The train flew through Bermondsey and out into little streets of new brick, red tile. Dust-heaps, market-gardens, waste-ground. A tunnel.

The darkness about her stank of burnt gunpowder.

Sybil closed her eyes.

When she opened them, she saw crows flapping above a barren down, and the wires of the electric telegraph all alive, blurring, moving up and down in the intervals between poles, dancing in the wind of her passage toward France.

This image, surreptitiously daguerreotyped by a member of the Public Morals Section of the Surete Generale, January 30, 1855, presents a young woman seated at a table on the terrace of the Cafe Madeleine, No. 4 Boulevard Malesherbes. The woman, seated alone, has a china teapot and cup before her. Justification of the image reveals certain details of costume: ribbons, frills, her cashmere shawl, her gloves, her earrings, her elaborate bonnet. The woman's clothing is of French origin, and new, and of high quality. Her face, slightly blurred by long camera exposure, seems pensive, lost in thought.

Justification of background detail reveals No. 3 Boulevard Malesherbes, the offices of the Compagnie Sud Atlantique Transport Maritimes. The office window contains a large model steamboat with three funnels, a French-designed craft for the trans-Atlantic colonial trade. A faceless elderly man, evidently an accidental subject, seems lost in contemplation of the ship; his lone figure emerges therefore from the swiftly moving blurs of the Parisian street-crowd. His head is bare, his shoulders slump, and he leans heavily on a cane, apparently of cheap rattan. He is as unaware of the young woman's proximity as she is of his.

She is Sybil Gerard.

He is Samuel Houston.

Their paths diverge forever.

SECOND ITERATION

Derby Day

He is frozen in mid-stride as he edges diagonally into the depths of the holiday crowd. The angle of aperture has captured a fraction of his face: high cheekbone, thick dark beard trimmed close, right ear, stray lock of hair visible between corduroy coat-collar and striped cap. The cuffs of his dark trousers, buttoned tight in leather spats above hobnailed walking-boots, are speckled to the shins with the chalky mud of Surrey. The left epaulet of his worn, waterproof coat buttons sturdily over the strap of a military-issue binocular case; the lapels flap open in the heat, showing stout gleaming toggles of brass. His hands are jammed deep in the long coat's pockets.

His name is Edward Mallory.

He tramped through a lacquered gleam of carriages, blindered horses cropping noisily at the turf, amid childhood smells of harness, sweat, and grassy dung. His hands inventoried the contents of his various pockets. Keys, cigar-case, billfold, card-case. The thick staghorn handle of his multi-bladed Sheffield knife. Field notebook—most precious item of all. A handkerchief, a pencil-stub, a few loose shillings. A practical man. Dr. Mallory knew that every sporting-crowd has its thieves, none of them dressed to match their station. Anyone here might be a thief. It is a fact; it is a risk.

A woman blundered into Mallory's path, and his hobnails tore the flounce of her skirt. Turning, wincing, she tugged herself loose with a squeak of crinoline as Mallory touched his cap, and marched quickly on. Some farmer's wife, a clumsy, great red-cheeked creature, civilized and English as a dairy-cow. Mallory's eye was still accustomed to a wilder breed, the small brown wolf-women of the Cheyenne, with their greased black braids and beaded leather leggings. The hoop-skirts in the crowd around him seemed some aberrant stunt of evolution; the daughters of Albion had got a regular scaffolding under there now, all steel and whalebone.

Bison; that was it. American bison, just that very hoopskirt silhouette, when the big rifle took them down; they had a way of falling, in the tall grass, suddenly legless, a furry hillock of meat. The great Wyoming herds would stand quite still for death, merely twitching their ears in puzzlement at the distant report of the rifle.

Now Mallory threaded his way among this other herd, astonished that mere fashion could carry its mysterious impetus so far. The men, among their ladies, seemed a different species, nothing so extreme—save, perhaps, their shiny toppers, though his inner eye refused to find any hat exotic. He knew too much about hats, knew too many of the utterly mundane secrets of their manufacture. He could see at a glance that most of the hats around him were dead cheap, Engine-made, pre-cut in a factory, though looking very nearly as fine as a craftsman-hatter's work, and at half the price or less. He had helped his father in the little haberdashery in Lewes: punching, stitching, blocking, sewing. His father, dipping felt in the mercury bath, had seemed not to mind the stench…

Mallory was not sentimental about the eventual death of his father's trade. He put it from his mind, seeing that drink was being sold from a striped canvas tent, men crowding the counter, wiping foam from their mouths. A thirst struck him at the sight of it. Veering around a trio of sporting-gents, crops under their arms, who argued the day's odds, he reached the counter and tapped it with a shilling.

"Pleasure, sar?" asked the barman.

"A huckle-buff."

"Sussex man, sar?"

"I am. Why?"

"Can't make you a proper huckle-buff, sar, as I haven't barley-water," the fellow explained, looking briskly sad. "Not much call for it outside Sussex."

"Very nearly two years since I've tasted huckle-buff," Mallory said.

"Mix you a lovely bumbo, sar. Much like a huckle-buff. No? A good cigar, then. Only tuppence! Fine Virginia weed." The barman presented a crooked cheroot from a wooden box.

Mallory shook his head. "When I've the taste for something, I'm a stubborn man. A huckle-buff or nothing."

The barman smiled. "Won't be drove? A Sussex man, sure! I'm a county-man meself. Take this fine cigar gratis, sir, with my complimums."

"Very decent of you," Mallory said, surprised. He strolled off, shaking a lucifer from his cigar-case. Firing the match on his boot, he puffed the cheroot into life and tucked his thumbs jauntily in the arm-holes of his waistcoat.

The cigar tasted like damp gunpowder. He yanked it from his mouth. A cheap paper band girdled the foul, greenish-black leaf, a little foreign flag with stars and bars and the motto VICTORY BRAND. Yankee war-rubbish; he flung it away, so that it bounced sparking from the side of a gypsy-wagon, where a dark-headed child in rags snatched it quickly up.

To Mallory's left, a spanking new steam-gurney chugged into the crowd, the driver erect at his station. As the man drew his brake-lever, a bronze bell clanged in the gurney's maroon prow, people scattering sulkily before the vehicle's advance. Above them, passengers lounged in velvet coach-seats, the folding spark-shield accordioned back to admit the sun. A grinning old swell in kid gloves sipped champagne with a pair of young misses, either daughters or mistresses. The gurney's door gleamed with a coat-of-arms, cog-wheel azure and crossed hammers argent. Some Rad's emblem unknown to Mallory, who knew the arms of every savant Lord—though he was weak on the capitalists.

The machine was headed east, toward the Derby garages; he fell in behind it, letting it clear his path, easily keeping pace and smiling as draymen struggled with frightened horses. Pulling his notebook from his Docket, stumbling a little in the gouged turf-tracks of the brougham's thick wheels, he thumbed through the colorful pages of his spotter's guide. It was last year's edition; he could not find the coat-of-arms. Pity, but it meant little, when new Lords were ennobled weekly. As a class, the Lordships dearly loved their steam-chariots.


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