"Ah, again like before!"

And suddenly, into what was already the beginnings of a crush, a bomb struck, precisely "again like before":

"Fire! All of Zarechye's in flames!"

I only do not remember where this terrible cry first arose—whether it was in the hall, or, as it now seems, someone ran in from the front steps—but it was followed by such alarm as I cannot even begin to describe. More than half of the public assembled at the ball came from Zarechye—owners of wooden houses there, or inhabitants of them. People rushed to the windows, instantly pulled open the curtains, tore down the blinds. Zarechye was ablaze. True, the fire was still just beginning, but it was blazing in three completely different places—and that was what was frightening.

"Arson! The Shpigulin men!" came screams from the crowd.

I remember several rather characteristic exclamations:

"I just felt in my heart that they'd set fire to it, all these days I've been feeling it!"

"It's the Shpigulin men, the Shpigulin men, and no one else!"

"And they gathered us here on purpose so they could set fires over there!"

This last, most astonishing cry came from a woman—the inadvertent, involuntary cry of a burnt-out Korobochka.^[182] All surged towards the exit. I will not describe the crush in the entryway as people hunted for their fur coats, shawls, and cloaks, the shrieks of frightened women, the weeping of young girls. There was hardly any theft, but it was not surprising that in such disorder some people simply left without their warm clothes, unable to find them, of which there was talk in town for a long time afterwards, with legends and embellishments. Lembke and Yulia Mikhailovna were nearly crushed by the crowd in the doorway.

"Stop them all! Let no one leave!" Lembke screamed, holding out a menacing arm to meet the crowding people. "The strictest search of every last man of them, at once!"

Strong oaths poured from the hall.

"Andrei Antonovich! Andrei Antonovich!" Yulia Mikhailovna cried out in complete despair.

"Arrest her first!" the man shouted, pointing a menacing finger at her. "Search her first! The ball was organized with the intent of arson..."

She gave a cry and fainted (oh, it was most assuredly a real faint). The prince, the general, and I rushed to help her; there were others who helped us in this difficult moment, even from among the ladies. We carried the unfortunate woman out of that hell and into her carriage; but she came to her senses only as we neared her house, and her first cry was again about Andrei Antonovich. With the destruction of all her fantasies, Andrei Antonovich alone remained before her. A doctor was sent for. I spent a whole hour waiting at her place, as did the prince; the general, in a fit of magnanimity (though very frightened himself), wanted not to leave "the unfortunate woman's bedside" all night, but in ten minutes had fallen asleep in the drawing room while waiting for the doctor, and we simply left him there in his armchair.

The police chief, hastening from the ball to the fire, managed to lead Andrei Antonovich out behind us and tried to put him into Yulia Mikhailovna's carriage, persuading His Excellency with all his might to "take repose." I do not understand why, but he did not prevail. Of course, Andrei Antonovich would not even hear of repose and was straining to get to the fire; but this was no reason. It ended with the police chief taking him to the fire in his droshky. He told later that Lembke kept gesticulating all the way and "was shouting out such ideas as, being extraordinary, were impossible to obey." Afterwards it was reported that in those moments His Excellency was already in a state of brain fever owing to "a suddenness of fright."

There is no point in telling how the ball ended. A few dozen carousers, and with them even a few ladies, remained in the rooms. No police. They would not let the music go, and beat up the musicians who wanted to leave. By morning "Prokhorych's kiosk" had been all pulled down, they were drinking to distraction, dancing the "komarinsky" uncensored,^[183] the rooms were filthy, and only at dawn did part of this rabble, totally drunk, arrive at the scene of the dying-down fire for new disorders... The other half simply spent the night in the rooms, dead drunk, with all the consequences, on velvet sofas or on the floor. In the morning, at the first opportunity, they were dragged outside by the feet. Thus ended the fête for the benefit of the governesses of our province.

IV

The fire frightened our public from across the river precisely because the arson was so obvious. Remarkably, at the first cry of "fire," there came at once the cry that it was "the work of the Shpigulin men." It is known only too well now that three Shpigulin men did in fact participate in the arson, but—that was all; the rest of the factory hands were entirely vindicated both in general opinion and officially. Aside from those three scoundrels (one of whom has been caught and has confessed, while two are still in hiding), Fedka the Convict undoubtedly participated in the arson. That is all that is so far known with certainty about the origin of the fire; surmises are quite a different matter. What led these three scoundrels, were they guided by someone, or not? It is very difficult to answer all this even now.

The fire, owing to a strong wind, to the predominantly wooden buildings of Zarechye, and, finally, to its having been set at three different points, spread quickly and covered the whole area with incredible force (incidentally, the fire should be reckoned as having been set at two points: the third was caught and extinguished almost the moment it flared up—of that later). But, even so, the reporting of our disaster in the metropolitan newspapers was exaggerated: approximately speaking, no more (and perhaps less) than a quarter of the whole of Zarechye burned down. Our fire brigade, though weak in comparison with the extent and population of the town, acted quite correctly and selflessly. But it would not have done much, even with the concerted assistance of the populace, were it not that the wind changed towards morning, ceasing just before dawn. When, just an hour after fleeing from the ball, I made my way to Zarechye, the fire was already at full force. The entire street parallel to the river was in flames. It was as bright as day. I will not describe the picture of the fire in detail: who in Russia does not know it? The lanes nearest the blazing street were bustling and crowded beyond measure. Here the fire was definitely expected, and the inhabitants were dragging out their possessions, yet still would not leave their homes, but sat expectantly on dragged-out chests and feather beds, each under his own windows. Part of the male population was working hard, ruthlessly chopping down fences and even knocking apart entire shanties that stood closer to the fire and to windward. There was only the crying of awakened children and the wailing lamentations of women who had already successfully dragged their junk out. The unsuccessful were silently and energetically dragging theirs out. Sparks and grit flew far away; they were extinguished as well as possible. At the fire itself there was a crowd of spectators who had come running from every end of town. Some helped to put it out, others gazed like admirers. A big fire at night always produces a stirring and exhilarating impression; fireworks are based on that, but there the fire is disposed along graceful, regular lines and, with all its safety, produces a playful and light impression, as after a glass of champagne. A real fire is another matter: here horror and, after all, some sense of personal danger, as it were— combined with the well-known exhilarating impression of a fire at night—produce in the spectator (not, of course, in the burnt-out inhabitant) a sort of brain concussion and a challenge, as it were, to his own destructive instincts, which, alas! lie hidden in every soul, even that of the most humble and familial titular councillor^[184]... This gloomy sensation is almost always intoxicating. "I really do not know whether it is possible to watch a fire without a certain pleasure." This was said to me, word for word, by Stepan Trofimovich, on returning from a night fire he had chanced to witness, and still under the first impression of the spectacle. Of course, that same admirer of night fires will also rush into the fire to save a burning child or an old woman; but that is an altogether different matter.