But what loot? What did she have in the bag? And could he even get into the place?

Well, hell, he'd never seen a house he couldn't break into.

Kneeling, Chichi slipped the bag between the two mattresses. She didn't shove it very deep, she didn't slit the mattress ticking. Good show, Joe thought, itching to get his paws under there, get his claws into that black silk. For a long moment, she just knelt there. Then, almost as if she'd read his mind, she pulled the bag out again and set it on the bed, as if she meant to hide it somewhere more secure, harder to discover.

But maybe, Joe thought, he wouldn't have to retrieve it. Maybe he'd know what she'd hidden, as soon as he found out what had happened in the village. Chichi's stealthy arrival home while the sirens were still shrieking, plus the unanswered puzzle of who was watching TV, had to add up to trouble.

The thin branch was cutting into his belly, and its thorns had stuck his hind paw so deeply he could smell his own blood. Hurt like hell to back away when, within the bright room, Chichi turned suddenly and approached the window.

She stood looking out, her eyes on a level with his own, which were slitted closed, his white parts hidden in an uncomfortable crouch. Did the bedroom light pick him out like a possum on a leafless branch?

But so what? What difference? So there was a cat in the tree, a neighborhood cat. Clyde Damen's cat, harassing the sleeping birds, maybe snatching baby birds from their nests.

She didn't remain long at the window, but bent down to root around in a suitcase that lay open on a chair beside the dresser. Hadn't she unpacked? She'd been there two weeks. That spoke of a transient, fly-by-night attitude that made Joe smile with satisfaction at his own astute character assessment.

But when she drew from the suitcase a long, sharp-looking bread knife, and looked up directly through the glass, he swallowed back a yelp of surprise and nearly fell out of the tree. Backing away into the tiniest twiggy branches, he lacerated two more paws and bent the limbs so far that he swung and wobbled wildly before he righted himself, nonchalantly licked a paw as if he hadn't seen anything frightening but had just lost his balance, and crept back to a safer perch. Maybe, with the inside light reflecting against the glass, she had only seen her own reflection.

But why the knife? What made her pick it up and peer out so intently?

And what, in the next instant, made her draw the shade?

Maybe she'd heard something, the soft hush of his scrabbling among the brittle branches; maybe that was all. There was no reason for her, even if she'd seen him, to feel threatened. By a cat? Why would she?

Annoyed at his own cowardice, Joe dropped from the lemon tree and sped for the front of the house. Rearing up with his paws on the sill, he peered through beneath the shade, stretching and tilting his head, his nose pressed against the cold glass.

Studying the dim room in the TV's flickering light, Joe laughed softly. Little Chichi had some artistic flair, some talent as a sculptor.

Maybe she had worked in department store window display, or maybe on stage sets. Or maybe she was simply talented. She had created a very lifelike silhouette using a mop and several other common household items.

The mop formed the body; it was one of those old-fashioned mops with twisted rags on a stick; these were the woman's tresses, tangled like Chichi's blond coiffure. The figure wore a blue sweat suit, artfully padded out in just the right places. The head itself was made of wadded and pasted newspapers. A small table lamp behind the figure gave off the weak glow that helped, with the flicker of the TV, to silhouette her against the shade. The creative dummy was, at the moment, being treated to an old rerun of Lassie, a series Joe found particularly disgusting.

It was one thing to see animal stories that were obviously imaginary takeoffs, like Alice in Wonderland, or the Narnia series, or The Lion King. Children knew this was make-believe, and they loved it. It was quite another matter to subject children to animal tales that purported to present impossible animal behavior as real life. The things Lassie understood and did were not at all how dogs really acted or thought, and yet the series wasn't presented as fantasy The result, in Joe's opinion, was generations of children who hadn't a clue how to train and deal with their new Christmas puppies or kittens, and generations of parents who were just as ignorant.

When Joe compared those tawdry stories to the very real and wonderful feats of well-trained police and drug dogs, and of herding and search-and-rescue dogs, Lassie's idiocy came off as dangerously and foolishly misleading. No wonder children grew up knowing nothing about the animals with whom they shared the earth.

Clyde would once have said he was grossly opinionated. But Clyde's views on the subject had undergone some serious changes, and were now pretty much the same as Joe's own. As for Joe and Dulcie and Kit's situation, the cats themselves understood that they were far beyond the pale. That no sensible adult could easily believe that a cat could talk, and for this they were eternally grateful.

Continuing to admire Chichi's display-window handiwork, he wondered if this figure had been here before Clyde went off to dinner. Clyde and Ryan must have walked right by it, passing this window as they headed for Lupe's Playa. Clyde, seeing what he thought was Chichi in there, should have wondered at seeing her so shortly afterward walking into Lupe's.

But maybe not. It was only a few blocks. Or maybe she'd had this figure all set up within the darkened room, had watched through the front window until Clyde and Ryan left the house walking up toward the village, and then had turned on the lamp and TV, and had slipped out of the house to follow them.

But why? To establish an alibi to her whereabouts, tonight? But dinner was a long time before whatever came down in the village. How could her appearance at Lupe's afford her a tight alibi?

Maybe she'd wanted to get friendly with the Molena Point cops, make nice to Harper and Garza. She'd tried hard enough to get herself invited to join them. To gain their goodwill, while at the same time establishing an alibi. Fat chance, with cops. Anyway, that really didn't wash. How would she know Clyde was having dinner with Max and Dallas?

Unless Clyde had told her? Quite possible. She often came knocking; maybe earlier this evening he'd used dinner as an excuse to get rid of her. Or maybe, seeing Ryan arrive and the two of them go off, Chichi took a chance and followed?

Whatever, they'd all left the restaurant long before the sirens started. She'd had plenty of time to take care of whatever business involved the little black bag.

Filled with questions, he considered waiting until her lights went out and she was in bed asleep, then find a way inside; try to wriggle under the mattress without waking her.

Right. And end up backed into a corner by that businesslike bread knife.

But again, he was only a cat. She shouldn't be overly alarmed by his presence; when she saw him in the yard or on his own porch, she looked at him with distaste, but not with fear; she didn't go pale and back away as a real ailurophobe would be likely to do, exhibiting shortness of breath and possible heart palpitations. A person like that, you really couldn't con them with purrs, with face rubs against a stockinged ankle. And long ago, in San Francisco, she'd played up to him big time.

Now, probably the worst Chichi would do if she found him in her room would be fling open the back door and chase him out into the night.

Right. With the bread knife.

Dulcie would say his plan was more than stupid, she'd call him totally insane, say he'd abandoned the last shred of his previously astute feline mind. Maybe he'd wait until tomorrow, take the sensible route, lay low until Chichi walked into the village early, as she often did, carrying her big canvas tote.