– don’t care

– don’t care

– don’t care

Elvis, thought Harry. The King don’t care.

He reached the top of the steps. There was a bedroom before him, but it was empty, the sheets on the bed thrown back where its occupant had departed, leaving it unmade. Beside it was a bathroom, judging by the tiles on the floor, but it stank so bad that Harry’s eyes began to water. The door was almost closed. Harry nudged it with his foot, and it opened slowly.

There was a man sitting on the toilet. His pants were around his ankles, and a newspaper dangled from his hand. Instinctively, Harry started to apologize.

“Shit, sorr-”

Harry stepped back and covered his mouth with his hand, but it was too late. He felt the fluid on his fingers, then bent down to finish puking.

The guy on the john had been shot where he sat, a bloody cloud behind what remained of his head. There wasn’t much of his face left either, but Harry figured from his stringy legs, his gray hair, and sagging flesh, that the guy was well into his seventies. His white T-shirt was sweat-stained yellow in places, and blood had soaked into the shoulders, leaving marks like epaulettes. His skin was split by gas blisters.

Harry wanted to run, but there was still the sound of Elvis coming from what was probably a bedroom at the end of the hall. He walked slowly to the door and looked inside.

The couple in the bedroom were younger than the old man in the can, much younger. Harry figured them for their late twenties, at most. The man had been shot on the floor and lay naked by an open drawer, its contents littering the floor. A box of ammunition had fallen and scattered around him, but there was no gun. There was a bullet hole in his back, barely recognizable amid the damage that had been done to his body. Harry retched, but he had nothing left inside and so he just belched acidic gas.

The woman had dark hair and sat slumped sideways against the pillows and the headboard. She too was naked. The sheets had been pulled away from her body and she’d been cut up pretty bad as well. Despite himself, Harry stepped closer, and something registered in his head. This wasn’t a frenzy, thought Harry. No, there was purpose to these wounds. There was-

“Jesus,” whispered Harry.

She had chunks of flesh missing from her thighs and buttocks, where someone had hacked them out. There was flesh missing from the man as well: less flesh, admittedly, but then he was scrawny and muscular, a little like the old man in the john.

A mental image flashed in Harry’s mind: the refrigerator, empty but for a carton of sour milk.

And meat. Fresh meat.

Harry ran.

He hit the stairs at speed, taking the steps two at a time. The front door was still open and he could see Veronica sitting behind the wheel, her fingers tapping an impatient cadence on the dashboard. Her eyes widened as she saw him emerge.

“Open the door,” shouted Harry. “Quickly!”

She reached for the driver’s door, still staring at him while her fingers fumbled for the handle. Then she was no longer looking at him but beyond and behind him. Harry heard her scream his name before the world spun around in a circle, and Harry found himself looking first at the car from a sideways angle, then at the ground, then the sky and the house and the grass, all tumbling in a crazy mixture of images that seemed to go on forever but in fact lasted barely seconds.

And Harry couldn’t understand why, even as he died and his severed head bounced to a halt by the porch steps.

And out on Dutch Island, the man known to some as Melancholy Joe Dupree lay on his bed and watched the rain fall, harder and harder, until at last his view through the window was entirely obscured. His bones, his teeth, his joints, they all ached, as if the effort of supporting his great bulk were slowly becoming too much for them. Joe moaned and buried his face in his pillow, tears forcing themselves from the corners of his eyes.

Make it stop, he begged. Please make it stop.

A face appeared in the darkness beyond his window, a boy’s face, the skin blue-gray, the eyes dark. The boy reached out as if to touch the glass, but made no contact. Instead, he watched the man in uniform curl in upon himself on the huge bed, until at last the pain began to ease and Joe Dupree fell into a troubled sleep, tormented by the sound of whispering, of gray figures and tunnels beneath the earth, and a boy with tainted skin who gazed upon him as he slept.

Know me, wife.

The dream ended, and now Moloch’s features fell before him like rain. It was as though a great many photographs had been taken and shredded, the figures caught in the different frames intermingled, smiling familiarly while glancing against strangers from other pictures; yet in this downpour of images, this torrent of memories, he was ever the same. There he sat, beside parents unknown, amid siblings now lost and gone. He ran as a boy across sand and through sea; he held a fish on the end of a hook; he cried beside an open fire. This was his history, his past, yet it seemed to encompass not one life but many lives. Some images were sharper than others, some recollections more acute, but they were all linked to him, all part of the great chain of his existence. He was color, and he was sepia. He was black, and he was white. He was of this time, and he was of no time.

He was Moloch, and he was No One.

Moloch awoke, aware that he was being watched. His ear felt raw where it had been touching the cheap material, the pillow once again drenched with his sweat. He thought that he could smell the woman against his face, could touch her skin, could feel the blade tearing through her flesh. He stirred on his bunk but did not rise. Instead, he tried to identify the man watching him through his smell, his breathing, the soft jangle of the equipment on his belt. Images from the dream still ran through his mind, and he was suddenly aware of how aroused he had become, but he forced himself to concentrate on the figure at the other side of the bars. It was good practice. His incarceration had taken the edge off his abilities in so many ways that he welcomed any opportunity to hone them once more. That was the worst of his imprisonment: the monotony, the terrible similarity of each day to the next, so that every man became a seer, a fortune-teller, capable of predicting the wheres and whens of each hour to come, his precise location at any given time, the irrevocable nature of it all threatened only by the occasional outbreaks of sickness and violence.

Every day the wake-up call came at six A.M., heralded by horns and coughing and the flushing of toilets. Two hours later, the doors opened and each man stepped outside onto the cold concrete to await the first count of the day. No words were permitted to be exchanged during any of the day’s six counts. The shower followed (for Moloch took every opportunity offered to clean himself, viewing any lapse in hygiene as the precursor to a greater collapse), and then breakfast, always taken seated at the same plastic chair, the food seemingly designed solely to provide energy without nutrition. Then Moloch would head to the laundry for his day’s work, socializing little with the other men. The noon count came next, then lunch, then more work, followed by an hour in the yard, then dinner, another count, and a retreat to his cell to read, to think. Eight count, then lights out at ten. In the first weeks, Moloch would wake for the late counts, at midnight and four, but no longer. He had received no visitors, apart from his lawyer, for over three years. He made few phone calls and fewer friends. A waiting game was under way and he was prepared to play his part.