A woman came Waving briskly to the door. She was quite short, plump and with her hair tied back from her forehead; she wore a loose suit of some brightly colored fabric. She seemed about the same age as Dura, although — oddly — there was no yellow coloration in her hair. The woman smiled at Toba, but the smile faded when she saw the upfluxers.

Toba’s hands twisted together. “Ito, I’ve some explaining to do…”

The sharp eyes of the woman, Ito, traveled up and down the bodies of the Human Beings, taking in their bare skin, their unkempt hair, their hand-weapons. “Yes, you bloody well have,” she said.

Toba’s dwelling-place was a box of wood about ten mansheights across. It was divided into five smaller rooms by light partitions and colored sheets; small lamps, of nuclear-burning wood, glowed neatly in each room.

Toba showed the Human Beings a place to clean themselves — a room containing chutes for waste and spherical bowls holding scented cloth. Dura and Farr, left alone in this strange room, tried to use the chutes. Dura pulled the little levers as Toba had shown them, and their shit disappeared down gurgling tubes into the mysterious guts of the City. Brother and sister peered into the chutes, open-mouthed, trying to see where it all went.

When they were done Toba led them to a room at the center of the little home. The centerpiece was a wooden ball suspended at the heart of the room; there were handholds set around the globe’s surface and fist-sized cavities carved into it. Ito — who had changed into a lighter, flowing robe — was ladling some hot, unrecognizable food into the cavities. She smiled at them, but her lips were tight. There was a third member of the family in the room — Toba’s son, whom he introduced as Cris. Cris seemed a little older than Farr, and the two boys stared at each other with frank, not unfriendly curiosity. Cris seemed better muscled than most City folk to Dura. His hair was long, floating and mottled yellow, as if prematurely aged; but the color was vivid even in the dim lamplight, and Dura suspected it had been dyed that way.

At Ito’s invitation the upfluxers came to the spherical table. Dura, still naked, her knife still at her back, felt large, clumsy, ugly in this delicate little place. She was constantly aware of the Pole-strength of her muscles, and she felt inhibited, afraid to touch anything or move too quickly for fear of smashing something.

Copying Toba, she shoveled food into her mouth with small wooden utensils. The food was hot and unfamiliar, but strongly flavored. As soon as she started, Dura found she was ravenously hungry — in fact, save for the few fragments of the bread Toba had offered to Adda during the long journey to the City, she hadn’t eaten since their ill-fated hunt — and how long ago that seemed now!

They ate in silence.

After the meal, Toba guided the Human Beings to a small room in one corner of the home. A single lamp cast long shadows, and two tight cocoons had been suspended across the room. “I know it’s small, but there should be room for the two of you,” he said. “I hope you sleep well.”

The two Human Beings clambered into the cocoons; the fabric felt soft and warm against Dura’s skin.

Toba Mixxax reached for the lamp — then hesitated. “Do you want me to dampen the light?”

It seemed a strange request to Dura. She looked around, but this deep inside Parz City there were, of course, no light-ducts, no access to the open Air. “But then it would be dark,” she said slowly.

“Yes… We sleep in the dark.”

Dura had never been in the dark in her life. “Why?”

Toba looked puzzled. “I don’t know… I’ve never thought about it.” He drew back his hand from the lamp, and smiled at them. “Sleep well.” He Waved briskly away, sealing shut the room behind him.

Wriggling inside her cocoon, Dura uncoiled her length of rope from her waist, and wrapped it loosely around one of the cocoon’s ties. She knotted the rope around her knife, close enough that she could reach the knife if she needed to. Then she squirmed deeper into the cocoon, at last drawing her arms inside it. It was an odd experience to be completely enclosed like this, though oddly comforting.

She glanced across at Farr. He was already asleep, his head tucked down against his chest. She felt a burst of protective affection for her brother — and yet, she realized ruefully, he seemed less in need of protection than she did herself. Farr seemed to be absorbing the wonders and mysteries of this complex place with much more resilience and openness than Dura could find.

Dura sighed, clinging to the fragments of her dissipating feeling of protectiveness. Looking after her brother, at least nominally, made her able to forget her own sense of isolation and threat. Perhaps in an odd way, she thought drowsily, she needed Farr more than he needed her. In the quiet of the room, she became aware of noises from beyond the walls around her. There were murmured words from Toba, the uneven voice of the boy, Cris; and then it was as if her sphere of awareness expanded out beyond this single house, so that she could hear the soft insect-murmurings of thousands of humans all around her in this immense hive of people. The wooden walls creaked softly, expanding and contracting; she felt as if the whole City were breathing around her.

The cocoon soon grew hot, confining; impatiently she shoved her arms out into the marginally cooler Air. It took her a long time to find sleep.

The next day Ito seemed a little friendlier. After feeding them again she told them, “I’ve a day off work today…”

“Where do you work?” Dura asked.

“In a workshop just behind Pall Mall.” She smiled, looking tired at the thought of her job. “I build car interiors. And I’m glad of a bit of free time. Sometimes, at the end of my shift, I can’t seem to get the smell of wood out of my fingers…”

Dura listened to all this carefully. The conversation of these City folk was like an elaborate puzzle, and she wondered where to start the process of unraveling. “What’s a Pall Mall?”

Cris, the son, laughed at her. “It’s not a Pall Mall. It’s just — Pall Mall.”

Ito hushed him. “It’s a street, dear, the main one leading from the Palace to the Market… All this must be very strange to you. Why don’t you come see the sights with me?”

Uncertain, Dura looked to Toba. He nodded. “Go ahead. I’ve got to head back to the ceiling-farm, but you take your time; it’s going to be a few days before Adda’s ready for visitors. And maybe Cris can look after Farr for a while.”

Ito was eyeing Dura’s bare limbs doubtfully. “But I don’t think we should take you out like that. Nudity’s all right for shock value — but in Pall Mall?”

Ito lent Dura one of her own garments, a one-piece coverall of some soft, pliant material. The cloth felt smoothly comfortable against Dura’s skin, but as she sealed up the front of the outfit she felt enclosed, oddly claustrophobic. She tried Waving around the room experimentally; the material rustled against her skin, and the seams restricted her movements.

After a little thought she wrapped her battered piece of rope around her waist, and tucked her wooden knife and scraper inside the coverall. The homely feel of the objects made her feel a little more secure.

Cris stared at her with a skeptical grin. “You won’t need a knife. It isn’t the upflux here, you know.”

Again Ito hushed him; the two adults politely refrained from comment.

Leaving Farr with Cris, the two women left the home with Toba. He led them to his car, waiting in the “car park.” Dura helped him harness up a team of fresh pigs from the pen in the corner.

Toba took them through a fresh maze of unfamiliar streets. Soon they left behind the quiet residential section and arrived in the bustling central areas. Dura tried to follow their route, but once again found it impossible. She was used to orienting herself against the great features of the Mantle: the vortex lines, the Pole, the Quantum Sea. She suspected that keeping a sense of direction while tracking through this warren of wooden corridors was a skill which the children of Parz must acquire from birth, but which she would have to spend many months learning.