“I love you,” he said into the dead line.

Jammed by someone who had overheard the conversation? Also likely. If so, Montrose’s control of the enemy sniper weapon would last only until an order could be given to the shooter. That was the whole point of having a human operator in wartime, rather than relying on drones and remotes.

At the moment, the signal from the hair ornament was still strong and clear. How had the tiny flying machine gotten there? Had she tossed it out an airlock, and it made re-entry by itself? Had she scattered a group of them over the nearby rooftops, hours or days before the wedding? Either option seemed odd.

He tapped his fingers over the amulet again, entering dozens of command lines. With the last line, he set the amulet to react to his voice. He screwed the heavy gauntlet back on, and spoke aloud. “Magic band on my hand: Turn off the lights.”

The car light snapped off. His voice could carry to the amulet even through the thick metal gauntlets. With ponderous steps, weighed down by more than his armor, awkward as a man in an old-fashioned diving suit, Montrose departed the car, and took an elevator down the spine of the superscraper to the ground level.

4. The Exchange

When the elevator doors opened, he saw a strange scene. Here was a shopping arcade, like something from a storybook set in the Twentieth Century, in the Fat Years. To either side were broad windows, with goods on display. The pearls and shoes, drinking vessels and fishing rods were surrounded by rainbow images of themselves, a chromatic aberration: because the windows were actually empty, and had been for years. Through the doors could be seen a desolation of floorspace: shops themselves were dark and bare.

What made the scene strange were machine gun nests. The floor tiles had been dug up in spots, to make foxholes, and the debris piled in a half-circle in front of the foxholes. The tripod-mounted weapons of some make Montrose did not recognize were still squatting in their places, ugly snouts peering through the debris of tiles toward the outer doors. Fat power cables ran from the tripod-mounted artillery across the floor to an open elevator shaft, and from there they snaked down out of sight, presumably to some buried dynamo, or perhaps the power system of the subterranean vactrains. Also snaking across the tiled floor of the empty mall were tangles of defensive wire, the kind that could be set to shock, or entangle, or explode. The wire was motionless at the moment, but little grenades like iron grapes dangled from the twisted wire at irregular intervals.

But there were no soldiers. Rania’s men must have been here, and quite recently, and fled precipitously enough to leave their gear behind, whatever they could not carry.

In his heavy armor, Montrose clanked through the empty halls, and came to the broad glass front doors, like the doors of a palace, that loomed above him, four times the height of a man. There was a switch, but clicking it did nothing: the circuit was dead. Peering through the thick glass panes, he saw the dark and empty streets outside. No one was standing too close, and he did not feel like searching for a manual door, so he removed the safety from one of his eight side-bullets, the Six O’clock position, and fired it into the door-hinge.

The hinge mechanism must have had a self-oiling canister, because a most satisfactory gust of fire and oily smoke leaped up with a roar, with torn metal screaming in reply, and the massive doors toppled majestically, smashing into half a dozen raft-sized flakes and a cloud composed of a thousand diamond shards. (That crash surprised him. He assumed the future people would make glass out of something safe and shatter-proof, like plastic. He wasn’t complaining, though.)

He stepped through the cloud of black smoke and tinkling shards, down the broad marble stairs. All the eyes of the soldiers were on him.

The buildings here were long-empty, unlit, the windows covered with coppery sheets, like pennies on the eyes of dead. There was no traffic: the road had been recently torn up, as if by directed energy, to form a crude trench. Slabs of armor plate with gunslits like narrowed Cyclops-eyes peered over the trench edge like headstones, as if shields taller than a man but small enough to be transported via traincar had merely been fitted together, edge to edge, to form impromptu pillboxes and stronghouses. Modern warfare was modular.

In the near distance were men uniformed in high-tension ablative weave, bulletproof and beam-resistant, dialed to armor configurations, and dull with the blocky gray of urban camouflage. Their officers were dressed as Conquistadores. The ordinary logic of war should have had the officers blend among the men, camouflaged as they were, for fear of snipers, but the romance of war, at least in the era dominated by personalities like Del Azarchel, allowed officers to seek greater honor by exposing themselves to greater danger.

The soldiers nearer the door kept mostly out of the line of sight, but he could see the periscope-threads of their helmets poking around corners or peeking shyly over trench edges.

There was one figure who was not cowering, not taking cover, but standing bold as brass, dead in the middle of the empty street, right beneath a dark street-lamp. The burly figure was dressed in duelist armor from a dead century, massive as a gorilla, his helmet a faceless hemisphere. An oversized pistol hung crookedly from his armored fist, its foot-long barrel down to mid-shin.

The fear that stabbed through Montrose came as a surprise. A sensation like rolling through thorns crawled across his skin, leaving a wash of hot perspiration in its wake. He blinked and blinked again, but there was no way to get a hand inside his heavy helmet and wipe the sweat from his eyes. He clicked the air switch with his jaw, opening the vents, and wishing for cool.

A bad sign. Montrose never got an attack of nerves before. Had he lost the one thing that allowed him to fight and win? Perhaps it had slipped away when he fought his final fight, the duel with Mike Nails, way back when. That duel had put him in the hospital.

Montrose reminded himself that he was not fighting for himself this time, not for money, not for his family or his firm. This was for Rania.

That thought steadied him.

The squat figure of his opponent was not alone. From behind the armored shape emerged the thinner form of Narcís D’Aragó, spine straight, walking slowly to take up a position halfway between. He was dressed in his black silk shipsuit, and, now that the general population knew the secret of second youth, his hair was dark, his narrow face unwrinkled. But there was something in his footstep, the tilt of his head, that looked positively ancient and wizened: as a ghost of some dead octogenarian possessing the body of a youth might look.

D’Aragó approached across the empty street, his footsteps the only noise in the night. He had reached exactly halfway to Montrose, the position where Montrose’s second, in theory, was supposed to meet him.

He spoke aloud in his dry and colorless voice. “Learned Montrose, I don’t have much affection for you, and not really that much for him. I am supposed to meet your second—you cannot possibly have one—and talk about how to make the fight fair—which is a stupid concept no matter how you look at it. Why don’t you back out? Save yourself the trouble?”

“Licking him will trouble me no trouble ah-tall, partner.”

D’Aragó looked disgusted. “Why are you doing this?”

Montrose shouted back, “Why are you? I want Blackie to stop bothering my wife.”

D’Aragó shrugged. “I believe a man should find his own death in his own way. Your life belongs to you in fee simple, yours to spend or throw away. If I think it is damned foolishness, that’s just my opinion. Since you don’t have a second, according to the rules of this adventure in idiocy, I guess you’re allowed to call it off.”