Archer and Leonard and I trudge along, mounting the slope of nail parings, soft under each labored step, like snow or loose sand, climbing until we stand alongside Patterson and Babette, at the edge of a steep cliff. Half a step ahead of us, the land drops away, and below us boils a sea of insects which stretches to the horizon... beetles, centipedes, fire ants, earwigs, wasps, spiders, grubs, locusts, and what-all churning constantly, a shifting soft quicksand composed of pincers, feelers, segmented legs, stingers, shells, and teeth, darkly iridescent, largely black but speckled with hornet yellows and bright grasshopper greens. Their constant clicking and rustling generates a din not unlike the crashing surf of a briny ocean on earth.

"Cool, huh?" says Patterson, waving his football helmet in one hand as if to direct our attention over this morass of seething, undulating horrors. He says, "Check it out... the Sea of Insects."

Gazing down into the surging swells and rolling troughs of clamoring bugs, Leonard sneers in righteous disgust, saying, "Spiders are not insects."

Not to belabor the point, but counterfeit luxury goods truly represent a false economy. To witness, Babette's plastic shoes look to be falling apart, the straps severed and the soles loose and flapping—subjecting her lithe feet to fingernail and busted-glass abrasions—while my own sturdy Bass Weejun loafers barely appear to be broken in by our lengthy underworld trek.

As we gaze out across the vast squirming, humming pudding of insect life, a scream approaches us from behind. There, sprinting between the hills of nail parings, panting and running, comes a bearded figure dressed in the toga of a Roman senator. Craning his neck to glance backward Over his shoulder, the man races toward us, screaming the word Psezpolnica. Screaming, "Psezpolnica!"

At the cliff's edge, teetering near where we stand, the lunatic toga man points a quaking finger in the direction he's come. Beseeching us with his wide-open eyes, he screams, Psezpolnica!" and dives, plummeting, flailing, falling to vanish beneath the seething surface of bug life. Once, twice, three times the toga man comes up for air; his mouth is choked with beetles. Crickets and spiders sting and strip t he flesh from his twitching arms. Earwigs swarm, eating deep into his eye sockets, and millipedes weave through ragged, bloody holes nibbled between his now-exposed rib bones.

As we watch in horror, wondering what could drive a person to such an extreme course of action... Babette, Patterson, Leonard, Archer, and I... we turn in unison to see a lumbering, towering figure approach.

VIII.

Are you there, Satan? It's me, Madison. It might amuse you to hear we were beset by a demon of thrilling size. This precipitated the most amazing act of heroism and self-sacrifice—really, from the least likely person among our company. In addition I've included more of my own background, in the event you're interested in learning more about me as an interesting, fully faceted overweight person.

As our little group stands atop the ridge overlooking the Sea of Insects, a looming figure stomps toward us. Each of its thundering footfalls trembles the surrounding hillocks, bringing down dusty cascades of ancient finger-and toenail clippings, and the figure stands so tall that we can discern only the silhouette of it as outlined against the flaming orange sky. So violently does the giant's weight shake the ground that the cliff on which we stand heaves and shimmers beneath us, the loose nail parings threatening to subside and deposit us into the seething, devouring bugs.

It's Leonard who speaks first, whispering only the single word, "Psezpolnica."

In our immediate distress, Babette appears to be far too self-absorbed, the poor quality of her fashion accessories too blatant a metaphor—impossible to ignore—representing her choice of surface appeal over inner quality. Patterson, the athlete, seems frozen in his conventional, traditional attitudes, a person for whom the rules of the universe were fixed very early and will always remain unchanged. In contrast, the rebellious Archer presents himself as a knee-jerk rejection of... everything. Of my newfound companions Leonard shows the most promise of evolving into something more than an acquaintance. And, yes, once more I recognize promise as a symptom of my nagging, deeply ingrained tendency to hope.

Prompted by this hope, made manifest by my instinct for self-preservation, when Patterson very slowly fits his foot-hall helmet over his head and says, "Run," my stout legs don't hesitate. As Archer and Babette and Patterson each flee on their own tangent, I run beside Leonard.

"Psezpolnica," he pants, legs working against the soft, malleable layers of nails, his bent arms pumping the air for momentum, Leonard says, "The Serbians call her 'the tornado woman of midday."' Gasping for breath, running beside me, his shirt pocketful of pens bouncing against his skinny chest, Leonard says, "Her specialty is driving people insane, lopping off their heads and ripping them limb from limb…”'

In a glance, I look back to see a woman who towers as tall as a tornado, her face so distant it seems tiny against the sky, as straight-up and high above me as the sun at noon. Like a flaring funnel cloud, her long black hair whips and streams out from her head, and she hesitates as if deciding which of us to pursue.

Beyond the giantess, Babette staggers, both of her cheesy, way-shoddy shoes flapping around her feet, hobbling and tripping her. Patterson hunches his shoulders, dodging and weaving, his cleats throwing up a rooster tail of nail filings as if he were running a football through some defensive line, headed for a touchdown. Archer rips off his leather jacket and tosses it aside, sprinting full-tilt, the chains looped around his one boot clanking.

The tornado demon crouches, reaching lower with a hand, the fingers spread as wide as a parachute, steadily lowering toward the stumbling, screaming figure of Babette.

Granted, there exists an element of play in all of this panic; having witnessed the demon Ahriman render and consume Patterson, and Patterson's subsequent regeneration to a redheaded, gray-eyed footballer, on some level I'm aware that my absolute death is no longer possible. All of that said, the process of being plucked apart and devoured still seems like it would sting like all get-out.

As the towering tornado demon reaches to snatch a screaming Babette, Leonard shouts for her to dive. Cupping both his hands to make a megaphone around his mouth, Leonard shouts, "Dive and dig!"

So that you might learn from my ignorance, it's a tried-and-true strategy when escaping danger in Hell to dig into the nearest available terrain. Hell offers scant cover, no flora to speak of—except for the inexplicable accumulations of Beemans gum, Walnettos, Sugar Daddys, and popcorn balls—thus the only consistent, ready manner in which to conceal oneself is to tunnel until completely buried, in this case by the vast accumulation of castoff fingernail shards.

Distasteful as this might sound, for this piece of advice, you owe me.

Not that you're ever actually going to die. Perish the thought. Not with your hours and hours invested in aerobic exercise.

On the other hand, if you do find yourself dead and in Hell, menaced by Psezpolnica, do as Leonard would recommend: Dive and dig.

My hands burrow into a hillside of loose, cascading parings, and with every inch I dig a steady landslide of the same avalanches down upon me, prickly and itchy, abrasive but not entirely unpleasant, until I'm completely interred, Leonard interred at my side.