It was at one of these, the big one, the central flesh market and hiring fair, that I saw you last. Curiously enough, it was held in New York that year. I was giving a paper oh Amelia Edwards and other female journalists of the period. When I saw your name on the agenda I thought it must be someone else. But it was you, all right, and you spent the entire session discussing whether or not John Keats had had syphilis. You had done a considerable amount of research on the medical uses of mercury in the early part of the century, and your last paragraph was a masterpiece of inconclusion. You had gained weight, in fact you looked healthy, you looked as if you played golf. Though I watched in vain for a sardonic smile: your delivery was deadpan.

Afterwards I went up to congratulate you. You were surprised to see me; you had never thought of me, you said, ending up quite like this, and your possibly dismayed gaze took in my salon haircut, my trim-fitting red jumpsuit, my jaunty boots. You yourself were married, with three children, and you hastily showed me wallet snapshots, holding them out like protective talismans. I matched them with my own. Neither of us suggested having a drink. We wished each other well; we were both disappointed. You had wanted me, I saw now, to die young of consumption or some equally operatic disease. Underneath it all you too were a romantic.

That should have been that, and I can’t understand why it isn’t. It is absolutely true that I love my husband and children. In addition to attending faculty meetings, where I crochet afghan squares during discussions of increments and curriculae, I cook them nourishing meals, arrange birthday parties and make my own bread and pickles, most of the time. My husband admires my achievements and is supportive, as they say, during my depressions, which become rarer. I have a rich and rewarding sex life, and I can already hear you ridiculing the adjectives, but it is rich and rewarding in spite of you. And you have done no better than I have.

But when I returned from the conference to the house where I live, which is not a bungalow but a two-storey colonial and in which, ever since I moved in, you have occupied the cellar, you were not gone. I expected you to have been dispelled, exorcised: you had become real, you had a wife and three snapshots, and banality is after all the magic antidote for unrequited love. But it was not enough. There you were, in your accustomed place, over by the shelf to the right of the cellar stairs where I keep the preserves, standing dusty and stuffed like Jeremy Bentham in his glass case, looking at me not with your former scorn, it’s true, but with reproach, as if I had let it happen, as if it was my fault. Surely you don’t want it back, that misery, those decaying buildings, that seductive despair and emptiness, that fear? Surely you don’t want to be stuck on that slushy Boston street forever. You should have been more careful. I try to tell you it would have ended badly, it was not the way you remember, you are deceiving yourself, but you refuse to be consoled. Goodbye, I tell you, waiting for your glance, pensive, regretful. You are supposed to turn and walk away, past the steamer trunks, around the corner into the laundry room, and vanish behind the twinset washer-dryer; but you do not move.

When It Happens

Mrs. Burridge is putting up green tomato pickles. There are twelve quarts in each lot with a bit left over, and that is the end of the jars. At the store they tell her there’s a strike on at the factory where they get made. She doesn’t know anything about that but you can’t buy them anywhere, and even before this they were double what they were last year; she considers herself lucky she had those in the cellar. She has a lot of green tomatoes because she heard on the weather last night there was going to be a killer frost, so she put on her parka and her work gloves and took the lantern out to the garden in the pitch dark and picked off all the ones she could see, over three bushels. She can lift the full baskets herself but she asked Frank to carry them in for her; he grumbles, but he likes it when she asks. In the morning the news said the growers had been hit and that would shoot the price up, not that the growers would get any of it themselves, everyone knows it’s the stores that make the money.

She feels richer than she did yesterday, but on the other hand there isn’t that much you can do with green tomatoes. The pickles hardly made a dint in them, and Frank has said, as he does every year, that they will never eat twenty-four quarts of green tomato pickle with just the two of them and the children gone. Except when they come to visit and eat me out of house and home, Mrs. Burridge adds silently. The truth is she has always made two batches and the children never liked it anyway, it was Frank ate them all and she knows perfectly well he’ll do it again, without even noticing. He likes it on bread and cheese when he’s watching the hockey games, during every commercial he goes out to the kitchen and makes himself another slice, even if he’s just had a big meal, leaving a trail of crumbs and bits of pickle from the counter across the floor and over the front room rug to his big chair. It used to annoy Mrs. Burridge, especially the crumbs, but now she watches him with a kind of sadness; she once thought their life together would go on forever but she has come to realize this is not the case.

She doesn’t even feel like teasing him about his spare tire any more, though she does it all the same because he would miss it if she stopped. “There you go,” she says, in the angular, prodding, metallic voice she cannot change because everyone expects it from her, if she spoke any other way they would think she was ill, “you keep on munching away like that and it’ll be easy for me to get you out of bed in the mornings, I’ll just give you a push and you’ll roll all the way down the stairs like a barrel.” And he answers in his methodical voice, pretending to be lazy even though he isn’t, “You need a little fun in life,” as though his pickles and cheese are slightly disreputable, almost like an orgy. Every year he tells her she’s made too much but there would be a fuss all right if he went down to the cellar one day and there wasn’t any left.

Mrs. Burridge has made her own pickles since 1952, which was the first year she had the garden. She remembers it especially because her daughter Sarah was on the way and she had trouble bending down to do the weeding. When she herself was growing up everyone did their own pickles, and their own canning and preserving too. But after the war most women gave it up, there was more money then and it was easier to buy things at the store. Mrs. Burridge never gave it up, though most of her friends thought she was wasting her time, and now she is glad she didn’t, it kept her in practice while the others were having to learn all over again. Though with the sugar going up the way it is, she can’t understand how long anyone is going to be able to afford even the homemade things.

On paper Frank is making more money than he ever has; yet they seem to have less to spend. They could always sell the farm, she supposes, to people from the city who would use it as a weekend place; they could get what seems like a very high price, several of the farms south of them have gone that way. But Mrs. Burridge does not have much faith in money; also it is a waste of the land, and this is her home, she has it arranged the way she wants it.

When the second batch is on and simmering she goes to the back door, opens it, and stands with her arms folded across her stomach, looking out. She catches herself doing this four or five times a day now and she doesn’t quite know why. There isn’t much to see, just the barn and the back field with the row of dead elms Frank keeps saying he’s going to cut down, and the top of Clarke’s place sticking over the hill. She isn’t sure what she is looking for but she has the odd idea she may see something burning, smoke coming up from the horizon, a column of it or perhaps more than one column, off to the south. This is such a peculiar thought for her to have that she hasn’t told it to anyone else. Yesterday Frank saw her standing at the back door and asked her about it at dinner; anything he wants to talk to her about he saves up till dinner, even if he thinks about it in the morning. He wondered why she was at the back door, doing nothing at all for over ten minutes, and Mrs. Burridge told him a lie, which made her very uneasy. She said she heard a strange dog barking, which wasn’t a good story because their own dogs were right there and they didn’t notice a thing. But Frank let it pass; perhaps he thinks she is getting funny in her old age and doesn’t want to call attention to it, which would be like him. He’ll track mud all over her nice shiny kitchen floor but he’d hate to hurt anyone’s feelings. Mrs. Burridge decides, a little wistfully, that despite his pig-headedness he is a kind and likable man, and for her this is like renouncing a cherished and unquestionable belief, such as the flatness of the earth. He has made her angry so many times.


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