John Braintree was a long, lean, alert young man with a black beard and a black frown, which he seemed to some extent to wear on principle, like his red tie. For when he smiled, as he did for an instant at the sight of Murrel’s scenery, he looked pleasant enough. On being introduced to the lady, he bowed with a politeness that was formal and almost stiff; the style once found in aristocrats but now most common in well-educated artisans; for Braintree had begun life as an engineer.

“I came up here because you asked me, Douglas,” he said, “but I tell you it’s no good.”

“Don’t you like my scheme of colour?” asked Murrel. “It is much admired.”

“Well,” replied the other, “I don’t know that I do particularly like your plastering romantic purple over all that old feudal tyranny and superstition; but that isn’t my difficulty. Look here, Douglas; I came here on the strict understanding that I might say what I liked; but for all that I don’t particularly want to talk against the man in his own house if I can help it. So perhaps the shortest way of putting the difficulty will be to say that the Miners’ Union here has declared a strike; and that I am the secretary of the Miners’ Union. And as I’m trying to spoil his work by staying out, I think it would be a little low down to spoil his play by coming in.”

“What are you striking about?” asked Archer.

“Well, we want more money,” replied Braintree coolly. “When two pennies will only buy one penny loaf we want two pennies to buy it with. It is called the complexity of the Industrial System. But what counts for even more with the Union is the demand for recognition.”

“Recognition of what?”

“Well, you see, the Trades Union doesn’t exist. It is a grinding tyranny, and it threatens to destroy all British trade; but it doesn’t exist. The one thing that Lord Seawood and all its most indignant critics are certain about, is that it doesn’t exist. So, by way of suggesting that there might possibly be such an entity, we reserve the right to strike.”

“And leave the whole wretched public without coal, I suppose,” cried Archer heatedly, “if you do, I fancy you’ll find public opinion is a bit too strong for you. If you won’t get the coal and the Government won’t make you, we’ll find people who will get it. I, for one, would answer for a hundred fellows from Oxford and Cambridge or the City, who wouldn’t mind working in the mine to spoil your conspiracy.”

“While you’re about it,” replied Braintree contemptuously, “you might as well get a hundred coal-miners to finish Miss Ashley’s illumination for her. Mining is a very skilled trade, my good sir. A coal-miner isn’t a coal-heaver. You might do very well as a coal-heaver.”

“I suppose you mean that as an insult,” said Archer.

“Oh, no,” answered Braintree, “a compliment.”

Murrel interposed pacifically. “Why you’re all coming round to my idea; first a coal-heaver, I suppose, and then a chimney-sweep and so on to perfect blackness.”

“But aren’t you a Syndicalist?” asked Olive with extreme severity. Then, after a pause, she added, “What is a Syndicalist?”

“The shortest way of putting it, I should say,” said Braintree, with more consideration, “would be to say that, in our view, the mine ought to belong to the miner.”

“Mine’s mine, in fact,” said Murrel, “fine feudal medieval motto.”

“I think that motto is very modern,” observed Olive a little acidly, “but how would you manage with the miner owning the mine?”

“Ridiculous idea, isn’t it?” said the Syndicalist, “One might as well talk about the painter owning the paint-box.”

Olive rose and walked to the French windows that stood open on the garden; and looked out, frowning. The frown was partly at the Syndicalist, but partly also at some thoughts of her own. After a few minutes’ silence, she stepped out on to the gravel path and walked slowly away. There was a certain restrained rebuke about the action; but Braintree was too hot in his intellectualism to heed it.

“I don’t suppose,” he went on, “that anybody has ever realised how wild and Utopian it is for a fiddler to own his fiddle.”

“Oh, fiddlesticks, you and your fiddle,” cried the impetuous Mr. Archer, “how can a lot of low fellows–”

Murrel once more changed the subject to his original frivolities.

“Well, well,” he said, “these social problems will never be settled till we fall back on my expedient. All the nobility and culture of France assembled to see Louis XVI put on the red cap. How impressive it will be when all our artists and leaders of thought assemble to see me reverently blacking Lord Seawood’s face.”

Braintree was still looking at Julian Archer with a darkened face.

“At present,” he said, “our artists and leaders have only got so far as blacking his boots.”

Archer sprang up as if he had been named as well as looked at.

“When a gentleman is accused of blacking boots,” he said, “there is danger of his blacking eyes instead.”

Braintree took one bony fist out of his pocket.

“Oh I told you,” he said, “that we reserve the right to strike.”

“Don’t play the goat, either of you,” insisted the peace-maker, interposing his large red paint-brush, “don’t rampage, Jack. You’ll put your foot in it–in King Richard’s red curtains.”

Archer retired slowly to his seat again; and his antagonist, after an instant’s hesitation, turned to go out through the open windows.

“Don’t worry,” he growled, “I won’t make a hole in your canvas. I’m quite content to have made a hole in your caste. What do you want with me? I know you’re really a gentleman; but I like you for all that. But what good has your being a real gentleman or sham gentleman ever done to us? You know as well as I do that men like me are asked to houses like this, and they go there to say a word for their mates; and you are decent to them, and all sorts of beautiful women are decent to them, and everybody’s decent to them; and the time comes when they become just–well, what do you call a man who has a letter to deliver from his friend and is afraid to deliver it?”

“Yes, but look here,” remonstrated Murrel, “you’ve not only made a hole, but you’ve put me in it. I really can’t get hold of anybody else now. It isn’t to come on for a month; but there’ll be fewer people still then; and we shall probably want that time to rehearse. Why can’t you just do it as a favour? What does it matter what your opinions are? I haven’t got any opinions myself; I used them all up at the Union when I was a boy. But I hate disappointing the ladies; and there really aren’t any other men in the place.”

Braintree looked at him steadily.

“Aren’t any other men,” he repeated.

“Well there’s old Seawood, of course,” said Murrel. “He’s not a bad old chap in his way; and you mustn’t expect me to take as severe a view of him as you do. But I own I can hardly fancy him as a Troubadour. There really and truly aren’t any other men at all.”

Braintree still looked at him.

“There is a man in the next room,” he said, “there is a man in the passage; there is a man in the garden; there is a man at the front door; there is a man in the stables; there is a man in the kitchen; there is a man in the cellar. What sort of palace of lies have you built for yourselves, when you see all these round you every day and do not even know that they are men? Why do we strike? Because you forget our very existence when we do not strike. Tell your servants to serve you; but why should I?”

And he went out into the garden and walked furiously away.

“Well,” said Archer at last, “I must confess I can’t stand your friend at any price.”

Murrel stepped back from his canvas and put his head on one side, contemplating it like a connoisseur.