“Heather.” Reggie sighs, looking toward the thick gray clouds overhead. “I am a businessman. What kind of businessman would I be if I let a young woman like yourself, who is going through a very trying period in her life and could probably use a little pick-me-up, walk by without makin’ an attempt to engage her business?”
And, to illustrate his meaning, Reggie takes a copy of the New York Post he’s kept tucked under his arm, and opens it to the front page. There, in two-inch letters, screams the headline,It’s On Again, over a black-and-white photo of my ex-fiancé hand in hand with his on-again, off-again bride-to-be, pop princess Tania Trace.
“Reggie,” I say, after taking a restorative sip of my café mocha. But only because I’m so cold. I don’t actually want it anymore, because it’s covered with the taint of Barista Boy. Well, maybe I still want the whipped cream. Which is sort of good for you. I mean, it’s dairy. And dairy’s an important part of a well-balanced breakfast. “Do you really think I sit around all day fantasizing about getting back together with my ex? Because nothing could be further from the truth.”
The fact is, I sit around all day fantasizing about getting together with my ex’s brother, who continues to remain stubbornly immune to my charms.
But there’s no reason my local drug dealer needs to know this.
“My apologies, Heather,” Reggie says, refolding the paper. “I just thought you’d want to know. This morning on New York One, they said the wedding is still scheduled to go on in St. Patrick’s Cathedral, with the reception at the Plaza this Saturday.”
I goggle at him. “Reggie,” I say, stunned. “You watch New York One?”
Reggie looks mildly affronted. “I check the weather, like any New Yorker, before I leave for work.”
Wow. That is so cute. He watches the weather before leaving for work to deal drugs on my street corner!
“Reggie,” I say, impressed, “my apologies. I admire your dedication. Not only do you refuse to let the elements keep you from your work, but you’re up on your local gossip. Please go right ahead and keep on trying to sell me drugs.”
Reggie smiles, showing all of his teeth, many of which are capped—festively—in gold. “Thank you, baby,” he says, as if I have just bestowed on him some very great honor.
I smile back at him, then continue my slog to my office. I shouldn’t really call it a slog, though. I actually have a very short commute, which is good, since I have a problem getting up on time in the morning. If I lived in Park Slope or the Upper West Side or something, and had to take the subway to work every day, forget it (although, if I lived in Park Slope or the UWS, I’d be required by law to have a child, so it’s just as well). I guess I’m really lucky, in a way. I mean, sure, I can barely afford a café mocha, and thanks to all of the holiday parties I attended, I can’t fit into my size 12 stretch cords unless I’m wearing a pair of Spanx.
And okay, my ex is about to marry one of People magazine’s 50 Most Beautiful People, and I don’t even own my own car, let alone my own home.
But at least I get to live rent-free in a kick-ass apartment on the top floor of a brownstone two blocks from where I work in the coolest city in the entire world.
And okay, I only took my job, as the assistant director of a New York College dormitory, in order to get tuition remission benefits and actually attain the BA I lied about already having on my résumé.
And yeah, all right, so I’m having a little trouble getting into the School of Arts and Sciences due to my SAT score, which was so low that the dean won’t admit me until I take—and pass—a remedial math course, despite my explaining to her that, in lieu of paying rent, I do all the billing for a very cute private detective, and have never once made an accounting error, that I know of.
But it is useless to expect a cold-hearted bureaucracy—even the one you work for—to treat you as an individual.
So here I am, at nearly twenty-nine, about to learn the FOIL method for the first time (and let me tell you, I’m having a pretty hard time imagining a situation in which I might actually have to employ it).
And yeah, I write songs until late into the night, even though I can’t, for the life of me, find the guts to actually sing them in front of anyone.
But still. My commute only takes two minutes, and I get to see my boss/landlord, on whom I have a major crush, wearing nothing but a towel from time to time as he darts from the bathroom to the laundry room to look for a clean pair of jeans.
So life’s not too bad. In spite of Barista Boy.
Still, living super-close to my place of work has its drawbacks, too. For instance, people seem to have no compunction about calling me at home about inconsequential matters, like backed-up toilets or noise complaints. Like just because I live two blocks away, I should be able to come over at any hour to rectify matters my boss, the live-in building director, is supposed to handle.
But all in all, I like my job. I even like my new boss, Tom Snelling.
Which is why when I walk into Fischer Hall that arctic morning and find that Tom isn’t there yet, I’m kinda bummed—and not just because that means there’s no one to appreciate the fact that I’d made it in to the office before nine-thirty. No one except Pete, the security guard, who’s on the phone, trying to get through to one of his many children’s principals to find out about a detention one of them has been assigned for.
And I guess there’s the work-study student manning the reception desk. But she doesn’t even look up as I go by, she’s so engrossed in a copy of Us Weekly she’s stolen from the mail-forwarding bin (Jessica Simpson’s on the cover. Again. She and Tania Trace are neck and neck for Tabloid Skank of the Year).
It’s not until I turn the corner and pass the elevators that I see the line of undergrads outside the hall director’s office. And I remember, belatedly, that the first day of spring semester is also the first day a lot of kids come back from Winter Break—the ones who didn’t stay in the dorm (I mean, residence hall) to party until classes started again today, the day after Martin Luther King Day.
And when Cheryl Haebig—a New York College sophomore desperate for a room change because she’s a bubbly cheerleader and her current roommate is a Goth who despises school spirit in all its guises, plus has a pet boa constrictor—leaps up from the institutional blue couch outside my office door and cries, “Heather!” I know I’m in for a morning of headaches.
Good thing I have my grande café mocha to keep me going.
The other students—each and every one of whom I recognize, since they’ve been in the office before due to roommate conflicts—scramble up from the cold marble floor on which they’ve been waiting, the couch being only a two-seater. I know what they’ve been waiting for. I know what they want.
And it’s not going to be pretty.
“Look, you guys,” I say, wrestling my office keys out of my coat pocket. “I told you. No room changes until all the transfer students are moved in. Then we’ll see what’s left.”
“That’s not fair,” exclaims a skinny guy with large plastic disks in his earlobes. “Why should some stupid transfer student get dibs on all the open spaces? We got here first.”
“I’m sorry,” I say. I really am, because if I could just move them all, I wouldn’t have to listen to their whining anymore. “But you’re going to have to wait until they’ve all checked in. Then, if there are any spaces left, we can move you guys into them. If you can just hang on until next Monday, when we know who’s checked in and who hasn’t shown up—”
I am interrupted by general moaning. “By next Monday I’ll be dead,” one resident assures another.
“Or my roommate will,” his friend says. “Because I’ll have killed him by then.”
“No killing your roommate,” I say, having gotten the office door open and flicked on the lights. “Or yourself. Come on, guys. It’s just another week.”