“I’ve got an understudy covering for me, so I’ll come straight to the point,” she said, looking with apparent professional interest at Zhark’s high cheekbones. “Someone’s trying to kill me.”

“You and I have much in common, Dr. Brennan,” I replied. “When did this happen?”

“Call me Tempe. Have you read my latest adventure?”

Grave Secrets? Of course.”

“Near the end I’m captured after being slipped a Mickey Finn. I talk my way out of it, and the bad guy kills himself.”

“So?”

“Thirty-two readings ago, I was drugged for real and nearly didn’t make it. It was all I could do to stay conscious long enough to keep the book on its tracks. I’m first-person narrative so everything’s up to me.”

“Yeah,” I murmured, “that first-person thing can be a drag. Did you report it to Text Grand Central?”

She pushed the hair away from her face and said, “Naturally. But since I kept the show going, it was never logged as a textual anomaly, so according to TGC there’s no crime. You know what they told me? ‘Come back when you’re dead, and then we can do something.’”

“Hmm,” I said, drumming my fingers on the desk. “Who do you think is behind it?”

She shrugged. “No one in the book. We’re all on very good terms.”

“Any skeletons in the closet? If you’ll excuse the expression.”

“Plenty. In Crime there’s always at least one seriously bad guy to deal with per book-sometimes more.”

Narratively speaking, that’s how it appears,” I pointed out. “But with you dead, everyone else in your books would become redundant overnight-and with the possibility of erasure looming over them, your former enemies actually have some of the best reasons to keep you alive.”

“Hmm,” said Dr. Brenann thoughtfully, “I hadn’t thought of it that way.”

“The most likely person to want to kill you is someone outside your book-any thoughts?”

“I don’t know anyone outside my books-except Kathy and Kerry, of course.”

“It won’t be them. Leave it with me,” I said after a moment’s pause, “and I’ll see what I can do. Just keep your eyes and ears open, yes?”

Dr. Brennan smiled and thanked me, shook my hand again, said good-bye to Zhark and Mrs. Tiggy-Winkle and was gone, muttering that she had to relieve the substandard and decidedly bone-idle understudy who was standing in for her.

“What was that all about?” asked Zhark.

“No idea,” I replied. “It’s kind of flattering that people bring their problems to me. I just wish there were another Thursday to deal with it.”

“I thought there was.”

“Don’t even joke about it, Emperor.”

There was a crackle in the air, and Commander Bradshaw suddenly appeared just next to us. Zhark and Tiggy-Winkle looked guilty all of a sudden, and the hedgepig washerwoman made a vain attempt to hide the ironing she was doing.

“I thought I would find you here,” he said, mustache all atwitch, as it was when he was a bit peeved. “That wouldn’t be moonlighting, would it, Agent Tiggy-Winkle?”

“Not at all,” she replied. “I spend so much time at Jurisfiction I can hardly get through the ironing I need to do for my own book!”

“Very well,” said Bradshaw slowly, turning to me. “I thought I’d find you here, too. I have a job that only you can handle.”

“I thought I was suspended?”

He passed me my badge. “The suspension was purely for the CofG’s benefit. The disciplinary paperwork was accidentally eaten by snails. Most perplexing.”

I smiled. “What’s up?”

“A matter of great delicacy. There were a few minor textual irregularities in…the Thursday books.”

“Which ones?” I asked, suddenly worried that Thursday5 might have taken her failure to heart.

“The first four. Since you know them quite well and no one else wants to touch them or her with a barge pole, I thought you might want to check it out.”

“What sorts of irregularities?”

“Small ones,” said Bradshaw, handing me a sheet of paper. “Nothing you’d notice from the Outland unless you were a committed fan. I’m thinking it might be the early stage of a breakdown.”

He didn’t mean a breakdown in the Outlander sense. In the BookWorld a breakdown meant an internal collapse of the character’s pattern of reason-the rules that made one predictable and understandable. Some, like Lucy Deane, collapsed spontaneously and with an annoying regularity; others just crumbled slowly from within, usually as a result of irreconcilable conflicts within their character. In either case, replacement by a fully trained-up generic was the only option. Of course, it might be nothing and very possible that Thursday1-4 was just angry about being fired and venting her spleen on the co-characters in the series.

“I’ll check her out.”

“Good,” said Bradshaw, turning to Zhark and Tiggy-Winkle. “And you two-I want you all geared up and ready to try to get into ‘The Speckled Band’ by way of ‘The Disintegrator Ray’ by fourteen hundred hours.”

Bradshaw looked at his clipboard and then vanished. We all stood up.

“Do you want us to come with you?” asked Zhark. “Strictly speaking, your checking up on Thursday1-4 is a conflict-of-interest transgression.”

“I’ll be fine,” I said, and the pair of them wished me well and vanished, like Bradshaw, into thin air.

26. Thursday Next

I was only vaguely consulted when the first four of the Thursday Next books were constructed. I was asked about my car, my house, and I even lent them a photo album (which I never got back). I was also introduced to the bland and faceless generic who would eventually become Thursday1-4. The rest was created from newspaper reports and just plucked from the air. If I’d cared more about how it all was going to turn out, perhaps I would have given them more time.

After another fruitless argument with the dispatcher at TransGenre Taxis, who told me they had two drivers off sick and it wasn’t their fault but they would “see what could be done,” I took the elevator down to the sixth floor of the Great Library and walked to the section of shelving that carried all five of the Thursday books, from The Eyre Affair all the way through to The Great Samuel Pepys Fiasco. There was every edition, too-from publisher’s proof to hardback, large print and mass-market paperback. I picked up a copy of The Eyre Affair and looked carefully for a way in. I knew that the book was first-person narrative, and having a second me clearly visible to readers would be wildly confusing-if the book wasn’t confusing enough already. I soon found what I was looking for: a time lapse of six weeks after Landen’s death near the beginning of the book. I scanned the page for the correct place, and, using an oblique, nonappearing-entry method taught to me by Miss Havisham, I slipped unseen into the end of chapter one.

I arrived in the written Swindon just as the sun was dipping below the horizon, and I was standing opposite our house in the Old Town. Or at least it was the remains of our house. The fire had just been put out, and the building was now a blackened ruin, the still-hot timbers steaming as they were doused with water. Through the twinkling of blue and red emergency lights, I could see a small figure sitting in the back of an ambulance, a blanket draped across her shoulders. The legal necessity of removing Landen from the series was actually a blessing in disguise for the publishers. It freed up their Thursday romantically and also gave a reason for her psychotic personality. Boy, was this book ever crap.

I waited in the crowd for a moment until I could sense that the chapter was over, then approached Thursday1-4, who had her back to me and was talking to a badly realized version of Bowden, who in this book was known by the legally unactionable “Crowden Babel.”


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