“Look,” Jazz said, leaning forward urgently, as if he’d never even tried manipulating the sheriff, “you caught Billy, right? You figured out the connections between all of his victims and the ones here in Lobo’s Nod, and then you went out and caught him when no one else in the world could have. But if someone else—someone other than the Impressionist, someone not copying Billy—started stacking up bodies in the Nod again, it’s not like you would just throw your hands up in the air and say, ‘Oh, well—all crazy people don’t think the same. I guess I won’t even try to catch this new guy.’ Would you?”

The sheriff drew one of his impeccably laundered, monogrammed handkerchiefs from a pocket and snorted heartily into it. “Nah. All that tells me is that I oughtta be the one headed to New York, not you.”

Was that a joke? Sometimes Jazz couldn’t tell. The sheriff had sworn that catching Billy Dent had been one serial killer too many for him, but maybe G. William was jealous that Jazz was getting called up to the big leagues.

“I could put in a good word for you,” he said lightly.

G. William waved the very idea out of the air like a bad smell. “If I wanted to go to the city, I’d’ve taken up the FBI on their offer when I was a much younger man and could still make the pretty girls swoon. You want to go to New York and try to help these folks, that’s your business.”

“Well, yeah.”

“But”—and here G. William leaned across the desk, pointing a stubby finger—“you listen and listen good, Jasper Francis: No good will come of this. You think you’re gonna find something there in New York.”

“No kidding. A serial killer.”

“No. More than that. You think you’re gonna find your soul. Ever since I’ve known you, you’ve been thinkin’ that someday you’re gonna crack and end up like your daddy. And you’ve been looking for proof that you won’t. What you don’t realize is this: The looking is the proof. Trust me when I tell you that Billy Dent never had a moment’s doubt in his life about what he was and what he was doing. Your doubt is your soul, kid.”

It made all the sense in the world, and Jazz wished he could believe it. But he knew too much. He knew of too many serial killers who’d been horrified by their own actions, ones who’d acted on impulse and later didn’t understand that impulse. And, of course, the ones who’d acted on impulse and then discovered—to their delight—that they loved it, that the blood and the torture and the other things fulfilled them and assuaged their longings in ways that nothing else could.

“I’m just looking for a killer in New York. And I hear they have good bagels.”

G. William regarded him in silence for a moment, then sighed. “Bring me back a knish,” he said at last. “Haven’t had a decent one in ten years.”

Going to New York should have been as easy as packing a suitcase and heading to the airport, but Jazz didn’t even own a suitcase. The closest thing in the house was a dusty, mothball-reeking valise that Gramma had probably used on her honeymoon back in 1887. Or whenever she’d been young. The idea of accompanying an NYPD detective to New York with Gramma’s beaten, smelly brick of a suitcase was a nonstarter. So Jazz did what he always did when he needed help.

“This here,” Howie said, hefting a sleek black roller bag as if it contained purloined diamonds from some fantasy kingdom, “is the latest and greatest in travel technology. Guaranteed not to tip over. Mesh pocket for water bottle. Separate exterior compartment for laptop—”

“I don’t have a laptop.”

“—single-post handle construction for pushing or pulling,” Howie went on, undeterred. “Extra-lubricated ball bearings for smooth gliding action.” Howie waggled his eyebrows. “That’s what she said.”

Jazz took the roller bag from Howie, unzipped it, and peered inside. “Plenty of room, and I won’t be embarrassed with it in the airport. That’s all I care about.”

“ ‘Who’s going to watch your grandmother while you’re gone?’ he asked, knowing the answer already,” Howie said drily.

“Yeah, about that…”

Jazz had thought long and hard and then longer and harder about what to do with his grandmother for the next couple of days. He had actually considered bringing her to New York with him, but the thought of being in a confined space with her for the duration of the flight was enough to make him want to bail out of the plane without a parachute. And then there was the idea of Gramma on her own in the biggest, craziest city in the world while Jazz was off prospecting the prospector for the NYPD. There was a slight chance that Gramma’s crazy would complement New York’s just fine, but he wasn’t going to bank on it. Images of Gramma attacking tourists capered in before his mind’s eye, and he could almost hear her shrieking, “Tell that bitch to stop staring at me!” while pointing at the Statue of Liberty.

No, Gramma would have to stay in Lobo’s Nod. And he couldn’t rely on the usual suspects to take care of her—it was one thing to let Erickson sit with her for a couple of hours, but if he had anyone on G. William’s staff looking after her, it would take no time at all before the sheriff had Jazz’s case with Social Services expedited right up the priority list… and bounced Jazz into a foster home and Gramma into an assisted-living facility. He’d already dodged that bullet once when Billy—in a fit of parental protection like no other—had horrifically tortured and slaughtered Melissa Hoover and conveniently deleted the files she’d accumulated on Jazz’s situation. It would be months before the Social Services people reconstructed anything incriminating. Jazz hoped it would take until he turned eighteen, at which point it would become moot.

In the meantime, the cops—friendly to Jazz, but honor bound to report Gramma’s attenuating connection to planet earth—were out as babysitters. And Howie was willing but too weak. Gramma could cause some serious damage if she went on one of her crazed slapping and punching benders.

Jazz had had no choice but to call his aunt Samantha.

It felt strange to think of her as “Aunt Samantha.” He’d never met the woman in his life—Billy’s older sister had moved away from Lobo’s Nod right after graduating high school and never looked back. In the years since Billy’s ravages had become nighttime news fodder, she had done her level best to stay out of the limelight, avoiding the press at every turn. Her only comment had come at the end of a long day of being hunted by the media, stalked with the same precision and tenacity Billy evinced when prospecting. A reporter with a camera crew had finally pinned her down in a mall parking garage, where she struggled with a recalcitrant door while trying to balance her purse, a shopping bag, a precarious cup of coffee, and a plastic hanger sheath with a red dress within. As the reporter pestered her for a comment, Samantha gamely and repeatedly said, “I have nothing to say,” as though it were a protective mantra shielding her from a demon.

But then the door finally came open, jerking her back, and the beautiful new dress slid off the hanger onto the grimy parking garage floor, with the coffee landing on top of it. To prove that the universe loves synchronicity—whether good or ill—this happened at the exact moment that the reporter asked, “What do you think should happen to your brother?”

And poor Samantha had had enough. Enough of her brother. Enough of the reporters. Enough of the damn dress it had taken her all day to find. She’d kicked the car door and screamed, “There isn’t a hell in the universe hot enough for my [bleep]damned brother! If they wanted to kill him, I’d flip the [bleep]ing switch myself!”

The bleeps, of course, were courtesy of network censors. Obviously, they found her justifiable “mature language” too offensive and shocking for the delicate sensibilities of the same viewers who regularly tuned in to hear details of Billy’s extensive career of raping, torturing, and murdering mostly young women.