It was in Sister Dorothea’s room that the accused had prepared his surprise. On the marble top of a washstand—or perhaps I should call this article of furniture a dressing table because of the mirror behind it—stood a preserving jar about the size of those which my mother, Alice von Vittlar, uses for putting up the applesauce she makes from our cooking apples. This preserving jar, however, contained not applesauce but the ring finger, swimming in alcohol. Proudly the accused showed me several thick scientific books which he had consulted while preserving the finger. I leafed absently through them, pausing only at the illustrations, but admitted that the accused had done an excellent job and that the finger’s appearance was unchanged. Speaking as a decorator, I also told him that the glass with its contents looked interestingly decorative at the foot of the mirror.
When the accused saw that I had made friends with the preserving jar, he informed me that he sometimes worshiped it and prayed to it. My curiosity was aroused and I asked him for a sample of his prayers. He asked me a favor in return: providing me with paper and pencil, he asked me to write his prayer down. I could ask questions as he went along; while praying, he would answer to the best of his knowledge.
Here I give in testimony the words of the accused, my questions, his answers: Adoration of a preserving jar: I adore. Who, I? Oskar or I? I, piously; Oskar, with distraction. Devotion, perpetual, never mind about repetitions. I, discerning because without recollections; Oskar, discerning because full of recollections. I, cold, hot, lukewarm. Guilty under examination. Innocent without examination. Guilty because of, succumbed because of, remitted my guilt, unloaded the guilt on, fought through to, kept free of, laughed at and about, wept for, over, without, blasphemed in speech, blasphemed in silence, I speak not, I am not silent, I pray. I adore. What? A glass jar. What kind of a jar? A preserving jar. What is preserved in it? A finger. What sort of finger? A ring finger. Whose finger? Blond. Who’s blond? Medium height. Five feet four? Five feet five. Distinguishing marks? A mole. Where? Inside of arm. Left, right? Right. Ring finger where? Left. Engaged? Yes, but not married. Religion? Protestant. Virgin? Virgin. Born? Don’t know. Where? Near Hanover. When? December. Sagittarius or Capricorn? Sagittarius. Character? Timid. Good-natured? Conscientious, talkative. Sensible? Economical, matter-of-fact, but cheerful. Shy? Fond of goodies, straightforward, and bigoted. Pale, dreams of traveling, menstruation irregular, lazy, likes to suffer and talk about it, lacks imagination, passive, waits to see what will happen, good listener, nods in agreement, folds her arms, lowers eyelids when speaking, opens eyes wide when spoken to, light-grey with brown close to pupil, ring a present from boss, married man, didn’t want to take it at first, took it, terrible experience, fibers, Satan, lots of white, took trip, moved, came back, couldn’t stop, jealous, too, but for no reason. Sickness but not, death but not, yes, no, don’t know, I can’t go on. Picking cornflowers when murderer arrived, no, murderer was with her all along… Amen? Amen.
I, Gottfried Vittlar, append this prayer only because, confused as it may seem, the indications contained in it concerning the owner of the ring finger coincide very largely with the testimony regarding the murdered woman, Sister Dorothea Köngetter. However, I am not trying to cast doubt on the accused’s allegation that he did not murder Dorothea Köngetter and never saw her face to face.
It seems to me, in any case, that the extreme devotion with which the accused prayed and drummed—he was kneeling and had wedged his drum between his knees—to that preserving jar argues in his favor.
I had further occasion, in the year or more that followed, to see the accused pray and drum, for he was soon to offer me a generous salary—which I accepted—to accompany him on his tours, which he had interrupted for a considerable period but resumed shortly after finding the ring finger. We visited the whole of Western Germany and had offers to play in the East Zone and even abroad. But Mr. Matzerath preferred to remain within the boundaries of the Federal Republic; as he himself put it, he didn’t want to get into the usual international rat race. He never drummed or prayed to the jar before performing. But after his appearance and a long-drawn-out dinner we would repair to his hotel room: then he drummed and prayed, while I asked questions and wrote; afterwards we would compare his prayer with those of the previous days and weeks. The prayers vary in length. Sometimes the words clashed violently, on other days the rhythm was fluid, almost meditative. Yet the prayers I collected, which I herewith submit to the court, contain no more information than my first transcript, which I incorporated in my deposition.
In the course of the year, I became superficially acquainted, between tours, with a few of Mr. Matzerath’s friends and relatives. I met his stepmother, Mrs. Maria Matzerath, whom the accused adores, though with a certain restraint. And the same afternoon I made the acquaintance of Kurt Matzerath, the accused’s half brother, a well-behaved boy of eleven. Mrs. Augusta Köster, the sister of Mrs. Maria Matzerath, also made a favorable impression on me. As the accused confessed to me, his relations with his family became more than strained during the first postwar years. It was only when Mr. Matzerath helped his stepmother to set up a large delicatessen store, which also carries tropical fruit, and helped financially whenever business difficulties arose, that relations between stepmother and stepson became really friendly.
Mr. Matzerath also introduced me to a number of former colleagues, for the most part jazz musicians. Mr. Münzer, whom the accused calls familarly Klepp, struck me as a cheerful and amiable sort, but so far I have not had the energy or desire to develop these contacts.
Though, thanks to the generosity of the accused, I had no need to practice my trade during this period, love of my profession led me, between tours, to decorate a showcase or two. The accused took a friendly interest in my work. Often, late at night, he would stand out in the street, looking on as I practiced my modest arts. Occasionally, when the work was done, we would do the town a bit, though we avoided the Old City because the accused, as he himself explained, couldn’t stand the sight of any more bull’s-eye panes or signs in old-fashioned Gothic lettering. One of these excursions—and I am coming to the end of my deposition—took us through Unterrath to the car barn. It was past midnight.
We stood there at peace with the world and each other, watching the last cars pull in according to schedule. It’s quite a sight. The dark city round about. In the distance, because it was Friday, the roaring of a drunken workman. Otherwise silence, because the last cars, even when they ring their bells and squeak on the curves, make no noise. Most of the cars ran straight into the barn. But a few stood outside, facing every which way, empty, but festively lighted. Who had the idea? Both of us, but it was I who said: “Well, my dear friend, what do you say?” Mr. Matzerath nodded, we got in without haste, I took the motorman’s place and immediately felt quite at home. I started off gently, but gradually gathered speed. I turned out to be a good motorman. Matzerath—by now the brightly lit barn was behind us—acknowledged my prowess with these words: “You must have been baptized a Catholic, Gottfried, to be able to run a streetcar so well.”
Indeed, this unaccustomed occupation gave me great pleasure. At the car barn no one seemed to have noticed our departure, for we were not followed, and they could easily have stopped us by turning off the current. I took the direction of Flingern; after Flingern I thought of turning left at Haniel and going on toward Rath and Ratingen, but Mr. Matzerath asked me to head for Grafenberg and Gerresheim. Though I had misgivings about the hill below the Lions’ Den Dance Hall, I acceded to the request of the accused. I made the hill, the dance hall was behind me. but then I had to jam on the brakes because three men were standing on the tracks.