anything I should not have, and I had to admit that I had been moving crates, drinking at least a bottle of wine per meal, smoking a pack of Gitanes a day, and causing myself frequent bouts of mild tachycardia. He reproached me: I was convalescing, if my pressure went through the roof I could have another incident, and I might not be as lucky as I was the first time. I promised him I would take care of myself, and he raised the dosage of my pills and added others to help me get rid of salt through my urine.
I asked Amalia to use less salt in my food, and she said that during the war they had to go to the ends of the earth and give away two or three rabbits to get a kilo of salt, so salt is a gift from God and when you don’t have it nothing tastes like anything. I told her that the doctor had prohibited it, and she replied that doctors do all that studying and then they’re dumber than anybody and you shouldn’t pay them any mind-just look at her, never seen a doctor in her life and here she was well past seventy breaking her back every blessed day doing a thousand things, which she didn’t even have sciatica like everybody else. Never mind, I can pass her salt out in my urine.
It was more important to quit spending all my time in the attic, to move around a little, distract myself. I called Gianni: I wanted to see if all the things I had been reading in recent days meant anything to him. We seem to have had different experiences-his grandfather had not collected old-fashioned objects-but we had read many of the same things, in part because we used to borrow each other’s books. We spent half an hour quizzing each other on Salgari trivia, as if we were on a game show. What was the name of the Greek, the Rajah of Assam’s lackey? Teotokris. What was the last name of the lovely Honorata whom the Black Corsair could not love because she was his enemy’s daughter? Wan Guld. And who married Darma, Tremal-Naik’s daughter? Sir Moreland, son of Suyodhana.
I asked about Ciuffettino, too, but that meant nothing to Gianni. He had preferred comic books, and here he turned the tables, bombarding me with a barrage of titles. I must surely have read some of them, too, and a few of the names Gianni mentioned sounded familiar: The Phantom, Fulmine vs. Flattavion, Mickey Mouse and the Phantom Blot, and above all, Tim Tyler’s Luck… But I had found no trace of them in the attic. Maybe my grandfather, who had loved Fantômas and Rocambole, considered comic books inferior rags that were bad for children. And Rocambole was not?
Did I grow up without comic books? It was pointless to impose on myself long breaks and forced rest. I was being gripped once more by research fever.
Paola saved me. That very morning, toward noon, she showed up unexpectedly with Carla, Nicoletta, and the three little ones. My few phone calls had not convinced her. A quick trip, just to give you a hug, she said, we’ll leave again before dinner. But she was watching me closely, weighing me.
"You’re getting fat," she said. Luckily, I was not pale, what with all the sun I had gotten on the balcony and in the vineyard, but no doubt I had put on a little weight. I said it was Amalia’s little suppers, and Paola promised to set her straight. I failed to mention that I had spent days on end curled up in some corner, not moving for hours and hours.
A nice walk is what you need, she said, and our whole family headed off toward the Conventino, which was not a convent at all, but rather a small chapel sitting atop a hill a few kilometers away. The rise was continuous, and therefore nearly imperceptible, except for the last few dozen meters. While I was catching my breath I encouraged the little ones to gather a spray of roses and of violets. Paola grumbled that I should smell the flowers and not quote the Poet-especially since Leopardi, like all poets, was lying: the first roses do not bloom until after violets are gone for the season, and in any case roses and violets cannot be put together in the same bouquet, try it and see.
To prove that I did not remember only passages from encyclopedias, I showed off a few of the stories I had learned in recent days, and the children sidled up with wide eyes; they had never heard those tales before.