"You said you had some ideas."
"I did?" Her smile looked forced. "Maybe. Anyway, it's none of my business. My job is to save as much as I can of the building as long as there's money for the work. Which there isn't."
"So why are you staying on alone?"
"I'm putting in some overtime. Anyway, since I began working on the church, I haven't found anything else to do, so I have a lot of spare time."
"A lot of spare time," repeated Quart.
"That's right." She sounded bitter again. "And I have nowhere eke to go."
Intrigued, he was about to ask more when the sound of footsteps made him turn. A small, motionless figure dressed in black stood in the doorway. It cast its compact shadow on the flagstones.
Gris Marsala, who had also turned, smiled strangely at Quart. "It's time for you to meet the parish priest, don't you think? Father Priamo Ferro."
As soon as Celestino Peregil left the Casa Cuesta Bar, Don Ibrahim began discreetly counting the banknotes that Pencho Gavira's assistant had left them to cover initial expenses.
"A hundred thousand," he said when he'd finished.
El Potro del Mantelete and La Nina Punales nodded in silence. Don Ibrahim made three bundles of thirty-three thousand, put one bundle in the inside pocket of his jacket, and passed the others to his companions. He placed the remaining thousand-peseta note on the table.
"What do you think?" he asked.
Frowning, El Potro del Mantelete smoothed the banknote and peered at the figure of Hernan Cortes on the front. "Looks real to me," he ventured.
"I mean the job, not the note."
El Potro stared gloomily at the banknote and La Nina Punales shrugged.
"It's money," she said, as if that summed it all up. "But the job looks dodgy, with all those priests."
Don Ibrahim waved his hand dismissively, dropping ash on his trousers again. "We will proceed with the utmost tact," he said, leaning with effort over his paunch to brush off the ash.
La Nina Punales said othu and El Potro nodded, still staring at the banknote. El Potro must have been about forty-five, and every one of his years showed in his face. In his younger days, between stints in the
Spanish Legion, he'd been a luckless apprentice bullfighter. It had left him with the dust of failure in his eyes and throat, and a scar from a bull's horn under his right ear. And all he got from a brief, obscure career as a contender for the bantamweight championship of Andalusia was a broken nose, lumpy scarred eyebrows and a certain slowness in combining thought, speech and action. When he was conning tourists in the streets, he was very good at playing the innocent. His vacant stare was utterly convincing.
"Very important to be tactful," he said slowly.
He went on frowning, as he did whenever he was thinking. This was what he'd been doing – frowning and pondering a question deeply -when he came home one day to find his brother, who was in a wheelchair, with his trousers down to his knees and his wife – El Potro's wife – sitting on top of him panting eloquently. Unhurriedly and without raising his voice, nodding as his brother assured him that there was a misunderstanding and he could explain everything, El Potro del Mantelete pushed the wheelchair almost tenderly to the landing and tipped it and its occupant down the stairs. His brother bumped down the thirty-two steps and suffered a fractured skull that turned out to be fatal. El Potro's wife got off more lightly: he beat her methodically, gave her two black eyes and then knocked her out with a left hook. Half an hour later, she came to, packed her bags and left for good.
The business with his brother didn't work out so well. It was only thanks to the skill of El Potro's lawyer that the judge was persuaded to change the charge from murder (with a possible thirty-year sentence) to involuntary manslaughter, resulting in an acquittal in dubio pro reo. The lawyer was Don Ibrahim. The Lawyers' Association of Seville didn't yet have doubts as to the authenticity of the diploma issued in Havana. But El Potro didn't care whether Don Ibrahim was a bona fide lawyer or not. The former bullfighter and boxer would never forget how Don Ibrahim had made an impassioned defence and won him his freedom. A home torn apart, Your Honour. A cheating brother, the heat of the moment, my client's intellect, the absence of animus necandi, the lack of brakes on the wheelchair. Since then, El Potro del Mantelete had been blindly, heroically, unfailingly loyal to his benefactor. And his devotion became even greater, if that was possible, after Don Ibrahim's ignominious expulsion from the legal profession. Faithful as a hound, silent and unswerving, El Potro would do anything for his master.
"Still too many priests for my liking," said La Nina, her silver bracelets jangling as she twirled her empty glass.
Don Ibrahim and El Potro exchanged glances. Then the bogus lawyer ordered three more fino sherries and some tapas of spicy pork sausage. As soon as the waiter put the sherries on the table, La Nina emptied her glass in a single gulp. Don Ibrahim and El Potro averted their eyes.
Sour wine, so full of happiness,
though I drink to drown my sorrows,
I will never forget…
She sang low and from the heart, licking her red-painted lips moist with sherry. El Potro whispered ole without looking at her, gently tapping the rhythm on the table. As she sang the folk song her eyes – dark, tragic, rimmed with too much eyeliner – showed enormous in a face once beautiful. When she had too much sherry, she would recall how, as in the song, a dark man had once stabbed another to death over her. And she would search her handbag for a newspaper cutting she'd lost long ago. If it had ever really happened, it must have been when La Nina appeared on posters for shows in all her Gypsy glory, wild and beautiful, the young hope of Spanish song. The successor, they said, of Dona Concha Piquer.
Now, three decades after her brief moment of fame, she worked in seedy clubs and bars on the tourist circuit – dinner and a show included, Seville by night – the tired stamp of her dancing shoes making the rickety stages splinter.
"Where do we start?" she asked, looking at Don Ibrahim.
EI Potro glanced up too at the man he most respected in the world after the late bullfighter Juan Belmonte. Aware of his responsibility, the bogus lawyer took a long drag on his cigar and twice read the list of tapas on a blackboard behind the bar. Croquettes. Tripe. Fried anchovies. Eggs in bechamel. Tongue in sauce. Stuffed tongue.
"As Caius Julius Caesar said, and he put it well," Don Ibrahim said when he judged enough time had elapsed for his words to have greatest impact, u'Galia est omnia divisa in partibus infidelibus.' In other words, before taking any action, ocular reconnaissance is recommended.'' He looked round like a general before his staff officers. "Visualisation of the territory, if you see what I mean.*' He blinked doubtfully. "Do you see what I mean?''
"Othu."
"Yes."
"Good." Don Ibrahim stroked his moustache, satisfied with troop morale. "What I mean is, we have to go and take a look at that church and all the rest of it." He glanced at La Nina, knowing she was devout. "With due attention to the fact that it is a sacred building, of course."
"I know the church," she said in her gravelly voice. "It's old and always has the builders in. I go to Mass there sometimes."
Like a good flamenco singer, she was highly religious. For his part, although he professed to be agnostic, Don Ibrahim respected freedom of worship. He leaned forward enquiringly. Rigorous research was mother to all victories, he'd read somewhere – Churchill, perhaps, or Frederick the Great.
"What's he like, the parish priest?"
"Old-school." La Nina frowned in concentration. "Ancient, bad-tempered… He once threw out some tourists, young girls, who came in during Mass. He got down from the altar, in his chasuble and everything, and gave them a real scolding for wearing shorts. This isn't the beach, he said to them, off you go. And he chucked them out."