Leaving Chichi's front window, scorching up the pine tree to his own roof, he shouldered into his tower and through his cat door, dropped down to Clyde's desk, and went straight to Snowball in the big leather chair.

She was awake, looking small and lonely, just a frightened wisp of white fluff. Charlie had said once that cats, when they were sick or hurt or afraid or grieving, seemed to shrink to half their size, to collapse right in on themselves. Slipping up into the chair beside Snowball, he began to lick her ear and to talk gently to her.

Of the three household cats, Snowball had been the first to get used to his human speech. Her initial shock hadn't lasted long, and then she'd been more fascinated than appalled.

"It's all right, Snowball," he told her now. "Rube will be all right, he's in good hands now, he's not in pain now." But even as he said it, Joe shuddered. What did he mean, he'll be fine? What did that mean, in good hands now? What did that mean, not in pain now?

He didn't want to think what those expressions might really mean.

Giving the grieving little cat a gentle wash, he sat with her snuggled close, waiting until she dozed again, tired out with missing Rube. Only then did Joe leave her. Leaping from desk to rafter and through to the roofs, he headed fast for the center of the village, his gaze focused on the reflection of slow-moving car lights and handheld spotlights that now glanced skyward, bouncing against the edges of the roof gutters and flickering along the undersides of the oaks. Cops with spotlights, moving fast and silent.

He approached the scene expecting any second to hear sirens blast; but none did. Just the silent racing lights and the whisper of voices that, from a distance, only a cat could hear; and then, soon, the muted static of police radios turned low. As he neared the scene he could make out more clearly the soft resonance of the cops' voices, the voices of men he knew. There were no sirens, no staccato sounds of men running, no cars taking off with squealing tires; no more shots fired.

But suddenly just below him four patrol cars took off fast in four directions, racing silent and swift along the narrow streets. Joe knew the sound of the big Chevys that Molena Point PD drove, knew their purr as well as he knew his own. Approaching the scene over the shingles, he paused, waiting and watching, half his mind even now on old Rube, on Clyde and on Snowball.

Clyde would be alarmed when he got home and Snowball wasn't in her bed, when she wasn't anywhere downstairs or in the patio. Eventually he'd look upstairs, where she sometimes went when she was very upset, when the other two household cats took her toys or took all the food. Clyde would find her in the leather chair and would likely take her into bed with him, to comfort her-to comfort each other. Clyde would be feeling low himself, maybe very low, Joe thought forlornly.

Long before the first alarm sounded on the police switchboard, before any call came in to the dispatcher, Max and Charlie Harper had settled in for the evening, replete with their good Mexican dinner. They had made a pot of coffee and brought the two dogs in for a relaxed evening before the fire. Charlie, tired and happy after her pack trip, lay on the rug before the blazing logs, lulled by the fire's crackle, by the faint crashing of the distant surf, and the music from an Ella Fitzgerald CD. The two big dogs lay near her, eyeing her coffee, though they didn't like that bitter brew. Max sat sprawled in one of the two red leather chairs, enjoying the beauty and peace of their home and admiring Charlie's neat butt in her snug jeans.

Above them the ceiling of the great room rose to a high peak that towered over the rest of the house, its cedar rafters perfuming the room. In the daytime the long glass wall offered a wide sweep down across the pastures to the open hills and to the sea beyond and, off to the right, the rooftops and dark oaks of the village. The thin, pleated blinds pulled high and the lamps unlit they enjoyed the night sky. As yet there was no hint of trouble, no faint finger of red touching the sky, no faint, distant sounds of unrest in the small village.

The furnishings of the room were simple, the red leather chairs, the bright primitive colors of the Turkish Konya rug that Charlie had found at an estate sale, the long wicker couch with its fluffy pillows. Opposite the windows, the fireplace wall was faced, floor to ceiling, with round river stones and flanked by tall bookcases. The other two walls of the room were stark white, setting off Charlie's framed drawings of horses, dogs, wild animals, and of the three cats. One wall was broken by a sliding glass door that led to the wide stone terrace; the terrace, in turn, joined the kitchen. Charlie was telling Max about the quarter horse ranch where she and Ryan and Hanni had spent two nights, when Max's cell phone buzzed. "Damn!" she said violently.

"Maybe it's nothing," Max said, flipping the phone open.

The next moment, she could tell by his face that it was the end of their quiet evening. He listened, asked several questions, then rose. Neither said anything. Charlie got up from the floor and kissed him. He hugged her hard, grabbed his jacket and was out the door-gone while she stood there wondering, for the thousandth time, why she had married a cop.

But she knew why.

Pouring another cup of coffee from the pot by the fireplace, she lay down again among the cushions, thinking that she should pull the shades now that she was alone. Thinking she really ought to turn the police scanner on, find out what was happening. But she was far too comfortable to do either. She'd know what was happening soon enough. Rolling over on the rug, snuggling between the two dogs, she said a prayer for Max, as she always did. He would not like knowing that she prayed for him; this was his job. But she prayed anyway. What could it hurt; she couldn't help how she felt, no matter how she tried- and then she began to worry about the three cats.

They'd be right in the middle, you could bet on it, drawn to the crime scene like kids to a fire. Three little cats, so small, three rare little souls, so strangely blessed with human talents, out in the night peering down from the trees or rooftops, keen with predatory enthusiasm for whatever crime was coming down.

Though her prayers might not make anyone safe, and though she would not change the cats any more than she would change Max, Charlie prayed for them all.

As Max headed down the hills to the village, their friends listened to the sirens that he hadn't heard from his distant position, and saw the reflections of flames up around the high school, and they paid attention. Max and Dallas would be heading up there, as would their other friends on the force. In the hospital, Wilma Getz woke from dozing before her TV, turned off the set, and listened. The tall, thin, wrinkled woman wished she had the little police scanner she had bought recently for just such occasions, for times when she knew Dulcie would race off into the middle of danger.

Dressed in her own red flannel nightgown instead of the hospital gown that had left her chilled and irritable, Wilma was comfortable enough despite the fact that she didn't like hospitals. Her long, silver-white hair had, until tonight, been bound into a bun in an effort to keep it confined under the cap they put on you before surgery. Now that she had been allowed to wash and blow-dry it, she felt better. Her clean hair lay smooth and comfortable, pulled neatly back in a ponytail.

Reaching for the little mouse that would allow her to raise the back of her bed, she tried to track more precisely the scream of the sirens as they hurried up the hills. Swinging her feet to the floor, wincing at the pulling pains, she made her way to the window, supporting herself on the night table, then along the back of the visitors' chair.