His mother hurried him and their things to the furthest stall.

"Those are conveyer belts," she explained. "They go way back into the building and bring out our order to us and they drop it here. We give our order and our coupons to this woman and someone inside fetches it for us."

"But I thought we could go inside."

"I can't take you inside," she said. "Some things we can get on the way home when the market opens. I'll take you around to see all the booths and vendor..."

"Order."

His mother handed the list to the guard, who handed it to the attendant. The attendant had only one eye, and she had to hold the list close to her face to read it. Slowly, she crossed off certain items. Kalan couldn't see which ones. He couldn't read everything on the list, but his mother had read it to him and he knew everything by where it was. He could see that about half of what they wanted was crossed out. The attendant typed the remainder of the list onto a keyboard. It hummed and clicked and then they waited for their food to come down the great belt out of the wall.

Kalan could stand at the very end of the belt and look along its length, but it didn't give him a very good view of the insides of the food place. He could see that there were lots of people and lots of stacks of food, most of it packaged.

His mother told him they would get their fish from a vendor outside. He thought it funny, his father was a fisherman but they couldn't eat his fish, they had to buy it from vendors like everyone else. One man who had fished with his father for two years disappeared. Kalan heard his parents talking, and they said it was because he smuggled a few fish home instead of turning them all in at the docks.

The first package off the belt was his rice, wrapped in a package of pretty green paper from the Islanders. It was heavier than he thought five kilos would be. His mother helped him slip the package inside his backpack, a perfect fit.

Suddenly there were shouts from all around them at once. He and his mother were knocked down and they curled together for protection under the lip of the conveyer belt. Heavy doors slid down to close the opening over each belt and the larger gates that they'd come through clanged shut. A mob had rushed the warehouse and the security was battling them off.

A dozen or more burst through before the gate was shut.

"We're hungry now!" one of them shouted. "We're hungry now!"

They fought with the guards and Kalan saw blood puddle the deck beside him. The men from the mob carried strange-looking weapons - sharpened pieces of metal with tape wrapped for a handle, sharpened pieces of wire. People furiously slashed and poked and clubbed each other. The Line people like Kalan and his mother curled up wherever they could.

One of the looters grabbed Kalan's pack but the boy held on tight. The man swung the pack up and snapped it like a whip, but Kalan still held on. The man's sunken-eyed face was spattered with blood from a cut over his nose, his gasping breath reeked of rotten teeth.

"Let go, boy, or I'll cut you."

Kalan had a good grip with both hands, and he kept it. A guard struck the looter on the back of his neck with a stunstick set on high. Kalan felt the tiniest tingle of it transmitted from the man's hand to the bag to Kalan. The man dropped with an "oof," then he didn't move any more than the bag of rice.

Kalan's mother grabbed him and hugged him as the guards clubbed the rest of the looters unconscious. He tried not to look at the pulpy faces and splatterings of blood, but it seemed they were everywhere. As he burrowed his face deep between his mother's breasts, he felt her weeping.

She stroked his head and wept quietly, and he heard the security dragging off the bodies, beating some of them who were coming around.

"Oh, babe," his mother cried and whispered, "this is no place for you. This is no place for anybody."

Kalan ignored the barking of guards around them and concentrated on his mother's softness, and on the tight grip he kept on their rice.

The Director, Raja Flattery, woke once again with a scream in his throat. The nightmare tonight was typical. A tenaculous mass had snatched his head and wrenched it off his shoulders. It dismembered his body but it held his head in its own slithering members so that he could watch the action. The tentacles became fingers, a woman's fingers, and when they pulled the meat from his body's bones there was only a sound like a match flaring in a stairwell. He woke up trying to gather his flesh and reassemble it on the bone.

Nightmares like this one had dogged him throughout the twenty-five years since the hybernation ordeal. He had not wanted to admit it, but it was true that they were worse since the incident with his shipmate, Alyssa Marsh. There was that pattern, too... Night after night he felt the raw pain in each muscle anew as something pulled his veins and fibers apart. His early training as a Chaplain/Psychiatrist on Moonbase had been little help this time. The physician had given up trying to heal himself.

Get used to it, he told himself. Looks like it's going to be here for a while.

Even in its after-fright reflection, his face in the cubbyside mirror oozed disdain. His upraked black eyebrows raked upward even further, adding to the appearance of disdain. He felt he wore that look well, he would remember to use it.

What color were her eyes?

He couldn't remember. Brown, he guessed. Everything about Alyssa Marsh was becoming indistinct as sun-bleached newsprint. He'd thought she would become unimportant, as well.

Flattery's brown eyes stared down their own reflection. His attention was caught by faint flickerings of colored lights through the plaz from a kelp bed beyond his cubby. It was a much more mature stand than he'd suspected. Early studies debated whether the kelp communicated by such lights. If so, to whom?

At the Director's orders, all kelp stands linked to Current Control were pruned back at the first sign of the lights. A safety precaution.

After the lights, that's when the trouble starts. He was sure that that patch had been pruned just a week ago at his directive. Both Marsh and MacIntosh had harped on the kelp so much that Flattery had stopped listening to them. The one thing that both of them said that pricked his ears was their common reference to the kelp's recent growth: "Explosive." They had both showed him the exponential function at work on the graphs but he had not appreciated their alarm until now. Flattery dispatched a memo to have this stand of kelp pruned today.

Beyond the kelp bed sprawled the greater lights of Kalaloch where bleary-eyed commuters already lined up for the Project ferry and The Line was stirring at midtown. If he were outside now he might hear the thankless clank of mill machinery or the occasional blast of an explosive weld.

Crista Galli, he thought, and glanced at the time. Only an hour since he'd fallen asleep. Wherever she was, she and that Ozette, they wouldn't dare move until curfew lifted. Now is when it would be easy for them. Now when the roadways fill with people for the day, they will be bodies in a throng, anonymous...

A steady stream of dirtbaggers found their way to Kalaloch every day. He would order the press to quit calling them "refugees" so that he could deal more directly with them. Now that he had Holovision under control, he could focus on wiping out this maverick broadcast that called itself "Shadowbox." He knew in his gut that Ozette was the prong of this most annoying thorn, a prong that Flattery was going to enjoy blunting.