The great body of kelp that some called "Avata" directed the flow of all currents and, therefore, all shipping planetwide. It calmed the ravages of Pandora's two-sun system, making land and the planet itself possible. Ben, and many others, believed that Avata had a mind of its own.

Crista Galli stirred, tucked herself further under the quilt and resumed her even breathing. Ben knew that killing her now while she slept might possibly save the world and himself. He had heard that argument among the rabid right, among those accustomed to working with Flattery.

Possibly.

But Ozette believed now that she could save the world for Avata and human alike, and for this he vowed to guard her every breath - for this, and for the stirrings of love that strained in old traces.

Spider Nevi and his thugs hunted the both of them now. Ben had wooed her away from the Director's very short leash, but Crista did the rest. Crista and Rico. Ben knew well that the leash would become a lash, a noose for himself and possibly for her next time and he had better see to it that there was no next time. Flattery had made it clear that there was nothing in the world more deadly, more valuable than Crista Galli. It was certain the man who'd made off with her wouldn't be lightly spared.

Ben was forty now. At fifteen he'd been plunged into war with the sinking of Guemes Island. Many thousands died that day, brutally slashed, burned, drowned at the attack of a huge Merman submersible, a kelp-trimmer that burst through the center of the old man-made island, lacerating everything in its path. Ben had been rimside when the sudden lurch and collapse sent him tumbling into the pink-frothed sea.

The years since and the horrors he had seen gave him a wisdom of sorts, an instinct for trouble and the escape hatch. This wisdom was only wisdom as long as he kept alive, and he remembered how easily he had thrown instinct out the porthole the time he fell in love with Beatriz. He had not thought that could happen again until the day he met Crista Galli, a meeting that had been half-motivated at the possibility of seeing Beatriz somewhere inside Flattery's compound. Crista had whispered, "Help me," that day, and while swimming in her green-eyed gaze he'd said, simply, "Yes."

In her head sleeps the Great Wisdom, he thought. If she can unlock it without destroying herself, she can help us all.

Even if it wasn't true, Ben knew that Flattery thought it was true, and that was good enough.

She rolled over, still asleep, and turned her face up at the prospect of the dim light.

Keep you away from light, they say, he thought. Keep you away from kelp, keep you away from the sea. Don't touch you. In his back pocket he carried the precautionary instructions in case he accidentally touched her bare skin.

And what would Operations think if they knew I'd kissed her?

He chuckled, and marveled at the power beside him in that room.

The Director had already seen to it that no interview of Crista Galli would ever be aired. Now, at Flattery's direction, Holovision had lured Beatriz with an extra hour of air time a week glorifying Flattery's "Project Voidship."

Beatriz is running blind, he thought. She loves the idea of exploring the void so much that she's ignored the price that Flattery's exacting.

Flattery's fear of Crista's relationship with the kelp had kept her under guard. The Director sequestered her "for her own protection, for study, for the safety of all humankind." Despite weekly access to Flattery's private compound, Beatriz showed no interest in Crista Galli. She lobbied his support, however, when Ben had requested the interviews.

Maybe she hoped to see more of me, too.

Beatriz was wedded to her career, just as Ben was, and something as nebulous as a career made pretty intangible competition. Ben couldn't understand how Beatriz let the Crista Galli story slip through her fingers. Today he was very happy that she had.

***

Fire smolders in a soul more surely than it does under ashes.

- Gaston Bachelard, The Psychoanalysis of Fire

Kalan woke up from his nestling spot between his mother's large breasts to loud curses and a scuffle a few meters down The Line. The chime overhead tolled five, the same as his fingers, same as his years. He did not look in the direction of the scuffle because his mother told him it was bad luck to look at people having bad luck. A pair of line patrolmen appeared with their clubs. There were the thudding noises again and the morning quieted down.

He and his warm mother stayed wrapped in her drape, the same one that had shaded them the day before. This morning, at the chime of five, they had been in The Line for seventeen hours. His mother warned him how long it would be. At noon the previous day Kalan had looked forward to seeing the inside of the food place but after everything he'd seen in The Line he just wanted to go home.

They had slept the last few hours at the very gates of the food place. Now he heard footsteps behind the gates, the metallic unclick of locks.

His mother brushed off their clothes and gathered all of their containers. He already wore the pack she'd made him, he hadn't taken it off since they turned in their scrap. Kalan wanted to be ready when she negotiated rice, because carrying the rice back home was his job. They had made it right up to the warehouse door at midnight, then had it locked in their faces. His mother helped him read the sign at the door: "Closed for cleaning and restocking 12-5." He wanted to start his job carrying the rice now so he could be going home.

"Not yet." His mother tugged his shirttail to restrain him. "They're not ready. They'd just beat us back."

An older woman behind Kalan clucked her tongue and collected a breath on an inward hiss.

"Look there," she whispered, and lifted a bony finger to point at the figure of a man trotting down the street. He looked backward toward the docks more than forward, so he stumbled a lot, and he ran with his hands over his ears. As he ran by he crouched, wild-eyed, as though everyone in The Line would eat him. As two of the security moved to cross the street, the short young man skittered away down the street uttering frightened, out-of-breath cries that Kalan didn't understand.

"Driftninny," the old woman said. "One of those family islands must've grounded. It's hardest for them." She raised her reedy voice to lecture pitch: "The unfathomable wrath of Ship will strike the infidel Flatter..."

"Shaddup!" a security barked, and she muttered herself to silence.

Then there arose in The Line a grumbled discussion of the difficulties of adjustment, the same kind of talk that Kalan had heard muttered around the home fire when they first settled here from the sea. He didn't remember the sea at all, but his mother told him stories about how beautiful their little island was, and she named all the generations that had drifted their island before Kalan was born.

The Line woke up and stretched and passed the word back in a serpentine ripple: "Keys up." "Hey, keys are up!" "Keys, sister. Keys up."

His mother stood, and leaned against the wall to balance herself as she strapped on her pack.

"Hey, sister!"

A scar-faced security reached between Kalan and his mother and tapped the side of her leg with his stick.

"Off the warehouse. C'mon, you know bette..."

She stepped right up to his nose as she shouldered her carryall, but she didn't speak. He did not back down. Kalan had never seen anyone who didn't back down to his mother.

"First tickets up, alphabetical order, left to right," he said. This time he tapped his stick against her bottom. "Get moving."

Then they were inside a press of bodies and through the gates, into a long narrow room. Where Kalan had expected to see the food place, he saw instead a wall with a line of stalls. An attendant and a security armed with stunstick flanked each stall, and out of each one jutted what he thought must be the nose or tongue of some great demon.


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