She reached the maisonette and was surprised to find the door open again, as it had been the first time she'd come here. The sight of the interior made her light-headed. How often in the past several days had she imagined standing here, gazing into that darkness. There was no sound from inside. The dog had surely run off; either that, or died. There could be no harm, could there?, in stepping into the place one final time, just to look at the face on the wall, and its attendant slogan.

Sweets to the sweet. She had never looked up the origins of that phrase. No matter, she thought. Whatever it had stood for once, it was transformed here, as everything was; herself included. She stood in the front room for a few moments, to allow herself time to savour the confrontation ahead. Far away behind her the children were screeching like mad birds.

She stepped over a clutter of furniture and towards the short corridor that joined living-room to bedroom, still delaying the moment. Her heart was quick in her: a smile played on her lips.

And there! At last! The portrait loomed, compelling as ever. She stepped back in the murky room to admire it more fully and her heel caught on the mattress that still lay in the corner. She glanced down. The squalid bedding had been turned over, to present its untorn face. Some blankets and a rag-wrapped pillow had been tossed over it. Something glistened amongst the folds of the uppermost blanket. She bent down to look more closely and found there a handful of sweets - chocolates and caramels - wrapped in bright paper. And littered amongst them, neither so attractive nor so sweet, a dozen razor-blades. There was blood on several. She stood up again and backed away from the mattress, and as she did so a buzzing sound reached her ears from the next room. She turned, and the light in the bedroom diminished as a figure stepped into the gullet between her and the outside world. Silhouetted against the light, she could scarcely see the man in the doorway, but she smelt him. He smelt like candy-floss; and the buzzing was with him or in him.

'I just came to look - ' she said, ' - at the picture.'

The buzzing went on: the sound of a sleepy afternoon, far from here. The man in the doorway did not move.

'Well...' she said, 'I've seen what I wanted to see.' She hoped against hope that her words would prompt him to stand aside and let her past, but he didn't move, and she couldn't find the courage to challenge him by stepping towards the door.

'I have to go,' she said, knowing that despite her best efforts fear seeped between every syllable. 'I'm expected...'

That was not entirely untrue. Tonight they were all invited to Appollinaires for dinner. But that wasn't until eight, which was four hours away. She would not be missed for a long while yet.

'If you'll excuse me,' she said.

The buzzing had quietened a little, and in the hush the man in the doorway spoke. His unaccented voice was almost as sweet as his scent.

'No need to leave yet,' he breathed.

'I'm due... due...'

Though she couldn't see his eyes, she felt them on her, and they made her feel drowsy, like that summer that sang in her head.

'I came for you,' he said.

She repeated the four words in her head. I came for you. If they were meant as a threat, they certainly weren't spoken as one.

'I don't... know you,' she said.

'No,' the man murmured. 'But you doubted me.'

'Doubted?'

'You weren't content with the stories, with what they wrote on the walls. So I was obliged to come.'

The drowsiness slowed her mind to a crawl, but she grasped the essentials of what the man was saying. That he was legend, and she, in disbelieving him, had obliged him to show his hand. She looked, now, down at those hands. One of them was missing. In its place, a hook.

'There will be some blame,' he told her. 'They will say your doubts shed innocent blood. But I say - what's blood for, if not for shedding? And in time the scrutiny will pass. The police will leave, the cameras will be pointed at some fresh horror, and they will be left alone, to tell stories of the Candyman again.'

'Candyman?' she said. Her tongue could barely shape that blameless word.

'I came for you,' he murmured so softly that seduction might have been in the air. And so saying, he moved through the passageway and into the light.

She knew him, without doubt. She had known him all along, in that place kept for terrors. It was the man on the wall. His portrait painter had not been a fantasist: the picture that howled over her was matched in each extraordinary particular by the man she now set eyes upon. He was bright to the point of gaudiness: his flesh a waxy yellow, his thin lips pale blue, his wild eyes glittering as if their irises were set with rubies. His jacket was a patchwork his trousers the same. He looked, she thought, almost ridiculous, with his bloodstained motley, and the hint of rouge on his jaundiced cheeks. But people were facile. They needed these shows and shams to keep their interest. Miracles; murders; demons driven out and stones roiled from tombs. The cheap glamour did not taint the sense beneath. It was only, in the natural history of the mind, the bright feathers that drew the species to mate with its secret self.

And she was almost enchanted. By his voice, by his colours, by the buzz from his body. She fought to resist the rapture, though. There was a monster here, beneath this fetching display; its nest of razors was at her feet, still drenched in blood. Would it hesitate to slit her own throat if it once laid hands on her?

As the Candyman reached for her she dropped down and snatched the blanket up, flinging it at him. A rain of razors and sweetmeats fell around his shoulders. The blanket followed, blinding him. But before she could snatch the moment to slip past him, the pillow which had lain on the blanket rolled in front of her.

It was not a pillow at all. Whatever the forlorn white casket she had seen in the hearse had contained, it was not the body of Baby Kerry. That was here, at her feet, its blood-drained face turned up to her. He was naked. His body showed everywhere signs of the fiend's attentions.

In the two heartbeats she took to register this last horror, the Candyman threw off the blanket. In his struggle to escape from its folds, his jacket had come unbuttoned, and she saw - though her senses protested - that the contents of his torso had rotted away, and the hollow was now occupied by a nest of bees. They swarmed in the vault of his chest, and encrusted in a seething mass the remnants of flesh that hung there. He smiled at her plain repugnance.

'Sweets to the sweet,' he murmured, and stretched his hooked hand towards her face. She could no longer see light from the outside world, nr hear the children playing in Butts' Court. There was no escape into a saner world than this. The Candyman filled her sight; her drained limbs had no strength to hold him at bay.

'Don't kill me,' she breathed.

'Do you believe in me?' he said.

She nodded minutely. 'How can I not?' she said.

'Then why do you want to live?'

She didn't understand, and was afraid her ignorance would prove fatal, so she said nothing.

'If you would learn,' the fiend said, 'just a little from me... you would not beg to live.' His voice had dropped to a whisper. 'I am rumour,' he sang in her ear. 'It's a blessed condition, believe me. To live in people's dreams; to be whispered at street-corners; but not have to be. Do you understand?'

Her weary body understood. Her nerves, tired of jangling, understood. The sweetness he offered was life without living: was to be dead, but remembered everywhere; immortal in gossip and graffiti.

'Be my victim,' he said.

'No...' she murmured.

'I won't force it upon you,' he replied, the perfect gentleman. 'I won't oblige you to die. But think; think. If I kill you here - if I unhook you...' he traced the path of the promised wound with his hook. It ran from groin to neck. 'Think how they would mark this place with their talk... point it out as they passed by and say: "She died there; the woman with the green eyes". Your death would be a parable to frighten children with. Lovers would use it as an excuse to cling closertogether...'