“I’ve got some coverage,” Jazz told Howie, “but I need you to backstop.”

“So that Social Services doesn’t go medieval on you,” Howie said, with what he thought was the air of some Far Eastern mystic. “You could solve all of this, you know, with some paperwork….”

Jazz groaned. He didn’t want to have this conversation again. Howie had been bugging him recently about filing the paperwork to become an emancipated minor. It would mean no more looking over his shoulder for Social Services and would give him more latitude in taking care of his grandmother.

“No. We’ve been through this before—”

“You’ve dismissed it before. Not the same thing, bro.”

“You sound like an idiot when you say ‘bro.’ And it’s too complicated. The background checks and interviews alone would have them swooping down on the house. She’d end up in adult care somewhere, and I’d spend my last few months before I hit eighteen in a foster home while the freakin’ emancipation paperwork was still being processed. No, Howie. Forget it. It’s easier just to lay low until I’m eighteen.”

“Well, first of all,” Howie said, ticking off points on his fingers, “I totally sound like Ice-T when I say ‘bro.’ Second of all, it’s still your best move. You can’t keep this up forever.” He gestured to the house, encompassing with that one motion the entire complexity of Jazz’s life.

“I don’t have to. I just have to hold on a little longer. And all you have to do is spell me for a couple of days. Gramma likes you.”

“Usually she likes me,” Howie said darkly. “Sometimes she thinks I’m some kind of giant skeleton come to eat her soul.”

“Sometimes you look like a giant skeleton,” Jazz reminded him.

“Yeah, but the soul-eating part is tough to get over. Very well, then. I will be your Sancho Panza once more.”

“I don’t think that exactly means what you—”

“But there is, of course, the small matter of my babysitting fee to discuss….”

“For God’s sake, Howie! How many more tattoos can you put on me? I’m running out of space!”

“Au contraire, mein freund. You have your legs and your forearms, for example.”

“I’m gonna look like a complete freak by the time you’re done with me. Can you at least make it something cool?”

“A flaming basketball is cool!” Howie protested.

“No. It isn’t. A flaming basketball is cool to a ten-year-old. And Yosemite Sam is only cool in comparison to SpongeBob SquarePants. So, please—think carefully. Something cool.”

Howie folded his unending arms over his sunken chest. “Your words hurt, Jazz. They hurt like cotton balls thrown in my direction. But I’ll consider your request, and by the time you get back from New York, I will be prepared with the kick-assingest of the kick-ass to adorn your form.”

“I can hardly wait.” Maybe, Jazz thought, he should just stay in New York. “Look, it won’t all be on you. My aunt Samantha will be here.”

Howie actually gasped, just like a character in one of those Victorian romance movies, hand to his chest and everything. All he needed to do was say, “Oh, my soul!” to complete the image.

“Samantha? The legendary un-crazy Dent, told of in myth and fables? The only teenage girl to see Billy Dent’s tallywhacker and live to tell the tale? That Samantha?”

Jazz sighed. Not only had he never met her, he’d never spoken to her. He’d found her phone number in Gramma’s address book. Actually, he’d found ten phone numbers, crossed out and written over. The only legible one seemed relatively recent, and the area code was in Indiana, where that reporter had waylaid her. Jazz took a gamble that Gramma had managed to get the phone number right and called.

“Hello?” a tentative female voice had said.

“Is this Samantha Dennis?” She hadn’t married, but she’d changed her name legally years ago.

“Yes.” A note of suspicion. “Who is this? How did you get this number?”

For Jazz, it was a moment of liquid reality, as though the world had begun to melt in places where it usually remained solid. He was speaking to the only flesh and blood he had on the entire planet that wasn’t completely insane. He had no idea how to act. How did people talk to their relatives when their relatives weren’t sociopaths or extreme-level seniles?

“My name is…” He stopped. It seemed too formal. “This is Jazz,” he said. “Jasper, I mean. Your nephew.”

The silence from the other end of the connection burrowed into his brain and seemed to hollow him out from within.

“Jasper,” she said at last, her voice so carefully neutral that even Jazz’s skilled ear couldn’t tell what she was thinking or feeling.

“It took some persuading,” Jazz told Howie, “but she’s arriving tomorrow morning and she’ll stay until school starts again. I just need you to come over and help her out in the afternoon and evening. That’s Gramma’s worst time. She’s okay most of the morning.”

“So I get to help out during the Bad Hours. Great. Should have let the Impressionist kill you,” Howie grumbled.

“He wasn’t going to kill me.”

“That’s just because he didn’t really, really know you.”

A few hours later, after Gramma was tucked safely in bed and Howie had wheedled permission to order dirty movies on pay-per-view while on duty, Jazz wheeled his borrowed suitcase down his driveway to Hughes’s rental car. He had called Connie to say good-bye to her, but she hadn’t answered. Maybe she was angry that he was going to New York without her. Well, he couldn’t worry about that right now.

“Let’s do this,” he said, and climbed in.

They said nothing for most of the ride to the airport. Jazz had thought the fast-talking New York detective would start right in with information about the Hat-Dog Killer, but Hughes seemed content to focus on the back roads that, to him, were unfamiliar. When they pulled onto the highway, Jazz couldn’t help turning to look off to one side. He could just barely make out the edge of the Harrison property, where Fiona Goodling’s body had been found, kicking off Jazz’s hunt for the Impressionist.

“Don’t be surprised or overwhelmed by the city,” Hughes said suddenly.

“What?”

“You were just looking a little homesick already. I’m just telling you to prepare yourself, is all. The city can be overwhelming your first time.”

Homesick? Jazz snorted. “I’ve seen New York on TV. I think I can handle it. It can’t be worse than growing up with Billy.”

“Oh?” Hughes shrugged. “It’s pretty big.”

“So what?”

“It can be confusing.”

“Don’t care. I’ll be with you.”

“Whole lotta people who don’t look like you.”

Jazz bristled. “Just because my grandmother is—” He stopped himself and started over. “I’m not like her. I’m not a racist. Dude, my girlfriend is black.”

“Hey, yeah? Good for you. So’s mine.”

Jazz threw his hands up. “Fine. I lose. You win. Whatever.”

Hughes grinned, and Jazz suddenly realized what was really going on. The detective was poking and prodding, looking for weaknesses. Trying to find Jazz’s pressure points. And Jazz had given him one. Cops and crooks, Billy whispered to him, always usin’ each other’s tools.

All right, then. Lesson learned. Hughes liked to pick around in other people’s heads. Well, Jazz was no slouch at that, and he’d done a decent job keeping Billy out of his head back at Wammaket. It was tough to catch Jazz with the same trick twice. He adapted easily. A sociopath’s best trick—adaptation—and one that Jazz couldn’t help being damn good at.

“Kid,” Hughes said, his tone friendly now, “you gotta stop taking everything so seriously. Otherwise high blood pressure’ll kill you before your pops ever gets a chance.”

Ah, high blood pressure. What a way to go. Somehow a heart attack or a stroke sounded positively peaceful and bucolic compared to what Jazz knew Billy to be capable of. Still, Jazz didn’t fear his father. Or, more accurately, he had no personal fear of his father. Billy was convinced that Jazz would someday take up the family business and be the serial killer that other serial killers looked up to. Jazz knew his father would never jeopardize that by harming his only son. Billy had too much of himself—his ego, his madness, his genius—invested in Jazz to risk killing him.